Francis Bacon: Commitment and Conflict

33-01 Crucifixion, 1933; pp. 69, 158

33-02 After Picasso, 'La Danse', 1933; p. 69

33-03 The Crucifixion, 1933; p. 69; ill. No. 69, p. 69 (b&w)

33-04 Composition (Figure), 1933; ill. No. 99, p. 85 (titled 'After Picasso, 'La Danse'', b&w)

35-01 Figures in a Garden, 1935; p. 160

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 65, 69-70, 86, 160; ill. No. 2, pp. 30-31

45-05 Figure in a Landscape, 1945; p. 86

46-01 Figure Study I, 1945 - 1946; p. 86; ill. No. 1, p. 29

46-02 Figure Study II, 1945 - 1946; p. 86

46-03 Painting 1946, 1946; pp. 65, 73, 160, 161; ill. No. 4, p. 34; No. 82, p. 73 (b&w)

48-01 Head I, 1948; p. 161

49-01 Head II, 1949; p. 161; ill. No. 7, p. 38, No. 66, p. 67 (titled 'Head I', b&w)

49-02 Head III, 1949; p. 161

49-03 Head IV (Man with a Monkey), 1949; p. 161

49-04 Head V, 1949; p. 161

49-07 Head VI, 1949; pp. 14, 161; ill. No. 8, p. 39

49-08 Study from the Human Body, 1949; p. 161

49-09 Study for a Portrait, 1949; p. 161; ill. No. 114, p. 92 (b&w)

50-02 Fragment of a Crucifixion, 1950; pp. 69, 85; ill. No. 78, p. 72 (b&w)

50-04 Study after Velázquez, 1950; p. 13; ill. No. 9, p. 13 (b&w)

50-06 Painting, 1950; p. 60

51-02 Head, 1951; ill. No. 107, p. 89 (b&w)

51-03 Study for Nude, 1951; ill. No. 51, p. 59 (b&w)

51-04 Portrait of Lucian Freud, 1951; p. 91

51-05 Pope I, 1951; pp. 18-19, 162; ill. No. 23, p. 19 (b&w)

51-06 Pope II, 1951; pp. 18-21, 162; ill. No. 10, p. 41

51-07D Pope III, 1951; pp. 18-19, 162; ill. No. 24, p. 19 (b&w)

52-05 Study of a Head, 1952; ill. No. 30, p. 22 (b&w)

52-16 Dog, 1952; ill. No. 133, p. 105 (b&w)

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; ill. No. 9, p. 40

53-03 Study for a Portrait, 1953; ill. No. 22, p. 18 (b&w)

53-07 Study for Portrait I, 1953; p. 19; ill. No. 15, p. 16 (b&w)

53-08 Study for a Portrait II, 1953; p. 19; ill. No. 16, p. 16 (b&w)

53-09 Study for Portrait III, 1953; p. 19; ill. No. 17, p. 16 (b&w)

53-10 Study for Portrait IV, 1953; p. 19; ill. No. 19, p. 17 (b&w)

53-11 Study for Portrait V, 1953; p. 19; ill. No. 20, p. 17 (b&w)

53-12 Study for Portrait VI, 1953; p. 19

53-13 Study for Portrait VII, 1953; p. 19

53-14 Study for Portrait VIII, 1953; p. 19; ill. No. 21, p. 17 (b&w)

53-17 Study of a Baboon, 1953; ill. No. 116, p. 93 (b&w)

53-24 Two Figures, 1953; p. 60; ill. No. 11, p. 42, No. 49, p. 59 (b&w)

54-01 Two Figures in the Grass, 1954; ill. No. 12, p. 43, No. 129, p. 102 (b&w)

54-05 Man in Blue I, 1954; pp. 61, 64, 162

54-06 Man in Blue II, 1954; pp. 61, 64, 162

54-07 Man in Blue III, 1954; pp. 61, 64, 162

54-08 Man in Blue IV, 1954; pp. 61, 64, 162

54-09 Man in Blue V, 1954; pp. 61, 64, 162; ill. No. 27, p. 21 (b&w)

54-10 Man in Blue VI, 1954; pp. 61, 64, 162

54-11 Man in Blue VII, 1954; pp. 61, 64, 162

54-14 Figure with Meat, 1954; p. 73; ill. No. 13, p. 44, No. 83, p. 74 (b&w)

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; pp. 91, 162

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 91, 162

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 91, 162; ill. No. 14, p. 45

55-07 Man Drinking, 1955; p. 62; ill. No. 55, p. 62 (b&w)

55-08 Chimpanzee, 1955; ill. No. 65, p. 67 (b&w)

55-09 Portrait of R.J. Sainsbury, 1955; p. 62

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 91

55-12 Man with Head Wound, 1955; ill. No. 56, p. 62 (b&w)

56-01 Self-Portrait, 1956; p. 91

56-03 Study for Portrait of Van Gogh I, 1956; pp. 87-88, 91; ill. No. 100, p. 86 (b&w)

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; ill. No. 28, p. 21 (b&w)

57-10 Study for Portrait of Van Gogh II, 1957; pp. 87-88; ill. No. 15, p. 46, No. 101, p. 86 (b&w)

57-11 Study for Portrait of Van Gogh III, 1957; pp. 87-88; ill. No. 104, p. 88 (b&w)

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 87-88; ill. No. 105, p. 88 (b&w)

57-13 Study for Portrait of Van Gogh V, 1957; pp. 87-88; ill. No. 106, p. 88 (b&w)

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 87-88; ill. No. 16, p. 47

57-15 Van Gogh in a Landscape, 1957; pp. 87, 92

57-18 Van Gogh Going to Work, 1957; ill. No. 102, p. 86 (b&w)

58-01 Self-Portrait, 1958; p. 92

58-02 Painting, 1958; ill. No. 25, p. 20 (b&w)

60-05 Pope No. 2, 1960; ill. No. 26, p. 20 (b&w)

61-16 Seated Figure, 1961; ill. No. 39, p. 26 (b&w)

61-19 Head I, 1961; ill. No. 94, p. 82 (b&w)

61-20 Head II, 1961; ill. No. 95, p. 82 (b&w)

61-21 Head III, 1961; ill. No. 96, p. 82 (b&w)

61-23 Nude, 1961; ill. No. 3, p. 8 (titled 'Standing Nude With Tassels', b&w)

62-02 Study from Innocent X, 1962; pp. 13, 22-23, 92; ill. No. 33, p. 23 (b&w), No. 17, p. 48

62-04 Three Studies for a Crucifixion, 1962; p. 74, ill. No. 19, pp. 50 (centre panel), 51, No. 86, p. 76 (centre panel, b&w)

62-07 Study for Three Heads, 1962; p. 92

63-01 Lying Figure with Hypodermic Syringe, 1963; ill. No. 22, p. 54

63-03 Turning Figure, 1963; ill. No. 89, p. 77 (b&w)

63-04 Study for Self-Portrait, 1963; p. 92; ill. No. 23, p. 107

63-06 Landscape near Malabata, Tangier, 1963; p. 164

63-14 Study for Portrait (with Two Owls), 1963; p. 92 (titled 'Portrait Study with Two Owls')

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; ill. No. 127, p. 101 (b&w)

64-10 Three Figures in a Room, 1964; ill. No. 123, p. 98 (left panel, b&w), No. 126, p. 100 (centre and right panel, b&w)

65-01 Crucifixion, 1965; pp. 69-70, 74-75; ill. No. 6, pp. 36 (left panel), 37, No. 75, p. 71 (centre panel, b&w)

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; ill. No. 54, p. 61 (b&w)

65-03 Study from Portrait of Pope Innocent X, 1965; p. 92

65-07 Three Studies of Isabel Rawsthorne (on white ground), 1965; ill. No. 113, p. 92 (b&w)

66-10 Portrait of Isabel Rawsthorne, 1966; ill. No. 2, p. 8 (b&w)

66-13 Three Studies of Muriel Belcher, 1966; ill. No. 8, p. 12 (b&w)

66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 24; ill. No. 20, p. 52

67-01 Three Studies for a Self-Portrait, 1967; p. 92

67-09 Three Studies from the Human Body, 1967; pp. 24-25; ill. No. 26, p. 110

67-13 Portrait of George Dyer Staring into a Mirror, 1967; ill. No. 24, p. 108

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; ill. No. 21, p. 53

67-15D Portrait of George Dyer and Lucian Freud, 1967; ill. No. 108, p. 89 (b&w)

67-16 Triptych, 1967; p. 90; ill. No. 57, p. 63 (titled 'Triptych Inspired by T.S. Eliot's Poem 'Sweeney Agonistes'', b&w)

68-05 Portrait of George Dyer in a Mirror, 1968; ill. No. 35, p. 24 (b&w)

68-07 Two Studies for a Portrait of George Dyer, 1968; ill. No. 25, p. 109

69-03 Lying Figure, 1969; ill. No. 28, p. 112

69-04 Study for Bullfight No. 1, 1969; ill. No. 35, p. 120

69-07 Three Studies of Lucian Freud, 1969; ill. No. 98, p. 84 (centre panel, b&w)

69-13 Self-Portrait, 1969; ill. No. 117, p. 94 (b&w), No. 31, p. 116

69-14 Second Version of Study for Bullfight No. 1, 1969; ill. No. 36, p. 121

69-15 Study of Henrietta Moraes, 1969; ill. No. 119, p. 95 (b&w), No. 33, p. 118 (titled 'Study of Henrietta Moraes Laughing')

69-17 Study for Portrait, 1969; ill. No. 37, p. 122

70-04 Triptych - Studies from the Human Body, 1970; p. 68; ill. No. 50, p. 59 (centre panel, detail, b&w), No. 67, p. 68 (b&w), No. 39, pp. 124, 125 (right panel)

70-06 Three Studies of the Male Back, 1970; p. 24; ill. No. 36, p. 24 (left panel, b&w)

70-09 Triptych - Studies of the Human Body, 1970; p. 25; ill. No. 37, p. 25 (b&w)

70-10 Triptych, 1970; ill. No. 38, p. 25 (left panel, b&w)

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; ill. No. 5, p. 35

71-04 Study of Red Pope, 1962, Second Version, 1971; pp. 13, 23-24, 92; ill. No. 34, p. 23 (b&w), No. 18, p. 49

71-08 Study for Portrait of Lucian Freud (sideways), 1971; ill. No. 27, p. 111

71-09 In Memory of George Dyer, 1971; pp. 24, 75, 90; ill. No. 41, p. 27 (b&w), No. 130, p. 102 (left panel, detail, b&w), No. 30, pp. 114, 115 (right panel)

71-11 Self-Portrait, 1971; ill. No. 118, p. 94 (b&w)

72-01 Three Studies of Figures on Beds, 1972; p. 81

72-02 Self-Portrait with Injured Eye, 1972; ill. No. 32, p. 117

72-07 Triptych August 1972, 1972; pp. 75-76, 90, 166; ill. No. 85, p. 75 (b&w), No. 40, pp. 126 (left panel), 127

72-09 Three Studies for Self-Portrait, 1972; ill. No. 7, p. 11 (b&w)

72-14 Female Nude Standing in a Doorway, 1972; ill. No. 87, p. 76 (b&w)

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 66, 75; ill. No. 64, p. 66 (b&w), No. 47, pp. 136, 137 (right panel)

73-03 Triptych May-June, 1973; pp. 75-77, 90, 166; ill. No. 90, p. 78 (b&w), No. 46, pp. 134 (left panel), 135

73-04 Study from the Human Body (Man Turning on Light), 1973; ill. No. 4, p. 9 (b&w)

73-05 Self-Portrait, 1973; ill. No. 42, p. 129

73-06 Study for Self-Portrait, 1973; ill. No. 91, p. 79 (b&w)

73-10 Self-Portrait, 1973; ill. No. 41, p. 128

74-02 Triptych March 1974, 1974; p. 68; ill. No. 68, p. 68 (right panel, b&w), ill. No. 43, pp. 130, 131 (centre panel)

74-03 Seated Figure, 1974; ill. No. 44, p. 132

75-06 Studies from the Human Body, 1975; ill. No. 88, p. 77 (b&w)

75-07 Three Figures and Portrait, 1975; ill. No. 38, p. 123

76-02 Figure In Movement, 1976; ill. No. 29, p. 113

76-05 Triptych, 1976; ill. No. 122, p. 98 (centre panel, b&w)

76-07 Three Studies for Self-Portrait, 1976; ill. No. 115, p. 93 (b&w)

76-14 Portrait of Michel Leiris, 1976; ill. No. 34, p. 119

77-03 Study for Portrait, 1977; ill. No. 124, p. 99 (b&w)

78-01 Painting, 1978; p. 24; ill. No. 45, p. 133

78-11 Landscape, 1978; p. 28; ill. No. 48, p. 138

79-01 Triptych - Studies of the Human Body, 1979; ill. No. 54, pp. 144, 145 (centre panel)

79-05 Sphinx - Portrait of Muriel Belcher, 1979; ill. No. 125, p. 99 (b&w)

79-06 Seated Figure, 1979; ill. No. 51, p. 141

79-07 Two Seated Figures, 1979; p. 26; ill. No. 50, p. 140

80-06 Carcass of Meat and Bird of Prey, 1980; p. 26

80-11 Study for Self-Portrait, 1980; ill. No. 1, p. 7 (b&w)

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 90

81-06 Study for Self-Portrait, 1981; ill. No. 52, p. 142

82-01 Study of the Human Body, 1981 - 1982; ill. No. 109, p. 90 (b&w), No. 55, p. 146

82-05 A Piece of Waste Land, 1982; p. 28; ill. No. 49, p. 139

82-06 Study for Self-Portrait, 1982; ill. No. 53, p. 143

82-08 Study from the Human Body - Figure in Movement, 1982; ill. No. 56, p. 147

83-03 Oedipus and the Sphinx after Ingres, 1983; ill. No. 121, p. 97 (b&w), No. 58, p. 149

83-04 Statue and Figures in a Street, 1983; p. 85; ill. No. 57, p. 148

83-05 Sand Dune, 1983; p. 28; ill. No. 43, p. 28 (b&w)

83-07 Triptych, 1983; p. 26; ill. No. 40, p. 26 (b&w)

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 90; ill. No. 112, p. 91 (right panel, b&w)

84-05 Three Studies for a Portrait of John Edwards, 1984; p. 25; ill. No. 42, p. 27 (left panel, b&w)

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; ill. No. 63, pp. 154, 155 (right panel)

86-05 Blood on the Floor - Painting, 1986; ill. No. 120, p. 96 (b&w)

86-06 Study for Portrait of John Edwards, 1986; ill. No. 59, p. 150

88-01 Study for a Portrait of John Edwards, 1988; ill. No. 62, p. 153

88-04 Jet of Water, 1988; ill. No. 97, p. 83 (b&w)

88-05 Second Version of Triptych 1944, 1988; ill. No. 3, pp. 32-33

89-04 Study for Portrait of John Edwards, 1989; ill. No. 61, p. 152 (dated '1988')

90-01 Man at a Washbasin, 1989 - 1990; ill. No. 60, p. 151