Breadcrumb Bacon's World / Francis Bacon: His Life and Violent Times Francis Bacon: His Life and Violent Times By Andrew Sinclair Details Publisher: London: Sinclair-Stevenson Year: 1993 Pages: 354 ISBN/ISSN: 1856193101 Paintings 30-03 'Portrait', 1930; p. 165 33-01 Crucifixion, 1933; pp. 65-66, 68, 165 33-02 After Picasso, 'La Danse', 1933; pp. 66, 165 33-03 The Crucifixion, 1933; pp. 66, 165; ill. No. 27, unpaged (b&w) 34-01 Corner of the Studio, 1934; p. 76; ill. No. 26, unpaged (b&w) 34-02 Interior of a Room, 1934; p. 76 35-01 Figures in a Garden, 1935; pp. 75-76 (dated '1936') 36-01 Studio Interior, 1936; p. 76 36-02D Abstraction, 1936; p. 75 36-03D Abstraction from the Human Form, 1936; p. 75 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 66, 75, 93-96, 101-102, 165; ill. No. 29, unpaged 45-05 Figure in a Landscape, 1945; pp. 74, 94, 100, 165, 265; ill. No. 40, unpaged (b&w) 45-06 Study for a Figure, 1945; p. 102 46-01 Figure Study I, 1945 - 1946; p. 102 46-02 Figure Study II, 1945 - 1946; p. 102; ill. No. 42, unpaged (b&w) 46-03 Painting 1946, 1946; pp. 100-103, 146; ill. No. 28, unpaged 46-04 Landscape with Car, 1945 - 1946; p. 73; ill. No. 39, unpaged (earlier iteration, titled 'Figure Getting out of a Car', b&w) 48-01 Head I, 1948; pp. 110-112 49-01 Head II, 1949; pp. 110-112 49-02 Head III, 1949; pp. 110-112 49-03 Head IV (Man with a Monkey), 1949; pp. 110-112 49-04 Head V, 1949; pp. 110-112 49-07 Head VI, 1949; pp. 110-112 50-02 Fragment of a Crucifixion, 1950; pp. 145-146 50-04 Study after Velázquez, 1950; pp. 127-128 50-05 'Study after Velázquez', 1950; pp. 127-128 51-04 Portrait of Lucian Freud, 1951; p. 133 51-05 Pope I, 1951; pp. 127-128 51-06 Pope II, 1951; pp. 127-128 51-07D Pope III, 1951; pp. 127-128 52-02 House in Barbados, 1952; p. 136 52-14 Elephant Fording a River, 1952; p. 129 52-19 Man Eating a Leg of Chicken, 1952; p. 133 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 127-128; ill. No. 31, unpaged 53-06 Man with Dog, 1953; p. 130; ill. No. 46, unpaged (b&w) 53-07 Study for Portrait I, 1953; pp. 127-128 53-08 Study for a Portrait II, 1953; pp. 127-128 53-09 Study for Portrait III, 1953; pp. 127-128 53-10 Study for Portrait IV, 1953; pp. 127-128 53-11 Study for Portrait V, 1953; pp. 127-128 53-12 Study for Portrait VI, 1953; pp. 127-128 53-13 Study for Portrait VII, 1953; pp. 127-128; ill. No. 43, unpaged (b&w) 53-14 Study for Portrait VIII, 1953; pp. 127-128 53-15 Sphinx I, 1953; p. 130 53-16 Sphinx II, 1953; p. 130 53-20 Study of Figure in a Room, 1953; p. 123 53-23 Three Studies of the Human Head, 1953; p. 133 53-24 Two Figures, 1953; pp. 124-125, 137 53-27 Sphinx, 1953; p. 130 54-01 Two Figures in the Grass, 1954; pp. 124, 137 54-05 Man in Blue I, 1954; p. 133 54-06 Man in Blue II, 1954; p. 133 54-07 Man in Blue III, 1954; p. 133 54-08 Man in Blue IV, 1954; p. 133 54-09 Man in Blue V, 1954; p. 133 54-10 Man in Blue VI, 1954; p. 133 54-11 Man in Blue VII, 1954; p. 133 54-12 Sphinx, 1954; p. 130 54-16 Two Americans, 1954; p. 133 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 131 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 131 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 131 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 131 55-12 Man with Head Wound, 1955; p. 137 55-16 Sketch for a Portrait of Lisa, 1955; pp. 132-133 55-17 'Lisa Sainsbury' (?), 1955; pp. 132-133 56-03 Study for Portrait of Van Gogh I, 1956; pp. 131-132 56-04 Portrait of Lisa, 1956; pp. 132-133 56-05 Study for Portrait II, 1956; pp. 127-128 56-06 Study for Portrait I, 1956; pp. 127-128 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 131 57-01 Figures in a Landscape, 1956 - 1957; p. 140; ill. No. 49, unpaged (b&w) 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 133-134, 165; ill. No. 45, unpaged (b&w) 57-10 Study for Portrait of Van Gogh II, 1957; pp. 131-132 57-11 Study for Portrait of Van Gogh III, 1957; pp. 131-132 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 131-132; ill. No. 32, unpaged 57-13 Study for Portrait of Van Gogh V, 1957; pp. 131-132 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 131-132 57-15 Van Gogh in a Landscape, 1957; pp. 131-132 57-16 Figure in a Landscape (Miss Diana Watson), 1957; p. 133 57-18 Van Gogh Going to Work, 1957; pp. 131-132 57-19 Study for Portrait of P.L. No. 1, 1957; p. 137 57-20 Study for Portrait of P.L. No. 2, 1957; p. 137 59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 127-128 59-13 Miss Muriel Belcher, 1959; p. 141 61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 123; ill. No. 44, unpaged (b&w) 62-02 Study from Innocent X, 1962; pp. 127-128 62-04 Three Studies for a Crucifixion, 1962; p. 166 62-07 Study for Three Heads, 1962; p. 167 62-10 Seated Figure on Couch, 1962; ill. No. 54, unpaged (dated '1963', b&w) 63-01 Lying Figure with Hypodermic Syringe, 1963; p. 150; ill. No. 55, unpaged (b&w) 63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 181 64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; p. 176 64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; p. 198 64-10 Three Figures in a Room, 1964; pp. 186, 206, 217 65-01 Crucifixion, 1965; pp. 185, 201-203, 235; ill. No. 30, unpaged 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; p. 203 65-03 Study from Portrait of Pope Innocent X, 1965; pp. 127-128 66-01 Portrait of George Dyer Crouching, 1966; p. 199 66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 199 66-05 Three Studies for Portrait of Lucian Freud, 1966; pp. 200-201 66-09 Portrait of George Dyer Talking, 1966; pp. 199, 206, 289 66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 198 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 200; ill. No. 33, unpaged 67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 201 67-16 Triptych, 1967; pp. 208-209, 286; ill. No. 35, unpaged (titled 'Triptych Inspired by T.S. Eliot's poem "Sweeney Agonistes"') 68-02 Two Studies of George Dyer with Dog, 1968; p. 209 68-05 Portrait of George Dyer in a Mirror, 1968; p. 209 68-07 Two Studies for a Portrait of George Dyer, 1968; p. 209 68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 209-210 69-04 Study for Bullfight No. 1, 1969; pp. 201, 203 69-05 Study for Bullfight No 2., 1969; pp. 201, 203 69-07 Three Studies of Lucian Freud, 1969; p. 201 69-12 Study of Nude with Figure in a Mirror, 1969; pp. 200, 317 69-14 Second Version of Study for Bullfight No. 1, 1969; p. 201 70-04 Triptych - Studies from the Human Body, 1970; p. 237 70-06 Three Studies of the Male Back, 1970; pp. 215, 237 71-05 Study of George Dyer, 1971; p. 215 71-09 In Memory of George Dyer, 1971; pp. 219, 272 72-01 Three Studies of Figures on Beds, 1972; pp. 220-221 72-02 Self-Portrait with Injured Eye, 1972; p. 222 72-06 Portrait of Man Walking Down Steps, 1972; p. 220 72-07 Triptych August 1972, 1972; p. 220; ill. No. 34, unpaged 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 221 73-03 Triptych May-June, 1973; pp. 221, 237-238, 286, 289 73-05 Self-Portrait, 1973; p. 237 73-09 Two Figures with a Monkey, 1973; p. 220; ill. No. 157, p. 221 (centre panel) 74-02 Triptych March 1974, 1974; p. 220 74-03 Seated Figure, 1974; p. 237 74-04 Sleeping Figure, 1974; p. 238 75-04 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231 75-05 Three Studies for a Portrait of Peter Beard, 1975; pp. 126, 231 75-06 Studies from the Human Body, 1975; p. 238 75-07 Three Figures and Portrait, 1975; p. 238 75-09 Portrait of a Dwarf, 1975; p. 238 75-10 Study for Portrait (Peter Beard), 1975; p. 126 76-02 Figure In Movement, 1976; p. 252 76-03 Studies for Portrait (Peter Beard), 1976; p. 126 76-05 Triptych, 1976; p. 229 76-09 Figure Writing Reflected in Mirror, 1976; p. 252 76-12 Figure at a Washbasin, 1976; p. 258 77-03 Study for Portrait, 1977; p. 252 77-05 Triptych 1974-1977, 1974 - 1977; pp. 251-252 77-06 Seated Figure, 1977; p. 252 78-01 Painting, 1978; p. 252 78-04 Two Studies for Portrait of Richard Chopping, 1978; p. 240 78-06 Seated Figure, 1978; pp. 243, 272 78-11 Landscape, 1978; p. 240 78-12 Self-Portrait, 1978; p. 243 79-01 Triptych - Studies of the Human Body, 1979; pp. 252-253, 254 79-03 Jet of Water, 1979; p. 254 79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 130-131, 248 80-01 Three Studies for a Portrait of John Edwards, 1980; p. 254 80-06 Carcass of Meat and Bird of Prey, 1980; pp. 229, 254 81-02 Study of a Man Talking, 1981; ill. No. 36, unpaged 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 254 81-04 Sand Dune, 1981; p. 278 82-01 Study of the Human Body, 1981 - 1982; p. 229 82-04 Water from a Running Tap, 1982; p. 254 82-05 A Piece of Waste Land, 1982; pp. 278-279 82-07 Three Studies for a Portrait (Mick Jagger), 1982; p. 279 82-08 Study from the Human Body - Figure in Movement, 1982; p. 279 83-03 Oedipus and the Sphinx after Ingres, 1983; p. 277 83-04 Statue and Figures in a Street, 1983; p. 279 83-05 Sand Dune, 1983; pp. 278-279 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 279; ill. No. 37, unpaged (left panel) 84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 254, 271 85-03 Figure in Movement, 1985; p. 279 86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; pp. 292, 303 86-04 Study for Portrait of Gilbert de Botton, 1986; pp. 276-277 86-06 Study for Portrait of John Edwards, 1986; p. 271 87-01 Triptych 1986 - 7, 1986 - 1987; pp. 291, 297 87-05 Triptych, 1987; p. 292 88-01 Study for a Portrait of John Edwards, 1988; p. 271 88-04 Jet of Water, 1988; p. 254 88-05 Second Version of Triptych 1944, 1988; pp. 292, 308 Load more Related Publications Andrew Sinclair, Francis Bacon: su vida en una época de violencia, 1996 Andrew Sinclair, フランシス・ベイコン: 暴力の時代のただなかで, 絵画の根源的革新へ [Francis Bacon: His Life and Violent Times], 2005 Translations Francis Bacon: su vida en una época de violencia, 1996 フランシス・ベイコン: 暴力の時代のただなかで, 絵画の根源的革新へ [Francis Bacon: His Life and Violent Times], 2005