Francis Bacon: Anatomy of an Enigma

29-01 'Watercolour', 1929; pp. 57, 63-64, 422

29-02 'Gouache', 1929; pp. 57, 63-64, 397, 422

30-01 'Painted Screen', 1930; pp. 64, 397

30-02 'Painting', 1930; pp. 64, 397

30-03 'Portrait', 1930; pp. 65, 422

33-01 Crucifixion, 1933; pp. 65, 76-79, 81, 106, 151

33-02 After Picasso, 'La Danse', 1933; pp. 79, 81, 106

33-03 The Crucifixion, 1933; pp. 65, 79-81, 83-84, 106

33-04 Composition (Figure), 1933; p. 81

33-05 Composition (Figures), 1933; p. 81

34-01 Corner of the Studio, 1934; pp. 60, 84

34-02 Interior of a Room, 1934; p. 84

35-01 Figures in a Garden, 1935; pp. 84, 91-92, 200

36-01 Studio Interior, 1936; p. 84

36-02D Abstraction, 1936; pp. 92-93

36-03D Abstraction from the Human Form, 1936; pp. 92-93, 105

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 55, 80, 85, 92, 103-112, 118, 122, 126-127, 130-132, 139, 162, 183, 290, 334, 380, 396, 415, 428

44-02 'Fury', 1944; p. 415

45-01 Man in a Cap, 1945; pp. 103-104

45-05 Figure in a Landscape, 1945; pp. 130-132, 183

45-06 Study for a Figure, 1945; p. 103

46-02 Figure Study II, 1945 - 1946; p. 140

46-03 Painting 1946, 1946; pp. 118, 122, 134, 138-143, 151, 153-158, 175, 200, 223, 235, 290, 389

46-04 Landscape with Car, 1945 - 1946; pp. 103, 105

48-01 Head I, 1948; pp. 106, 122, 134, 143-144, 147, 153-158, 160

48-02D Study for Man with Microphones, 1946 - 1948; p. 140

48-03 'Head', 1948; pp. 106, 122, 134, 143-144, 160

48-04 'Head', 1948; pp. 106, 122, 134, 143-144, 160

49-01 Head II, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160

49-02 Head III, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160

49-03 Head IV (Man with a Monkey), 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160

49-04 Head V, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160

49-05 Head, 1949; pp. 106, 122, 134, 143-144, 160

49-06 Head, 1949; pp. 106, 122, 134, 143-144, 160

49-07 Head VI, 1949; pp. 106, 122, 134, 143-144, 147, 153-158, 160, 171, 398

49-08 Study from the Human Body, 1949; p. 158

50-02 Fragment of a Crucifixion, 1950; pp. 119, 134, 171, 174, 334, 396

50-04 Study after Velázquez, 1950; pp. 106, 119, 150, 160, 169-171, 415

50-05 'Study after Velázquez', 1950; pp. 106, 119, 150, 160, 169-171, 415

51-02 Head, 1951; p. 205

51-04 Portrait of Lucian Freud, 1951; p. 192

51-05 Pope I, 1951; pp. 106, 119, 150, 160, 169-171, 183 (titled 'Study after Velazquez'), 398

51-06 Pope II, 1951; pp. 106, 119, 150, 160, 169-171, 183 (titled 'Study after Velazquez')

51-07D Pope III, 1951; pp. 106, 119, 150, 160, 169-171

52-02 House in Barbados, 1952; p. 177

52-03 Dog, 1952; pp. 161, 174

52-04 Landscape, 1952; p. 173

52-11 Landscape, 1952; p. 173

52-14 Elephant Fording a River, 1952; pp. 167, 172, 429

52-15D Rhinoceros, 1952; p. 172

52-16 Dog, 1952; p. 174

52-20 Man in a Chair, 1952; p. 135

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 106, 119, 150, 160, 169-170, 180

53-06 Man with Dog, 1953; pp. 174, 180-181

53-07 Study for Portrait I, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-08 Study for a Portrait II, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-09 Study for Portrait III, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-10 Study for Portrait IV, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-11 Study for Portrait V, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-12 Study for Portrait VI, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-13 Study for Portrait VII, 1953; pp. 106, 119, 150, 160, 169-170, 179, 181

53-14 Study for Portrait VIII, 1953; pp. 106, 119, 150, 160, 169-170, 179

53-15 Sphinx I, 1953; p. 183

53-17 Study of a Baboon, 1953; p. 180

53-23 Three Studies of the Human Head, 1953; p. 183

53-24 Two Figures, 1953; pp. 197, 351

53-27 Sphinx, 1953; p. 183

53-32 'Pope', 1953; pp. 106, 119, 150, 160, 169-170

54-01 Two Figures in the Grass, 1954; pp. 197, 200

54-05 Man in Blue I, 1954; p. 200

54-06 Man in Blue II, 1954; p. 200

54-07 Man in Blue III, 1954; p. 200

54-08 Man in Blue IV, 1954; p. 200

54-09 Man in Blue V, 1954; p. 200

54-10 Man in Blue VI, 1954; p. 200

54-11 Man in Blue VII, 1954; p. 200

54-14 Figure with Meat, 1954; pp. 106, 119, 150, 160, 169-170, 200

54-15 Pope, 1954; pp. 106, 119, 150, 160, 169-170

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 201

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 201

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 201

55-09 Portrait of R.J. Sainsbury, 1955; p. 204

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 201

55-11 Study for a Pope, 1955; pp. 106, 119, 150, 160, 169-170

55-16 Sketch for a Portrait of Lisa, 1955; p. 204

56-01 Self-Portrait, 1956; p. 204

56-03 Study for Portrait of Van Gogh I, 1956; pp. 200, 204, 205-206

56-04 Portrait of Lisa, 1956; p. 204

56-05 Study for Portrait II, 1956; pp. 106, 119, 150, 160, 169-170

56-06 Study for Portrait I, 1956; pp. 106, 119, 150, 160, 169-170

56-07 Man Carrying a Child, 1956; p. 216

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 201

57-02 Study for Figure IV, 1956 - 1957; p. 217

57-03 Study for Figure V, 1956 - 1957; p. 217

57-04 Study for Figure VI, 1956 - 1957; p. 217

57-05 Study for Portrait IX, 1956 - 1957; p. 217

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; p. 204

57-10 Study for Portrait of Van Gogh II, 1957; pp. 204, 206-207, 211, 217, 399

57-11 Study for Portrait of Van Gogh III, 1957; pp. 204, 206-207, 211, 217, 399

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 204, 206-207, 211, 217, 399

57-13 Study for Portrait of Van Gogh V, 1957; pp. 204, 206, 211, 217, 399

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 204, 206, 211, 217, 399

57-15 Van Gogh in a Landscape, 1957; pp. 204, 211, 217, 399

57-17 Portrait of Lisa, 1957; p. 204

57-18 Van Gogh Going to Work, 1957; p. 204

57-19 Study for Portrait of P.L. No. 1, 1957; p. 217 (dated '1958')

57-20 Study for Portrait of P.L. No. 2, 1957; p. 217 (dated '1958')

57-22 Study for Portrait, 1957; pp. 106, 119, 150, 160, 169-170

57-23 'Landscape after Van Gogh', 1957; p. 211

58-02 Painting, 1958; pp. 106, 119, 150, 160, 169-170, 211, 215-216

58-03 Head I, 1958; p. 88

58-07 'Pope', 1958; pp. 106, 119, 150, 160, 169-170

58-08 'Pope', 1958; pp. 106, 119, 150, 160, 169-170

58-09 'Pope with Owls', 1958; pp. 106, 119, 150, 160, 169-170, 211

59-08 Lying Figure, 1959; pp. 223-224

59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 106, 119, 150, 160, 169-170

59-13 Miss Muriel Belcher, 1959; p. 224

60-04 Walking Figure, 1960; ill. pp. 312-313 (b&w)

60-05 Pope No. 2, 1960; pp. 106, 119, 160, 169-170; ill. ppp. 312-313 (b&w)

60-06 Pope No. 3, 1960; pp. 106, 119, 160, 169-170

60-07 'Pope and Chimpanzee', 1960; pp. 106, 119, 160, 169-170

60-13 Head of Woman, 1960; ill. p. 312-313 (b&w)

60-17 Seated Figure, 1960; pp. 106, 119, 160, 169-170

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; ill. pp. 312-313 (b&w)

61-08 Study for a Pope I, 1961; pp. 106, 119, 160, 169-170, 234

61-09 Study for a Pope II, 1961; pp. 106, 119, 160, 169-170, 234

61-10 Study for a Pope III, 1961; pp. 106, 119, 160, 169-170, 234, 419

61-11 Study for a Pope IV, 1961; pp. 106, 119, 160, 169-170, 234

61-12 Study for a Pope V, 1961; pp. 106, 119, 160, 169-170, 234

61-13 Study for a Pope VI, 1961; pp. 106, 119, 160, 169-170, 234, 398

62-02 Study from Innocent X, 1962; pp. 106, 119, 160, 169-170, 417

62-04 Three Studies for a Crucifixion, 1962; pp. 232-234, 274, 291, 381, 397; ill. pp. 312-313 (b&w)

63-01 Lying Figure with Hypodermic Syringe, 1963; pp. 258, 278

63-06 Landscape near Malabata, Tangier, 1963; pp. 211, 216

63-14 Study for Portrait (with Two Owls), 1963; pp. 106, 119, 160, 169-170

63-15 Three Studies for Portrait of George Dyer, 1963; pp. 258-259 (dated '1964')

64-10 Three Figures in a Room, 1964; p. 286

65-01 Crucifixion, 1965; pp. 253, 274-275, 278, 280, 291

65-03 Study from Portrait of Pope Innocent X, 1965; pp. 106, 160, 169-170, 398

66-05 Three Studies for Portrait of Lucian Freud, 1966; p. 279

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 279

67-16 Triptych, 1967; pp. 281-283 (titled 'Triptych Inspired by T.S. Eliot's Poem Sweeney Agonistes'), 291

68-02 Two Studies of George Dyer with Dog, 1968; pp. 261, 331

68-05 Portrait of George Dyer in a Mirror, 1968; pp. 261, 331

68-07 Two Studies for a Portrait of George Dyer, 1968; pp. 261 (titled 'Two Studies of George Dyer')

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 291, 417

69-04 Study for Bullfight No. 1, 1969; pp. 280, 331, 431; ill. p. 312-313 (b&w)

69-05 Study for Bullfight No 2., 1969; pp. 280, 331

69-07 Three Studies of Lucian Freud, 1969; p. 279

69-14 Second Version of Study for Bullfight No. 1, 1969; pp. 280, 331, 431

70-01 Studies of George Dyer and Isabel Rawsthorne, 1970; p. 262

70-04 Triptych - Studies from the Human Body, 1970; p. 292

70-06 Three Studies of the Male Back, 1970; p. 291

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 293

71-04 Study of Red Pope, 1962, Second Version, 1971; pp. 106, 160, 169-170, 292-293

71-09 In Memory of George Dyer, 1971; pp. 305-306

72-02 Self-Portrait with Injured Eye, 1972; p. 307

72-03 Self-Portrait, 1972; p. 307

72-04 Self-Portrait, 1972; p. 307

72-05 Self-Portrait, 1972; p. 307

72-07 Triptych August 1972, 1972; pp. 88, 306

72-08 Study for Self-Portrait, 1972; p. 307

72-09 Three Studies for Self-Portrait, 1972; p. 307

72-10 Two Studies for Self-Portrait, 1972; p. 307

72-11 Self-Portrait, 1972; p. 307

72-12 Self-Portrait, 1972; p. 307

72-13 Self-Portrait, 1972; p. 307

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 307

73-02 Three Studies for Self-Portrait, 1973; p. 307

73-03 Triptych May-June, 1973; pp. 308, 343; ill. p. 312-313 (b&w)

73-04 Study from the Human Body (Man Turning on Light), 1973; p. 431

73-05 Self-Portrait, 1973; p. 307

73-11 Self-Portrait, 1973; p. 307

74-01 Self-Portrait, 1974; p. 307

74-03 Seated Figure, 1974; p. 333

74-04 Sleeping Figure, 1974; p. 333

74-05 Three Studies for Self-Portrait, 1974; p. 307

75-02 Self-Portrait, 1975; p. 307

75-03 Three Studies for Self Portrait, 1975; p. 307

75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 324

75-05 Three Studies for a Portrait of Peter Beard, 1975; p. 324

76-05 Triptych, 1976; pp. 275, 343-344, 412, 417

76-14 Portrait of Michel Leiris, 1976; pp. 287, 324-325

77-05 Triptych 1974-1977, 1974 - 1977; pp. 331-333 (titled "Triptych May-June 1974'), 419

77-08 Three Studies for a Portrait (Gianni Agnelli), 1977; p. 257

78-07 Study for Portrait (Michel Leiris), 1978; pp. 287, 324-325

79-03 Jet of Water, 1979; p. 376

79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 360, 373

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 334

82-01 Study of the Human Body, 1981 - 1982; p. 374

82-05 A Piece of Waste Land, 1982; p. 374

82-07 Three Studies for a Portrait (Mick Jagger), 1982; p. 257

82-08 Study from the Human Body - Figure in Movement, 1982; p. 374

83-02 Study from the Human Body, 1983; p. 374

83-03 Oedipus and the Sphinx after Ingres, 1983; p. 438

83-05 Sand Dune, 1983; p. 374

83-07 Triptych, 1983; p. 374

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 374

84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 355, 380

86-04 Study for Portrait of Gilbert de Botton, 1986; p. 380

86-05 Blood on the Floor - Painting, 1986; pp. 377-378

88-04 Jet of Water, 1988; pp. 375-376

88-05 Second Version of Triptych 1944, 1988; pp. 119, 390, 397

91-03 Study from the Human Body, 1991; p. 391