Scroll up
Skip to main content

Hardback

By Chris Stephens, David Alan Mellor, Alex Massouras, and Martin Harrison
Details
Publishers:
London: Thames & Hudson
London: The Estate of Francis Bacon
Contents
Chris Stephens, 'Richard Smith: 'Just a little off centre'', pp. 6-43
David Alan Mellor, 'A lexicon or Smith's encyclopaedia', pp. 44-67
Alex Massouras, 'From motion pictures to flight', pp. 68-83
Alex Massouras, 'Young and British', pp. 84-93
Martin Harrison, 'Coda', pp. 240-259
Details
Publisher:
Saint-Paul-de-Vence: Fondation Maeght
Contents
Jean-Louis Prat, 'Etrange et fatidique réalité', pp. 9-20
Paintings
53-13 Study for Portrait VII, 1953; ill. p. 35 (titled 'Number VII from eight studies for a Portrait')
63-15 Three Studies for Portrait of George Dyer, 1963; ill. pp. 46-47 (titled 'Three studies for a portrait of George Dyer')
66-15 Portrait of George Dyer Riding a Bicycle, 1966; ill. p. 55 (titled 'George Dyer riding a bicycle')
69-03 Lying Figure, 1969; ill. p. 67 (detail)
69-05 Study for Bullfight No 2., 1969; ill. p. 69 (titled 'Etude pour une corrida')
69-13 Self-Portrait, 1969; ill. on book cover (titled 'Self portrait'), ill. p. 71 (titled 'Self portrait')
76-05 Triptych, 1976; ill. p. 75 (detail), ill. pp. 76-78
76-09 Figure Writing Reflected in Mirror, 1976; ill. p. 73 (titled 'Figure writing reflected in a mirror')
81-01 Study for Self-Portrait, 1981; ill. p. 99 (titled 'Study for Self portrait')
81-04 Sand Dune, 1981; ill. p. 97
86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; ill. p. 89 (titled 'Study for Self portrait - Triptych'), ill. pp. 90-92 (titled 'Study for Self portrait - Triptych')
87-01 Triptych 1986 - 7, 1986 - 1987; ill. p. 103 (titled 'Triptych'), ill. pp. 104-106 (titled 'Triptych')
Details
Publisher:
New York: Marlborough Gallery Inc
Contents
David Sylvester, 'An unpublished interview by David Sylvester' [recorded in Spring 1984 for the film 'Francis Bacon: The Brutality of Fact'], pp. 5-15
Paintings
67-16 Triptych, 1967; ill. p. 13 (titled 'Triptych Inspired by T.S. Eliot's Poem 'Sweeney Agonistes'', detail, b&w)
77-05 Triptych 1974-1977, 1974 - 1977; ill. p. 12 (titled 'Triptych', b&w)
81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; ill. p. 14 (detail, b&w), ill. pp. 18-19
83-05 Sand Dune, 1983; ill. p. 15 (b&w)
83-07 Triptych, 1983; ill. pp. 22-23
85-04 Painting March 1985, 1985; ill. p. 29 (titled 'Painting - March')
86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; ill. p. 2 (centre panel, detail), ill. pp. 30-31 (titled 'Study for Self Portrait - Triptych')
87-01 Triptych 1986 - 7, 1986 - 1987; ill. on book cover (left panel, detail), ill. pp. 38-39 (titled 'Triptych')
87-02 Study from the Human Body, 1987; ill. p. 43 (titled 'Study from Human Body')
Details
Publisher:
New York: Tony Shafrazi Gallery
Contents
John Edwards, 'Eggs was a Diamond', p. 7
Tony Shafrazi, 'Introduction', pp. 10-13
Sam Hunter, 'Francis Bacon's Endgame: Humanism Revisited', pp. 14-[23]
David Sylvester, 'The Supreme Pontiff' [revised version published in: David Sylvester: Looking back at Francis Bacon. London: Thames & Hudson, 2000], pp. 24-77
Michael Peppiatt, 'Extracts from "Francis Bacon: Anatomy of an Enigma"', pp. 78-83
Paintings
50-01 Man at Curtain, 1950; ill. p. [17] (dated '1949'), ill. p. 19 (detail)
50-04 Study after Velázquez, 1950; ill. on book cover (detail), ill. p. [23] (titled 'Study after Velazquez'), ill. p. 25 (titled 'Study after Velazquez'), ill. p. 26 (titled 'Study after Velazquez', detail), ill. p. 30 (b&w)
By Susan Compton (ed.)
Details
Publisher:
Munich: Prestel-Verlag
Contents
Andrew Causey, 'Formalism and the Figurative Tradition in British Painting', pp. 15-30
Richard Cork, 'The Emancipation of Modern British Sculpture', pp. 31-52
Charles Harrison, 'Critical Theories and the Practice of Art', pp. 53-62
Richard Cork, 'Machine Age, Apocalypse and Pastoral', pp. 63-72
Dawn Ades, 'Figure and Place: A Context for Five Post-War Artists', pp. 73-82
Caroline Tisdall, 'Art Controversies of the Seventies', pp. 83-88
Robert Rosenblum, 'British Twentieth-Century Art: A Transatlantic View', pp. 89-98
By Amanda Geitner (ed.), Thierry Morel (ed.) and Calvin Winner (ed.)
Details
Publisher:
London: Fontanka Publications
Contents
Thierry Morel, 'Francis Bacon and the Art of the Past', pp. 14-25
Paul Joannides, 'Bacon, Michelangelo and the Classical Tradition', pp. 26-36
Amanda Geitner, 'A Very Modern Patronage: Francis Bacon and the Robert and Lisa Sainsbury Collection', pp. 138-147
Margarita Cappock, 'Francis Bacon's Studio', pp. 148-167
Paintings
By Martin Harrison (ed.)
Details
Publisher:
London: The Estate of Francis Bacon
Paintings
Subscribe to Hardback