Francis Bacon - New Studies: Centenary Essays

33-01 Crucifixion, 1933; pp. 80, 118, 200-202; ill. No. 4, p. 15

33-02 After Picasso, 'La Danse', 1933; pp. 200-202; ill. No. 144, p. 203 (titled 'Crucifixion')

33-03 The Crucifixion, 1933; ill. No. 5, p. 15

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 52, 75, 98, 99, 105, 118, 186, 209, 234; ill. No. 7, p. 17

45-05 Figure in a Landscape, 1945; pp. 72, 109, 235

46-03 Painting 1946, 1946; pp. 36-38, 75, 76, 109, 112, 121, 154-156, 190, 236, 255; ill. No. 103, p. 155

48-01 Head I, 1948; pp. 75, 76, 240; ill. No. 57, p. 77

48-02D Study for Man with Microphones, 1946 - 1948; pp. 76, 154, 255; ill. No. 58, p. 77 (earlier iteration); No. 59, p. 77

49-01 Head II, 1949; pp. 76, 240; ill. No. 162, p. 239

49-02 Head III, 1949; pp. 176, 240; ill. No. 119, p. 177

49-03 Head IV (Man with a Monkey), 1949; pp. 76, 240

49-04 Head V, 1949; p. 240

49-06 Head, 1949; p. 240; ill. No. 163, p. 239

49-07 Head VI, 1949; pp. 76, 122, 150, 196, 240; ill. No. 3, p. 10

49-08 Study from the Human Body, 1949; p. 194; ill. No. 135, p. 195

49-09 Study for a Portrait, 1949; pp. 64, 76; ill. No. 53, p. 67

50-02 Fragment of a Crucifixion, 1950; pp. 38, 191; ill. No. 34, p. 45

50-04 Study after Velázquez, 1950; p. 40

50-05 'Study after Velázquez', 1950; p. 40

50-06 Painting, 1950; pp. 8, 63-64, 66-67, 70-71, 74, 86; ill. No. 50, p. 65

51-03 Study for Nude, 1951; p. 191; ill. No. 131, p. 193

51-07D Pope III, 1951; p. 191; ill. No. 129, p. 193

52-01 Study for Crouching Nude, 1952; pp. 64-66; ill. No. 51, p. 67

52-03 Dog, 1952; p. 158

52-05 Study of a Head, 1952; p. 192; ill. No. 132, p. 193 (titled 'Study for the Head of a Screaming Pope')

52-12 Study of Figure in a Landscape, 1952; p. 134; ill. No. 87, p. 135

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 40, 119, 176; ill. No. 29, p. 41

53-03 Study for a Portrait, 1953; pp. 78-80, 109, 251; ill. No. 54, p. 67

53-07 Study for Portrait I, 1953; p. 187

53-08 Study for a Portrait II, 1953; p. 187

53-09 Study for Portrait III, 1953; p. 187

53-10 Study for Portrait IV, 1953; pp. 187, 192

53-11 Study for Portrait V, 1953; p. 187

53-12 Study for Portrait VI, 1953; p. 187

53-13 Study for Portrait VII, 1953; p. 187

53-14 Study for Portrait VIII, 1953; pp. 187; ill. No. 30, p. 41

53-15 Sphinx I, 1953; p. 64

53-23 Three Studies of the Human Head, 1953; ill. No. 172, p. 262

53-24 Two Figures, 1953; pp. 76-78, 93, 229; ill. No. 55, p. 73

54-01 Two Figures in the Grass, 1954; pp. 229; ill. No. 161, p. 232

54-05 Man in Blue I, 1954; pp. 78, 242

54-06 Man in Blue II, 1954; pp. 78, 242

54-07 Man in Blue III, 1954; pp. 78, 242

54-08 Man in Blue IV, 1954; pp. 78, 242

54-09 Man in Blue V, 1954; pp. 78, 242

54-10 Man in Blue VI, 1954; pp. 78, 242

54-11 Man in Blue VII, 1954; pp. 78, 242

54-14 Figure with Meat, 1954; p. 191; ill. No. 130, p. 193

54-15 Pope, 1954; p. 123 (dated '1955')

55-08 Chimpanzee, 1955; p. 123

55-16 Sketch for a Portrait of Lisa, 1955; p. 159

55-17 'Lisa Sainsbury' (?), 1955; p. 159

56-03 Study for Portrait of Van Gogh I, 1956; p. 110

56-04 Portrait of Lisa, 1956; p. 159

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 101, 192; ill. No. 133, p. 195

57-10 Study for Portrait of Van Gogh II, 1957; pp. 101-102, 110

57-11 Study for Portrait of Van Gogh III, 1957; pp. 101-102

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 101-102

57-13 Study for Portrait of Van Gogh V, 1957; pp. 101-102

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 101-102

58-06 Lying Figure, 1958; p. 82

58-10 'Figure on a Dais', 1958; p. 176; ill. No. 118, p. 177

59-02 Lying Figure, 1959; pp. 82-83; ill. No. 65, p. 85

59-05 Reclining Figure, 1959; pp. 82-83

59-06 Lying Figure, 1959; p. 82; ill. No. 24, p. 37

59-08 Lying Figure, 1959; pp. 82-83

59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; p. 40

59-13 Miss Muriel Belcher, 1959; p. 242; ill. No. 25, p. 37

60-01 Head of Woman, 1960; ill. No. 26, p. 37

60-02 Head of Woman, 1960; p. 256

60-05 Pope No. 2, 1960; p. 192

60-06 Pope No. 3, 1960; ill. No. 32, p. 41

61-02 Reclining Woman, 1961; pp. 82-83; ill. No. 23, p. 37

61-07 Woman on a Red Couch, 1961; pp. 138, 254; ill. No. 93, p. 139

61-13 Study for a Pope VI, 1961; ill. No. 31, p. 41

62-04 Three Studies for a Crucifixion, 1962; pp. 99, 160, 190, 240; ill. No. 27, p. 39

62-07 Study for Three Heads, 1962; p. 52; ill. No. 44, p. 53

62-08 Head, 1962; ill. No. 20, p. 35

62-09 Study for Portrait of P.L., 1962; p. 164

63-01 Lying Figure with Hypodermic Syringe, 1963; pp. 110, 115, 121, 194; ill. No. 17, p. 33

63-03 Turning Figure, 1963; p. 110; ill. No. 16, p. 33

63-04 Study for Self-Portrait, 1963; pp. 240-242; ill. No. 164, p. 241; No. 165, p. 241 (detail)

63-05 Study for Portrait on Folding Bed, 1963; p. 194; ill. No. 134, p. 195

63-06 Landscape near Malabata, Tangier, 1963; ill. No. 173, p. 270

64-10 Three Figures in a Room, 1964; p. 160; ill. No. 107, p. 163 (detail of right panel)

65-01 Crucifixion, 1965; pp. 106, 122, 228; ill. No. 28, p. 39

65-03 Study from Portrait of Pope Innocent X, 1965; p. 192

65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; p. 113

65-08 Portrait of Henrietta Moraes on a Blue Couch, 1965; p. 256

65-10 Portrait of Lucian Freud, 1965; p. 256

66-01 Portrait of George Dyer Crouching, 1966; p. 122; ill. No. 33, p. 43

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 162; ill. No. 18, p. 33

66-06 Study of Isabel Rawsthorne, 1966; p. 229; ill. No. 21, p. 35

66-09 Portrait of George Dyer Talking, 1966; ill. No. 22, p. 35

66-13 Three Studies of Muriel Belcher, 1966; p. 229

66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 107, 160; ill. No. 104, p. 161

67-05 Study for Head of Isabel Rawsthorne, 1967; p. 162; ill. No. 108, p. 163

67-09 Three Studies from the Human Body, 1967; p. 108 (titled 'Three Figures', dated '1968')

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 162; ill. No. 105, p. 163

67-16 Triptych, 1967; pp. 60, 74, 102, 110; ill. No. 48, p. 61

67-17 Three Studies of Isabel Rawsthorne, 1967; p. 102

68-04 Version No. 2 of Lying Figure with Hypodermic Syringe, 1968; p. 194

68-05 Portrait of George Dyer in a Mirror, 1968; p. 198; ill. No. 1, Frontispiece

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 112, 119-120

69-03 Lying Figure, 1969; p. 222; ill. No. 160, p. 225

69-07 Three Studies of Lucian Freud, 1969; pp. 106, 118, 184; ill. No. 125, p. 185

69-12 Study of Nude with Figure in a Mirror, 1969; pp. 74, 164, 256; ill. No. 68, p. 87

69-15 Study of Henrietta Moraes, 1969; pp. 113, 164; ill. No. 111, p. 167

70-04 Triptych - Studies from the Human Body, 1970; pp. 82, 105-106, 117, 121; ill. No. 94, p. 142 (right panel)

70-06 Three Studies of the Male Back, 1970; pp. 103, 106, 115, 122

70-08 Self-Portrait, 1970; p. 187; ill. No. 126, p. 189

70-09 Triptych - Studies of the Human Body, 1970; pp. 59, 121; ill. No. 47, p. 61 (centre panel)

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; pp. 112, 214, 222

71-03 Two Men Working in a Field, 1971; pp. 112, 170; ill. No. 113, p. 171

71-04 Study of Red Pope, 1962, Second Version, 1971; p. 255

71-09 In Memory of George Dyer, 1971; pp. 86, 93, 102, 117, 206, 249; ill. No. 146, p. 207

72-01 Three Studies of Figures on Beds, 1972; pp. 113, 222, 229; ill. No. 158, p. 223

72-02 Self-Portrait with Injured Eye, 1972; p. 229

72-07 Triptych August 1972, 1972; pp. 86, 93, 108, 222, 249

72-13 Self-Portrait, 1972; p. 198; ill. No. 138, p. 199

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 98

73-03 Triptych May-June, 1973; pp. 59, 86, 93, 103, 116-117, 209-210, 249; ill. No. 74, p. 94 (left panel, in studio); No. 147, p. 208

73-09 Two Figures with a Monkey, 1973; p. 66

74-02 Triptych March 1974, 1974; pp. 82, 222; ill. No. 64, p. 83 (right panel)

74-03 Seated Figure, 1974; ill. No. 19, p. 35

75-03 Three Studies for Self Portrait, 1975; p. 182; ill. No. 122, p. 183

75-07 Three Figures and Portrait, 1975; p. 200; ill. No. 142, p. 201

76-05 Triptych, 1976; p. 220; ill. No. 157, p. 221 (centre panel)

76-06 Study for Self-Portrait, 1976; p. 200; ill. No. 141, p. 201

76-09 Figure Writing Reflected in Mirror, 1976; p. 200; ill. No. 140, p. 201

78-11 Landscape, 1978; pp. 38, 144; ill. No. 95, p. 145

79-03 Jet of Water, 1979; p. 38

79-05 Sphinx - Portrait of Muriel Belcher, 1979; p. 220; ill. No. 156, p. 221

79-09 Three Studies for Self-Portrait, 1979; pp. 55, 248; ill. No. 42, p. 51

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 222; ill. No. 159, p. 223

81-04 Sand Dune, 1981; pp. 38, 235

81-05 Study from the Human Body, 1981; p. 194; ill. No. 136, p. 195

82-04 Water from a Running Tap, 1982; p. 38

82-05 A Piece of Waste Land, 1982; pp. 38, 220; ill. No. 155, p. 221

83-03 Oedipus and the Sphinx after Ingres, 1983; pp. 210, 222; ill. No. 148, p. 211

83-05 Sand Dune, 1983; pp. 38, 196, 235; ill. No. 137, p. 197

83-07 Triptych, 1983; p. 182; ill. No. 124, p. 185

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 220; ill. No. 154, p. 221 (right panel)

84-04 'Blood on Pavement', 1984; p. 60 (dated '1988')

86-05 Blood on the Floor - Painting, 1986; p. 60

87-01 Triptych 1986 - 7, 1986 - 1987; p. 60

87-06 Self-Portrait, 1987; ill. Front cover

89-01 Study of a Man and Woman Walking, 1988 - 1989; p. 64

89-03 Study of Portrait of John Edwards, 1989; ill. No. 2, p. 6

91-02 Triptych, 1991; p. 256

91-03 Study from the Human Body, 1991; p. 191; ill. No. 128, p. 189

92-01 'Self-Portrait', 1991 - 1992; p. 71