Bacon: 1909-1992 | Francis Bacon

33-01 Crucifixion, 1933; p. 90

35-01 Figures in a Garden, 1935; p. 90; ill. p. 14 (dated '1936')

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 13, 16-19, 41, 57, 63, 66, 76-77, 91, 92; ill. pp. 12 (left panel), 13

45-05 Figure in a Landscape, 1945; pp. 19-21, 37, 91; ill. p. 20

46-01 Figure Study I, 1945 - 1946; p. 91; ill. p. 15

46-02 Figure Study II, 1945 - 1946; p. 91; ill. p. 21

46-03 Painting 1946, 1946; pp. 21-24, 37, 60, 65, 91; ill. p. 22

48-01 Head I, 1948; p. 91

49-01 Head II, 1949; p. 91; ill. p. 10

49-02 Head III, 1949; p. 91

49-03 Head IV (Man with a Monkey), 1949; p. 91

49-04 Head V, 1949; p. 91

49-07 Head VI, 1949; p. 91; ill. p. 80

49-08 Study from the Human Body, 1949; pp. 31, 37-38; ill. p. 30

50-02 Fragment of a Crucifixion, 1950; ill. p. 68

50-04 Study after Velázquez, 1950; ill. p. 38

50-06 Painting, 1950; ill. p. 6

51-03 Study for Nude, 1951; p. 91; ill. p. 37

51-04 Portrait of Lucian Freud, 1951; p. 91; ill. p. 78

51-08 'Crouching Nude', 1951; pp. 37-39; ill. p. 36 (titled 'Untitled (Crouching Nude)')

51-09 'Figure', 1951; ill. p. 31 (titled 'Untitled (Figure)')

52-12 Study of Figure in a Landscape, 1952; ill. p. 81

52-13 Man Kneeling in Grass, 1952; ill. p. 39

52-24 'Crouching Nude', 1952; pp. 41-44, 91; ill. p. 43 (titled 'Untitled (Crouching Nude on Rail)')

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; ill. p. 26

53-03 Study for a Portrait, 1953; ill. p. 24

53-07 Study for Portrait I, 1953; p. 92

53-08 Study for a Portrait II, 1953; p. 92

53-09 Study for Portrait III, 1953; p. 92

53-10 Study for Portrait IV, 1953; p. 92

53-11 Study for Portrait V, 1953; p. 92

53-12 Study for Portrait VI, 1953; p. 92

53-13 Study for Portrait VII, 1953; p. 92

53-14 Study for Portrait VIII, 1953; p. 92

53-17 Study of a Baboon, 1953; ill. p. 23

53-19 Study for Figure II, 1953; ill. p. 7

53-23 Three Studies of the Human Head, 1953; pp. 57, 60, 72, 92; ill. p. 72

53-24 Two Figures, 1953; pp. 44-49, 92; ill. p. 47

54-01 Two Figures in the Grass, 1954; ill. p. 51

54-05 Man in Blue I, 1954; p. 92, ill. p. 44

54-06 Man in Blue II, 1954; p. 92

54-07 Man in Blue III, 1954; p. 92

54-08 Man in Blue IV, 1954; p. 92

54-09 Man in Blue V, 1954; p. 92

54-10 Man in Blue VI, 1954; p. 92

54-11 Man in Blue VII, 1954; p. 92

54-14 Figure with Meat, 1954; ill. p. 27

55-08 Chimpanzee, 1955; ill. p. 27

56-01 Self-Portrait, 1956; ill. p. 46

56-03 Study for Portrait of Van Gogh I, 1956; p. 92; ill. p. 86

57-01 Figures in a Landscape, 1956 - 1957; ill. p. 39

57-09 Study for Chimpanzee, 1957; ill. p. 52

57-10 Study for Portrait of Van Gogh II, 1957; p. 92

57-11 Study for Portrait of Van Gogh III, 1957; p. 92

57-12 Study for Portrait of Van Gogh IV, 1957; p. 92

57-13 Study for Portrait of Van Gogh V, 1957; p. 92

57-14 Study for Portrait of Van Gogh VI, 1957; p. 92

57-23 'Landscape after Van Gogh', 1957; ill. p. 23 (titled 'Untitled (Landscape after van Gogh)')

59-03 Two Figures in a Room, 1959; ill. p. 85

59-13 Miss Muriel Belcher, 1959; p. 75; ill. p. 73

61-02 Reclining Woman, 1961; ill. p. 45

62-04 Three Studies for a Crucifixion, 1962; p. 93; ill. p. 66

63-06 Landscape near Malabata, Tangier, 1963; ill. p. 53

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; ill. p. 63

64-10 Three Figures in a Room, 1964; pp. 57-61, 63, 93; ill. pp. 56 (right panel), 57

64-11 Study for Self-Portrait, 1964; ill. p. 95

64-12 Study for Portrait (Isabel Rawsthorne), 1964; ill. p. 76

65-01 Crucifixion, 1965; pp. 66-67, 93; ill. pp. 64-65

66-08 Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and J.H., 1966; ill. p. 76

66-09 Portrait of George Dyer Talking, 1966; ill. p. 8

66-13 Three Studies of Muriel Belcher, 1966; pp. 72-75; ill. pp. 70 (left panel), 71

67-16 Triptych, 1967; p. 93; ill. pp. 40-41 (titled 'Triptych Inspired by T.S. Eliot's Poem "Sweeney Agonistes"')

67-17 Three Studies of Isabel Rawsthorne, 1967; ill. p. 77

68-02 Two Studies of George Dyer with Dog, 1968; ill. p. 50

68-05 Portrait of George Dyer in a Mirror, 1968; ill. p. 79

69-03 Lying Figure, 1969; ill. p. 54

69-04 Study for Bullfight No. 1, 1969; ill. p. 28

69-07 Three Studies of Lucian Freud, 1969; ill. p. 42

69-12 Study of Nude with Figure in a Mirror, 1969; ill. p. 55

69-14 Second Version of Study for Bullfight No. 1, 1969; ill. p. 28

70-04 Triptych - Studies from the Human Body, 1970; ill. p. 67

70-09 Triptych - Studies of the Human Body, 1970; ill. pp. 58-59

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; ill. p. 29

71-09 In Memory of George Dyer, 1971; p. 93; ill. pp. 60-61

72-07 Triptych August 1972, 1972; ill. p. 62

73-03 Triptych May-June, 1973; ill. pp. 48-49

73-08 Figures in Movement, 1973; ill. p. 84

73-10 Self-Portrait, 1973; ill. p. 89

74-02 Triptych March 1974, 1974; ill. p. 32

76-02 Figure In Movement, 1976; ill. Front cover, p. 9

76-05 Triptych, 1976; ill. p. 69

77-05 Triptych 1974-1977, 1974 - 1977; ill. pp. 82-83

78-10 Figure in Movement, 1978; ill. p. 33

79-03 Jet of Water, 1979; ill. p. 25

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 94; ill. pp. 16-17

83-03 Oedipus and the Sphinx after Ingres, 1983; ill. p. 84

83-05 Sand Dune, 1983; ill. p. 87

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; ill. pp. 34-35

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; pp. 75, 78; ill. pp. 74-75

86-05 Blood on the Floor - Painting, 1986; ill. p. 11

88-05 Second Version of Triptych 1944, 1988; p. 94; ill. pp. 18-19

91-02 Triptych, 1991; ill. p. 1 (right panel)