Breadcrumb Bacon's World / Francis Bacon: His Life and Violent Times Francis Bacon: His Life and Violent Times By Andrew Sinclair Details Publisher: London: Sinclair-Stevenson Year: 1993 Language: English Pages: 354 ISBN/ISSN: 1856193101 Paintings 30-03 'Portrait', 1930; p. 165 33-01 Crucifixion, 1933; pp. 65-66, 68, 165 33-02 After Picasso, 'La Danse', 1933; pp. 66, 165 33-03 The Crucifixion, 1933; pp. 66, 165; ill. No. 27, unpaged (b&w) 34-01 Corner of the Studio, 1934; p. 76; ill. No. 26, unpaged (b&w) 34-02 Interior of a Room, 1934; p. 76 35-01 Figures in a Garden, 1935; pp. 75-76 (dated '1936') 36-01 Studio Interior, 1936; p. 76 36-02D Abstraction, 1936; p. 75 36-03D Abstraction from the Human Form, 1936; p. 75 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 66, 75, 93-96, 101-102, 165; ill. No. 29, unpaged 45-05 Figure in a Landscape, 1945; pp. 74, 94, 100, 165, 265; ill. No. 40, unpaged (b&w) 45-06 Study for a Figure, 1945; p. 102 46-01 Figure Study I, 1945 - 1946; p. 102 46-02 Figure Study II, 1945 - 1946; p. 102; ill. No. 42, unpaged (b&w) 46-03 Painting 1946, 1946; pp. 100-103, 146; ill. No. 28, unpaged 46-04 Landscape with Car, 1945 - 1946; p. 73; ill. No. 39, unpaged (earlier iteration, titled 'Figure Getting out of a Car', b&w) 48-01 Head I, 1948; pp. 110-112 49-01 Head II, 1949; pp. 110-112 49-02 Head III, 1949; pp. 110-112 49-03 Head IV (Man with a Monkey), 1949; pp. 110-112 49-04 Head V, 1949; pp. 110-112 49-07 Head VI, 1949; pp. 110-112 50-02 Fragment of a Crucifixion, 1950; pp. 145-146 50-04 Study after Velázquez, 1950; pp. 127-128 50-05 'Study after Velázquez', 1950; pp. 127-128 51-04 Portrait of Lucian Freud, 1951; p. 133 51-05 Pope I, 1951; pp. 127-128 51-06 Pope II, 1951; pp. 127-128 51-07D Pope III, 1951; pp. 127-128 52-02 House in Barbados, 1952; p. 136 52-14 Elephant Fording a River, 1952; p. 129 52-19 Man Eating a Leg of Chicken, 1952; p. 133 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 127-128; ill. No. 31, unpaged 53-06 Man with Dog, 1953; p. 130; ill. No. 46, unpaged (b&w) 53-07 Study for Portrait I, 1953; pp. 127-128 53-08 Study for a Portrait II, 1953; pp. 127-128 53-09 Study for Portrait III, 1953; pp. 127-128 53-10 Study for Portrait IV, 1953; pp. 127-128 53-11 Study for Portrait V, 1953; pp. 127-128 53-12 Study for Portrait VI, 1953; pp. 127-128 53-13 Study for Portrait VII, 1953; pp. 127-128; ill. No. 43, unpaged (b&w) 53-14 Study for Portrait VIII, 1953; pp. 127-128 53-15 Sphinx I, 1953; p. 130 53-16 Sphinx II, 1953; p. 130 53-20 Study of Figure in a Room, 1953; p. 123 53-23 Three Studies of the Human Head, 1953; p. 133 53-24 Two Figures, 1953; pp. 124-125, 137 53-27 Sphinx, 1953; p. 130 54-01 Two Figures in the Grass, 1954; pp. 124, 137 54-05 Man in Blue I, 1954; p. 133 54-06 Man in Blue II, 1954; p. 133 54-07 Man in Blue III, 1954; p. 133 54-08 Man in Blue IV, 1954; p. 133 54-09 Man in Blue V, 1954; p. 133 54-10 Man in Blue VI, 1954; p. 133 54-11 Man in Blue VII, 1954; p. 133 54-12 Sphinx, 1954; p. 130 54-16 Two Americans, 1954; p. 133 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 131 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 131 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 131 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 131 55-12 Man with Head Wound, 1955; p. 137 55-16 Sketch for a Portrait of Lisa, 1955; pp. 132-133 55-17 'Lisa Sainsbury' (?), 1955; pp. 132-133 56-03 Study for Portrait of Van Gogh I, 1956; pp. 131-132 56-04 Portrait of Lisa, 1956; pp. 132-133 56-05 Study for Portrait II, 1956; pp. 127-128 56-06 Study for Portrait I, 1956; pp. 127-128 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 131 57-01 Figures in a Landscape, 1956 - 1957; p. 140; ill. No. 49, unpaged (b&w) 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 133-134, 165; ill. No. 45, unpaged (b&w) 57-10 Study for Portrait of Van Gogh II, 1957; pp. 131-132 57-11 Study for Portrait of Van Gogh III, 1957; pp. 131-132 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 131-132; ill. No. 32, unpaged 57-13 Study for Portrait of Van Gogh V, 1957; pp. 131-132 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 131-132 57-15 Van Gogh in a Landscape, 1957; pp. 131-132 57-16 Figure in a Landscape (Miss Diana Watson), 1957; p. 133 57-18 Van Gogh Going to Work, 1957; pp. 131-132 57-19 Study for Portrait of P.L. No. 1, 1957; p. 137 57-20 Study for Portrait of P.L. No. 2, 1957; p. 137 59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 127-128 59-13 Miss Muriel Belcher, 1959; p. 141 61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 123; ill. No. 44, unpaged (b&w) 62-02 Study from Innocent X, 1962; pp. 127-128 62-04 Three Studies for a Crucifixion, 1962; p. 166 62-07 Study for Three Heads, 1962; p. 167 62-10 Seated Figure on Couch, 1962; ill. No. 54, unpaged (dated '1963', b&w) 63-01 Lying Figure with Hypodermic Syringe, 1963; p. 150; ill. No. 55, unpaged (b&w) 63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 181 64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; p. 176 64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; p. 198 64-10 Three Figures in a Room, 1964; pp. 186, 206, 217 65-01 Crucifixion, 1965; pp. 185, 201-203, 235; ill. No. 30, unpaged 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; p. 203 65-03 Study from Portrait of Pope Innocent X, 1965; pp. 127-128 66-01 Portrait of George Dyer Crouching, 1966; p. 199 66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 199 66-05 Three Studies for Portrait of Lucian Freud, 1966; pp. 200-201 66-09 Portrait of George Dyer Talking, 1966; pp. 199, 206, 289 66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 198 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 200; ill. No. 33, unpaged 67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 201 67-16 Triptych, 1967; pp. 208-209, 286; ill. No. 35, unpaged (titled 'Triptych Inspired by T.S. Eliot's poem "Sweeney Agonistes"') 68-02 Two Studies of George Dyer with Dog, 1968; p. 209 68-05 Portrait of George Dyer in a Mirror, 1968; p. 209 68-07 Two Studies for a Portrait of George Dyer, 1968; p. 209 68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 209-210 69-04 Study for Bullfight No. 1, 1969; pp. 201, 203 69-05 Study for Bullfight No 2., 1969; pp. 201, 203 69-07 Three Studies of Lucian Freud, 1969; p. 201 69-12 Study of Nude with Figure in a Mirror, 1969; pp. 200, 317 69-14 Second Version of Study for Bullfight No. 1, 1969; p. 201 70-04 Triptych - Studies from the Human Body, 1970; p. 237 70-06 Three Studies of the Male Back, 1970; pp. 215, 237 71-05 Study of George Dyer, 1971; p. 215 71-09 In Memory of George Dyer, 1971; pp. 219, 272 72-01 Three Studies of Figures on Beds, 1972; pp. 220-221 72-02 Self-Portrait with Injured Eye, 1972; p. 222 72-06 Portrait of Man Walking Down Steps, 1972; p. 220 72-07 Triptych August 1972, 1972; p. 220; ill. No. 34, unpaged 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 221 73-03 Triptych May-June, 1973; pp. 221, 237-238, 286, 289 73-05 Self-Portrait, 1973; p. 237 73-09 Two Figures with a Monkey, 1973; p. 220; ill. No. 157, p. 221 (centre panel) 74-02 Triptych March 1974, 1974; p. 220 74-03 Seated Figure, 1974; p. 237 74-04 Sleeping Figure, 1974; p. 238 75-04 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231 75-05 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231 75-06 Studies from the Human Body, 1975; p. 238 75-07 Three Figures and Portrait, 1975; p. 238 75-09 Portrait of a Dwarf, 1975; p. 238 75-10 Study for Portrait (Peter Beard), 1975; p. 126 76-02 Figure In Movement, 1976; p. 252 76-03 Studies for Portrait (Peter Beard), 1976; p. 126 76-05 Triptych, 1976; p. 229 76-09 Figure Writing Reflected in Mirror, 1976; p. 252 76-12 Figure at a Washbasin, 1976; p. 258 77-03 Study for Portrait, 1977; p. 252 77-05 Triptych 1974-1977, 1974 - 1977; pp. 251-252 77-06 Seated Figure, 1977; p. 252 78-01 Painting, 1978; p. 252 78-04 Two Studies for Portrait of Richard Chopping, 1978; p. 240 78-06 Seated Figure, 1978; pp. 243, 272 78-11 Landscape, 1978; p. 240 78-12 Self-Portrait, 1978; p. 243 79-01 Triptych - Studies of the Human Body, 1979; pp. 252-253, 254 79-03 Jet of Water, 1979; p. 254 79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 130-131, 248 80-01 Three Studies for a Portrait of John Edwards, 1980; p. 254 80-06 Carcass of Meat and Bird of Prey, 1980; pp. 229, 254 81-02 Study of a Man Talking, 1981; ill. No. 36, unpaged 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 254 81-04 Sand Dune, 1981; p. 278 82-01 Study of the Human Body, 1981 - 1982; p. 229 82-04 Water from a Running Tap, 1982; p. 254 82-05 A Piece of Waste Land, 1982; pp. 278-279 82-07 Three Studies for a Portrait (Mick Jagger), 1982; p. 279 82-08 Study from the Human Body - Figure in Movement, 1982; p. 279 83-03 Oedipus and the Sphinx after Ingres, 1983; p. 277 83-04 Statue and Figures in a Street, 1983; p. 279 83-05 Sand Dune, 1983; pp. 278-279 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 279; ill. No. 37, unpaged (left panel) 84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 254, 271 85-03 Figure in Movement, 1985; p. 279 86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; pp. 292, 303 86-04 Study for Portrait of Gilbert de Botton, 1986; pp. 276-277 86-06 Study for Portrait of John Edwards, 1986; p. 271 87-01 Triptych 1986 - 7, 1986 - 1987; pp. 291, 297 87-05 Triptych, 1987; p. 292 88-01 Study for a Portrait of John Edwards, 1988; p. 271 88-04 Jet of Water, 1988; p. 254 88-05 Second Version of Triptych 1944, 1988; pp. 292, 308 Load more Related Publications Peter Ackroyd, 'Pictures from an Irish exhibitionist', 1993 Michael Church, 'Sex, violence and painting', 1993 Jan Dalley, 'On a diet of oysters and despair', 1993 Stephen Dodd, 'Outrageous Bacon', 1993 Andrés Mario Zervigón, 'Remaking Bacon', 1995 Andrew Sinclair, 'Last days of the rage', 1993 Waldemar Januszczak, 'On the outside looking in', 1993 Martin Gayford, 'Another slice of Francis Bacon', 1993 Jeffrey Bernard, 'His face well suited to be on a Toby-jug', 1993 Peter Lewis, 'Chamber of horrors from an amoral artist', 1993 Paddy Kitchen, 'Francis Bacon: His Life and Violent Times', 1993 Frances Spalding, 'Expressions of universal grief', 1993 'Will Sinclair take home his Bacon?', 1993 'An Establishment man in Bacon's bohemia', 1993 Daniel Farson, 'Shocked by the sins of a genius. 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