Bacon and Sutherland

By Martin Hammer

Details

Publisher:

New Haven: Yale University Press for Paul Mellon Centre for Studies in British Art

Year: 2005

Language: English

Pages: 272

ISBN/ISSN: 030010796X

Paintings

33-01 Crucifixion, 1933; pp. 30, 124-126, 171, 244

33-02 After Picasso, 'La Danse', 1933; p. 126

35-01 Figures in a Garden, 1935; p. 244

36-02D Abstraction, 1936; pp. 19, 244

36-03D Abstraction from the Human Form, 1936; pp. 19, 244

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 14-22, 24, 32, 46, 58, 85-90, 93-96, 98, 104-109, 113, 118, 126-132, 136, 150, 202-205, 208-209, 211, 223-225, 246, 250, 261; ill. Front cover (right panel), No. IV, unpaged (left panel), No. VI, unpaged (centre panel), No. VIII, unpaged (left panel)

44-02 'Fury', 1944; pp. 20, 96

45-01 Man in a Cap, 1945; pp. 88-94, 96, 213, 252; ill. No. 35, p. 91 (b&w)

45-02 Seated Man, 1945; p. 88

45-03 Man Standing, 1945; pp. 88-90, 94, 97, 213, 252; ill. No. 36, p. 91 (b&w)

45-05 Figure in a Landscape, 1945; pp. 14, 23-24, 27, 46, 52, 60-61, 77, 94, 96-97, 211, 246, 247; ill. No. XII, unpaged

45-06 Study for a Figure, 1945; pp. 19, 96

46-01 Figure Study I, 1945 - 1946; pp. 26, 30, 95-96, 127, 131, 137-138, 209, 211; ill. No. 52, p. 137

46-02 Figure Study II, 1945 - 1946; pp. 26-27, 30, 94-96, 127, 131, 145, 211, 223-224; ill. No. XIV, unpaged

46-03 Painting 1946, 1946; pp. 27-28, 30-31, 33, 37-38, 52, 55, 58, 96, 127, 132, 136, 139-141, 145, 208, 213, 223, 247, 250; ill. No. XVI, unpaged

46-04 Landscape with Car, 1945 - 1946; pp. 21, 88-90, 94, 97, 253, 254 (refers to earlier iteration 'Figure Getting out of a Car'); ill. No. 38, p. 93 (earlier iteration, b&w)

48-01 Head I, 1948; pp. 40-42, 50, 52, 127, 144, 147, 215, 217, 223, 226, 261; ill. No. 14, p. 41 (b&w)

48-02D Study for Man with Microphones, 1946 - 1948; pp. 27, 37, 47, 94, 96, 247; ill. p. vi (earlier iteration, b&w); No. 18, p. 49 (revised version, b&w)

48-03 'Head', 1948; pp. 127, 223

48-04 'Head', 1948; pp. 127, 223

49-01 Head II, 1949; pp. 41-42, 50, 127, 144, 147, 217, 223, 226, 228; ill. Frontispiece (b&w); No. 102, p. 227 (b&w)

49-02 Head III, 1949; pp. 41-42, 47, 50, 127, 144, 213, 217, 221, 223, 226, 250

49-03 Head IV (Man with a Monkey), 1949; pp. 41-42, 47, 50, 127, 144, 217, 223, 226

49-04 Head V, 1949; pp. 41-42, 47, 50, 127, 144, 217, 223, 226

49-05 Head, 1949; pp. 127, 223

49-06 Head, 1949; pp. 127, 223

49-07 Head VI, 1949; pp. 41-42, 47, 50-51, 127, 142, 144, 217, 223, 226, 229, 250; ill. No. XVIII, unpaged

49-08 Study from the Human Body, 1949; pp. 42, 44-47, 213, 217, 230-231; ill. No. XIX, unpaged

49-09 Study for a Portrait, 1949; pp. 42, 50-52, 217, 229, 250, 256; ill. No. 20, p. 53 (b&w)

50-02 Fragment of a Crucifixion, 1950; p. 48

50-03 Study for a Figure, 1950; p. 250

50-04 Study after Velázquez, 1950; pp. 58, 61

50-05 'Study after Velázquez', 1950; pp. 58, 61

50-06 Painting, 1950; p. 48

51-01 Figure with Monkey, 1951; p. 250

51-04 Portrait of Lucian Freud, 1951; p. 52

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 58, 61

53-07 Study for Portrait I, 1953; p. 51

57-10 Study for Portrait of Van Gogh II, 1957; p. 52

57-11 Study for Portrait of Van Gogh III, 1957; p. 52

57-12 Study for Portrait of Van Gogh IV, 1957; p. 52

57-13 Study for Portrait of Van Gogh V, 1957; p. 52

57-14 Study for Portrait of Van Gogh VI, 1957; p. 52

57-15 Van Gogh in a Landscape, 1957; p. 52

57-18 Van Gogh Going to Work, 1957; p. 52

59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; p. 58

67-16 Triptych, 1967; p. 127