Francis Bacon: His Life and Violent Times

30-03 'Portrait', 1930; p. 165

33-01 Crucifixion, 1933; pp. 65-66, 68, 165

33-02 After Picasso, 'La Danse', 1933; pp. 66, 165

33-03 The Crucifixion, 1933; pp. 66, 165; ill. No. 27, unpaged (b&w)

34-01 Corner of the Studio, 1934; p. 76; ill. No. 26, unpaged (b&w)

34-02 Interior of a Room, 1934; p. 76

35-01 Figures in a Garden, 1935; pp. 75-76 (dated '1936')

36-01 Studio Interior, 1936; p. 76

36-02D Abstraction, 1936; p. 75

36-03D Abstraction from the Human Form, 1936; p. 75

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 66, 75, 93-96, 101-102, 165; ill. No. 29, unpaged

45-05 Figure in a Landscape, 1945; pp. 74, 94, 100, 165, 265; ill. No. 40, unpaged (b&w)

45-06 Study for a Figure, 1945; p. 102

46-01 Figure Study I, 1945 - 1946; p. 102

46-02 Figure Study II, 1945 - 1946; p. 102; ill. No. 42, unpaged (b&w)

46-03 Painting 1946, 1946; pp. 100-103, 146; ill. No. 28, unpaged

46-04 Landscape with Car, 1945 - 1946; p. 73; ill. No. 39, unpaged (earlier iteration, titled 'Figure Getting out of a Car', b&w)

48-01 Head I, 1948; pp. 110-112

49-01 Head II, 1949; pp. 110-112

49-02 Head III, 1949; pp. 110-112

49-03 Head IV (Man with a Monkey), 1949; pp. 110-112

49-04 Head V, 1949; pp. 110-112

49-07 Head VI, 1949; pp. 110-112

50-02 Fragment of a Crucifixion, 1950; pp. 145-146

50-04 Study after Velázquez, 1950; pp. 127-128

50-05 'Study after Velázquez', 1950; pp. 127-128

51-04 Portrait of Lucian Freud, 1951; p. 133

51-05 Pope I, 1951; pp. 127-128

51-06 Pope II, 1951; pp. 127-128

51-07D Pope III, 1951; pp. 127-128

52-02 House in Barbados, 1952; p. 136

52-14 Elephant Fording a River, 1952; p. 129

52-19 Man Eating a Leg of Chicken, 1952; p. 133

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 127-128; ill. No. 31, unpaged

53-06 Man with Dog, 1953; p. 130; ill. No. 46, unpaged (b&w)

53-07 Study for Portrait I, 1953; pp. 127-128

53-08 Study for a Portrait II, 1953; pp. 127-128

53-09 Study for Portrait III, 1953; pp. 127-128

53-10 Study for Portrait IV, 1953; pp. 127-128

53-11 Study for Portrait V, 1953; pp. 127-128

53-12 Study for Portrait VI, 1953; pp. 127-128

53-13 Study for Portrait VII, 1953; pp. 127-128; ill. No. 43, unpaged (b&w)

53-14 Study for Portrait VIII, 1953; pp. 127-128

53-15 Sphinx I, 1953; p. 130

53-16 Sphinx II, 1953; p. 130

53-20 Study of Figure in a Room, 1953; p. 123

53-23 Three Studies of the Human Head, 1953; p. 133

53-24 Two Figures, 1953; pp. 124-125, 137

53-27 Sphinx, 1953; p. 130

54-01 Two Figures in the Grass, 1954; pp. 124, 137

54-05 Man in Blue I, 1954; p. 133

54-06 Man in Blue II, 1954; p. 133

54-07 Man in Blue III, 1954; p. 133

54-08 Man in Blue IV, 1954; p. 133

54-09 Man in Blue V, 1954; p. 133

54-10 Man in Blue VI, 1954; p. 133

54-11 Man in Blue VII, 1954; p. 133

54-12 Sphinx, 1954; p. 130

54-16 Two Americans, 1954; p. 133

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 131

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 131

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 131

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 131

55-12 Man with Head Wound, 1955; p. 137

55-16 Sketch for a Portrait of Lisa, 1955; pp. 132-133

55-17 'Lisa Sainsbury' (?), 1955; pp. 132-133

56-03 Study for Portrait of Van Gogh I, 1956; pp. 131-132

56-04 Portrait of Lisa, 1956; pp. 132-133

56-05 Study for Portrait II, 1956; pp. 127-128

56-06 Study for Portrait I, 1956; pp. 127-128

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 131

57-01 Figures in a Landscape, 1956 - 1957; p. 140; ill. No. 49, unpaged (b&w)

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 133-134, 165; ill. No. 45, unpaged (b&w)

57-10 Study for Portrait of Van Gogh II, 1957; pp. 131-132

57-11 Study for Portrait of Van Gogh III, 1957; pp. 131-132

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 131-132; ill. No. 32, unpaged

57-13 Study for Portrait of Van Gogh V, 1957; pp. 131-132

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 131-132

57-15 Van Gogh in a Landscape, 1957; pp. 131-132

57-16 Figure in a Landscape (Miss Diana Watson), 1957; p. 133

57-18 Van Gogh Going to Work, 1957; pp. 131-132

57-19 Study for Portrait of P.L. No. 1, 1957; p. 137

57-20 Study for Portrait of P.L. No. 2, 1957; p. 137

59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 127-128

59-13 Miss Muriel Belcher, 1959; p. 141

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 123; ill. No. 44, unpaged (b&w)

62-02 Study from Innocent X, 1962; pp. 127-128

62-04 Three Studies for a Crucifixion, 1962; p. 166

62-07 Study for Three Heads, 1962; p. 167

62-10 Seated Figure on Couch, 1962; ill. No. 54, unpaged (dated '1963', b&w)

63-01 Lying Figure with Hypodermic Syringe, 1963; p. 150; ill. No. 55, unpaged (b&w)

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 181

64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; p. 176

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; p. 198

64-10 Three Figures in a Room, 1964; pp. 186, 206, 217

65-01 Crucifixion, 1965; pp. 185, 201-203, 235; ill. No. 30, unpaged

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; p. 203

65-03 Study from Portrait of Pope Innocent X, 1965; pp. 127-128

66-01 Portrait of George Dyer Crouching, 1966; p. 199

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 199

66-05 Three Studies for Portrait of Lucian Freud, 1966; pp. 200-201

66-09 Portrait of George Dyer Talking, 1966; pp. 199, 206, 289

66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 198

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 200; ill. No. 33, unpaged

67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 201

67-16 Triptych, 1967; pp. 208-209, 286; ill. No. 35, unpaged (titled 'Triptych Inspired by T.S. Eliot's poem "Sweeney Agonistes"')

68-02 Two Studies of George Dyer with Dog, 1968; p. 209

68-05 Portrait of George Dyer in a Mirror, 1968; p. 209

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 209

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 209-210

69-04 Study for Bullfight No. 1, 1969; pp. 201, 203

69-05 Study for Bullfight No 2., 1969; pp. 201, 203

69-07 Three Studies of Lucian Freud, 1969; p. 201

69-12 Study of Nude with Figure in a Mirror, 1969; pp. 200, 317

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 201

70-04 Triptych - Studies from the Human Body, 1970; p. 237

70-06 Three Studies of the Male Back, 1970; pp. 215, 237

71-05 Study of George Dyer, 1971; p. 215

71-09 In Memory of George Dyer, 1971; pp. 219, 272

72-01 Three Studies of Figures on Beds, 1972; pp. 220-221

72-02 Self-Portrait with Injured Eye, 1972; p. 222

72-06 Portrait of Man Walking Down Steps, 1972; p. 220

72-07 Triptych August 1972, 1972; p. 220; ill. No. 34, unpaged

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 221

73-03 Triptych May-June, 1973; pp. 221, 237-238, 286, 289

73-05 Self-Portrait, 1973; p. 237

73-09 Two Figures with a Monkey, 1973; p. 220; ill. No. 157, p. 221 (centre panel)

74-02 Triptych March 1974, 1974; p. 220

74-03 Seated Figure, 1974; p. 237

74-04 Sleeping Figure, 1974; p. 238

75-04 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231

75-05 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231

75-06 Studies from the Human Body, 1975; p. 238

75-07 Three Figures and Portrait, 1975; p. 238

75-09 Portrait of a Dwarf, 1975; p. 238

75-10 Study for Portrait (Peter Beard), 1975; p. 126

76-02 Figure In Movement, 1976; p. 252

76-03 Studies for Portrait (Peter Beard), 1976; p. 126

76-05 Triptych, 1976; p. 229

76-09 Figure Writing Reflected in Mirror, 1976; p. 252

76-12 Figure at a Washbasin, 1976; p. 258

77-03 Study for Portrait, 1977; p. 252

77-05 Triptych 1974-1977, 1974 - 1977; pp. 251-252

77-06 Seated Figure, 1977; p. 252

78-01 Painting, 1978; p. 252

78-04 Two Studies for Portrait of Richard Chopping, 1978; p. 240

78-06 Seated Figure, 1978; pp. 243, 272

78-11 Landscape, 1978; p. 240

78-12 Self-Portrait, 1978; p. 243

79-01 Triptych - Studies of the Human Body, 1979; pp. 252-253, 254

79-03 Jet of Water, 1979; p. 254

79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 130-131, 248

80-01 Three Studies for a Portrait of John Edwards, 1980; p. 254

80-06 Carcass of Meat and Bird of Prey, 1980; pp. 229, 254

81-02 Study of a Man Talking, 1981; ill. No. 36, unpaged

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 254

81-04 Sand Dune, 1981; p. 278

82-01 Study of the Human Body, 1981 - 1982; p. 229

82-04 Water from a Running Tap, 1982; p. 254

82-05 A Piece of Waste Land, 1982; pp. 278-279

82-07 Three Studies for a Portrait (Mick Jagger), 1982; p. 279

82-08 Study from the Human Body - Figure in Movement, 1982; p. 279

83-03 Oedipus and the Sphinx after Ingres, 1983; p. 277

83-04 Statue and Figures in a Street, 1983; p. 279

83-05 Sand Dune, 1983; pp. 278-279

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 279; ill. No. 37, unpaged (left panel)

84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 254, 271

85-03 Figure in Movement, 1985; p. 279

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; pp. 292, 303

86-04 Study for Portrait of Gilbert de Botton, 1986; pp. 276-277

86-06 Study for Portrait of John Edwards, 1986; p. 271

87-01 Triptych 1986 - 7, 1986 - 1987; pp. 291, 297

87-05 Triptych, 1987; p. 292

88-01 Study for a Portrait of John Edwards, 1988; p. 271

88-04 Jet of Water, 1988; p. 254

88-05 Second Version of Triptych 1944, 1988; pp. 292, 308