Breadcrumb Bacon's World / Francis Bacon: Anatomy of an Enigma Francis Bacon: Anatomy of an Enigma By Michael Peppiatt Details Edition: Revised edn. Publisher: London: Constable Year: 2008 Language: English Pages: 456 ISBN/ISSN: 9781845297312 Paintings 29-01 'Watercolour', 1929; pp. 57, 63-64, 422 29-02 'Gouache', 1929; pp. 57, 63-64, 397, 422 30-01 'Painted Screen', 1930; pp. 64, 397 30-02 'Painting', 1930; pp. 64, 397 30-03 'Portrait', 1930; pp. 65, 422 33-01 Crucifixion, 1933; pp. 65, 76-79, 81, 106, 151 33-02 After Picasso, 'La Danse', 1933; pp. 79, 81, 106 33-03 The Crucifixion, 1933; pp. 65, 79-81, 83-84, 106 33-04 Composition (Figure), 1933; p. 81 33-05 Composition (Figures), 1933; p. 81 34-01 Corner of the Studio, 1934; pp. 60, 84 34-02 Interior of a Room, 1934; p. 84 35-01 Figures in a Garden, 1935; pp. 84, 91-92, 200 36-01 Studio Interior, 1936; p. 84 36-02D Abstraction, 1936; pp. 92-93 36-03D Abstraction from the Human Form, 1936; pp. 92-93, 105 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 55, 80, 85, 92, 103-112, 118, 122, 126-127, 130-132, 139, 162, 183, 290, 334, 380, 396, 415, 428 44-02 'Fury', 1944; p. 415 45-01 Man in a Cap, 1945; pp. 103-104 45-05 Figure in a Landscape, 1945; pp. 130-132, 183 45-06 Study for a Figure, 1945; p. 103 46-02 Figure Study II, 1945 - 1946; p. 140 46-03 Painting 1946, 1946; pp. 118, 122, 134, 138-143, 151, 153-158, 175, 200, 223, 235, 290, 389 46-04 Landscape with Car, 1945 - 1946; pp. 103, 105 48-01 Head I, 1948; pp. 106, 122, 134, 143-144, 147, 153-158, 160 48-02D Study for Man with Microphones, 1946 - 1948; p. 140 48-03 'Head', 1948; pp. 106, 122, 134, 143-144, 160 48-04 'Head', 1948; pp. 106, 122, 134, 143-144, 160 49-01 Head II, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160 49-02 Head III, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160 49-03 Head IV (Man with a Monkey), 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160 49-04 Head V, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160 49-05 Head, 1949; pp. 106, 122, 134, 143-144, 160 49-06 Head, 1949; pp. 106, 122, 134, 143-144, 160 49-07 Head VI, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160, 171, 398 49-08 Study from the Human Body, 1949; p. 158 50-02 Fragment of a Crucifixion, 1950; pp. 119, 134, 171, 174, 334, 396 50-04 Study after Velázquez, 1950; pp. 106, 119, 150, 160, 169-171, 415 50-05 'Study after Velázquez', 1950; pp. 106, 119, 150, 160, 169-171, 415 51-02 Head, 1951; p. 205 51-04 Portrait of Lucian Freud, 1951; p. 192 51-05 Pope I, 1951; pp. 106, 119, 150, 160, 169-171, 183 (titled 'Study after Velazquez'), 398 51-06 Pope II, 1951; pp. 106, 119, 150, 160, 169-171, 183 (titled 'Study after Velazquez') 51-07D Pope III, 1951; pp. 106, 119, 150, 160, 169-171 52-02 House in Barbados, 1952; p. 177 52-03 Dog, 1952; pp. 161, 174 52-04 Landscape, 1952; p. 173 52-11 Landscape, 1952; p. 173 52-14 Elephant Fording a River, 1952; pp. 167, 172, 429 52-15D Rhinoceros, 1952; p. 172 52-16 Dog, 1952; p. 174 52-20 Man in a Chair, 1952; p. 135 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 106, 119, 150, 160, 169-170, 180 53-06 Man with Dog, 1953; pp. 174, 180-181 53-07 Study for Portrait I, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-08 Study for a Portrait II, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-09 Study for Portrait III, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-10 Study for Portrait IV, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-11 Study for Portrait V, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-12 Study for Portrait VI, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-13 Study for Portrait VII, 1953; pp. 106, 119, 150, 160, 169-170, 179, 181 53-14 Study for Portrait VIII, 1953; pp. 106, 119, 150, 160, 169-170, 179 53-15 Sphinx I, 1953; p. 183 53-17 Study of a Baboon, 1953; p. 180 53-23 Three Studies of the Human Head, 1953; p. 183 53-24 Two Figures, 1953; pp. 197, 351 53-27 Sphinx, 1953; p. 183 53-32 'Pope', 1953; pp. 106, 119, 150, 160, 169-170 54-01 Two Figures in the Grass, 1954; pp. 197, 200 54-05 Man in Blue I, 1954; p. 200 54-06 Man in Blue II, 1954; p. 200 54-07 Man in Blue III, 1954; p. 200 54-08 Man in Blue IV, 1954; p. 200 54-09 Man in Blue V, 1954; p. 200 54-10 Man in Blue VI, 1954; p. 200 54-11 Man in Blue VII, 1954; p. 200 54-14 Figure with Meat, 1954; pp. 106, 119, 150, 160, 169-170, 200 54-15 Pope, 1954; pp. 106, 119, 150, 160, 169-170 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 201 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 201 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 201 55-09 Portrait of R.J. Sainsbury, 1955; p. 204 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 201 55-11 Study for a Pope, 1955; pp. 106, 119, 150, 160, 169-170 55-16 Sketch for a Portrait of Lisa, 1955; p. 204 56-01 Self-Portrait, 1956; p. 204 56-03 Study for Portrait of Van Gogh I, 1956; pp. 200, 204, 205-206 56-04 Portrait of Lisa, 1956; p. 204 56-05 Study for Portrait II, 1956; pp. 106, 119, 150, 160, 169-170 56-06 Study for Portrait I, 1956; pp. 106, 119, 150, 160, 169-170 56-07 Man Carrying a Child, 1956; p. 216 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 201 57-02 Study for Figure IV, 1956 - 1957; p. 217 57-03 Study for Figure V, 1956 - 1957; p. 217 57-04 Study for Figure VI, 1956 - 1957; p. 217 57-05 Study for Portrait IX, 1956 - 1957; p. 217 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; p. 204 57-10 Study for Portrait of Van Gogh II, 1957; pp. 204, 206-207, 211, 217, 399 57-11 Study for Portrait of Van Gogh III, 1957; pp. 204, 206-207, 211, 217, 399 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 204, 206-207, 211, 217, 399 57-13 Study for Portrait of Van Gogh V, 1957; pp. 204, 206, 211, 217, 399 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 204, 206, 211, 217, 399 57-15 Van Gogh in a Landscape, 1957; pp. 204, 211, 217, 399 57-17 Portrait of Lisa, 1957; p. 204 57-18 Van Gogh Going to Work, 1957; p. 204 57-19 Study for Portrait of P.L. No. 1, 1957; p. 217 (dated '1958') 57-20 Study for Portrait of P.L. No. 2, 1957; p. 217 (dated '1958') 57-22 Study for Portrait, 1957; pp. 106, 119, 150, 160, 169-170 57-23 'Landscape after Van Gogh', 1957; p. 211 58-02 Painting, 1958; pp. 106, 119, 150, 160, 169-170, 211, 215-216 58-03 Head I, 1958; p. 88 58-07 'Pope', 1958; pp. 106, 119, 150, 160, 169-170 58-08 'Pope', 1958; pp. 106, 119, 150, 160, 169-170 58-09 'Pope with Owls', 1958; pp. 106, 119, 150, 160, 169-170, 211 59-08 Lying Figure, 1959; pp. 223-224 59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 106, 119, 150, 160, 169-170 59-13 Miss Muriel Belcher, 1959; p. 224 60-04 Walking Figure, 1960; ill. pp. 312-313 (b&w) 60-05 Pope No. 2, 1960; pp. 106, 119, 160, 169-170; ill. ppp. 312-313 (b&w) 60-06 Pope No. 3, 1960; pp. 106, 119, 160, 169-170 60-07 'Pope and Chimpanzee', 1960; pp. 106, 119, 160, 169-170 60-13 Head of Woman, 1960; ill. p. 312-313 (b&w) 60-17 Seated Figure, 1960; pp. 106, 119, 160, 169-170 61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; ill. pp. 312-313 (b&w) 61-08 Study for a Pope I, 1961; pp. 106, 119, 160, 169-170, 234 61-09 Study for a Pope II, 1961; pp. 106, 119, 160, 169-170, 234 61-10 Study for a Pope III, 1961; pp. 106, 119, 160, 169-170, 234, 419 61-11 Study for a Pope IV, 1961; pp. 106, 119, 160, 169-170, 234 61-12 Study for a Pope V, 1961; pp. 106, 119, 160, 169-170, 234 61-13 Study for a Pope VI, 1961; pp. 106, 119, 160, 169-170, 234, 398 62-02 Study from Innocent X, 1962; pp. 106, 119, 160, 169-170, 417 62-04 Three Studies for a Crucifixion, 1962; pp. 232-234, 274, 291, 381, 397; ill. pp. 312-313 (b&w) 63-01 Lying Figure with Hypodermic Syringe, 1963; pp. 258, 278 63-06 Landscape near Malabata, Tangier, 1963; pp. 211, 216 63-14 Study for Portrait (with Two Owls), 1963; pp. 106, 119, 160, 169-170 63-15 Three Studies for a Portrait of George Dyer, 1963; pp. 258-259 (dated '1964') 64-10 Three Figures in a Room, 1964; p. 286 65-01 Crucifixion, 1965; pp. 253, 274-275, 278, 280, 291 65-03 Study from Portrait of Pope Innocent X, 1965; pp. 106, 160, 169-170, 398 66-05 Three Studies for Portrait of Lucian Freud, 1966; p. 279 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 279 67-16 Triptych, 1967; pp. 281-283 (titled 'Triptych Inspired by T.S. Eliot's Poem Sweeney Agonistes'), 291 68-02 Two Studies of George Dyer with Dog, 1968; pp. 261, 331 68-05 Portrait of George Dyer in a Mirror, 1968; pp. 261, 331 68-07 Two Studies for a Portrait of George Dyer, 1968; pp. 261 (titled 'Two Studies of George Dyer') 68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 291, 417 69-04 Study for Bullfight No. 1, 1969; pp. 280, 331, 431; ill. p. 312-313 (b&w) 69-05 Study for Bullfight No 2., 1969; pp. 280, 331 69-07 Three Studies of Lucian Freud, 1969; p. 279 69-14 Second Version of Study for Bullfight No. 1, 1969; pp. 280, 331, 431 70-01 Studies of George Dyer and Isabel Rawsthorne, 1970; p. 262 70-04 Triptych - Studies from the Human Body, 1970; p. 292 70-06 Three Studies of the Male Back, 1970; p. 291 71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 293 71-04 Study of Red Pope, 1962, Second Version, 1971; pp. 106, 160, 169-170, 292-293 71-09 In Memory of George Dyer, 1971; pp. 305-306 72-02 Self-Portrait with Injured Eye, 1972; p. 307 72-03 Self-Portrait, 1972; p. 307 72-04 Self-Portrait, 1972; p. 307 72-05 Self-Portrait, 1972; p. 307 72-07 Triptych August 1972, 1972; pp. 88, 306 72-08 Study for Self-Portrait, 1972; p. 307 72-09 Three Studies for Self-Portrait, 1972; p. 307 72-10 Two Studies for Self-Portrait, 1972; p. 307 72-11 Self-Portrait, 1972; p. 307 72-12 Self-Portrait, 1972; p. 307 72-13 Self-Portrait, 1972; p. 307 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 307 73-02 Three Studies for Self-Portrait, 1973; p. 307 73-03 Triptych May-June, 1973; pp. 308, 343; ill. p. 312-313 (b&w) 73-04 Study from the Human Body (Man Turning on Light), 1973; p. 431 73-05 Self-Portrait, 1973; p. 307 73-11 Self-Portrait, 1973; p. 307 74-01 Self-Portrait, 1974; p. 307 74-03 Seated Figure, 1974; p. 333 74-04 Sleeping Figure, 1974; p. 333 74-05 Three Studies for Self-Portrait, 1974; p. 307 75-02 Self-Portrait, 1975; p. 307 75-03 Three Studies for Self Portrait, 1975; p. 307 75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 324 75-05 Three Studies for a Portrait of Peter Beard, 1975; p. 324 76-05 Triptych, 1976; pp. 275, 343-344, 412, 417 76-14 Portrait of Michel Leiris, 1976; pp. 287, 324-325 77-05 Triptych 1974-1977, 1974 - 1977; pp. 331-333 (titled "Triptych May-June 1974'), 419 77-08 Three Studies for a Portrait (Gianni Agnelli), 1977; p. 257 78-07 Study for Portrait (Michel Leiris), 1978; pp. 287, 324-325 79-03 Jet of Water, 1979; p. 376 79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 360, 373 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 334 82-01 Study of the Human Body, 1981 - 1982; p. 374 82-05 A Piece of Waste Land, 1982; p. 374 82-07 Three Studies for a Portrait (Mick Jagger), 1982; p. 257 82-08 Study from the Human Body - Figure in Movement, 1982; p. 374 83-02 Study from the Human Body, 1983; p. 374 83-03 Oedipus and the Sphinx after Ingres, 1983; p. 438 83-05 Sand Dune, 1983; p. 374 83-07 Triptych, 1983; p. 374 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 374 84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 355, 380 86-04 Study for Portrait of Gilbert de Botton, 1986; p. 380 86-05 Blood on the Floor - Painting, 1986; pp. 377-378 88-04 Jet of Water, 1988; pp. 375-376 88-05 Second Version of Triptych 1944, 1988; pp. 119, 390, 397 91-03 Study for the Human Body, 1991; p. 391 Load more Related Publications Michael Peppiatt, Francis Bacon: Anatomía de un enigma, 1999 Michael Peppiatt, Francis Bacon: Anatomie eines Rätsels, 2003 Michael Peppiatt, Francis Bacon: anatomie d'une énigme, 2004 Michael Peppiatt, フランシス・ベイコン [Francis Bacon], 2005 Michael Peppiatt, Φράνσις Μπέικον, Ανατομία ενός αινίγματος [Francis Bacon: Anatomy of an Enigma], 2011 Reprints Michael Peppiatt , Francis Bacon: Anatomy of an Enigma, US edn. , New York, Skyhorse Publishing, 2009, ISBN: 9781620876701 Translations Francis Bacon: Anatomía de un enigma, 1999 Francis Bacon: Anatomie eines Rätsels, 2003 Francis Bacon: anatomie d'une énigme, 2004 フランシス・ベイコン [Francis Bacon], 2005 Φράνσις Μπέικον, Ανατομία ενός αινίγματος [Francis Bacon: Anatomy of an Enigma], 2011 Other editions Michael Peppiatt, Francis Bacon: Anatomy of an Enigma, 1996