Francis Bacon: Critical and Theoretical Perspectives

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 37, 51, 66, 68, 81-82, 122-128, 147, 149-150, 155, 160, 177

45-06 Study for a Figure, 1945; p. 148

46-01 Figure Study I, 1945 - 1946; pp. 126, 148-149

46-02 Figure Study II, 1945 - 1946; pp. 52, 125, 149

46-03 Painting 1946, 1946; pp. 52, 122, 125, 128, 131, 144, 149, 163, 186, 191

46-04 Landscape with Car, 1945 - 1946; p. 149 (earlier iteration, titled 'Figure Getting out of a Car')

48-01 Head I, 1948; pp. 66-67, 88, 160

48-02D Study for Man with Microphones, 1946 - 1948; p. 149 (titled 'Man with Microphones')

49-01 Head II, 1949; pp. 88, 97, 127

49-02 Head III, 1949; p. 88

49-03 Head IV (Man with a Monkey), 1949; p. 88

49-04 Head V, 1949; p. 88

49-07 Head VI, 1949; pp. 7, 66, 81-82, 88, 125, 126, 150

49-08 Study from the Human Body, 1949; pp. 125, 126, 157

49-09 Study for a Portrait, 1949; p. 36

50-04 Study after Velázquez, 1950; p. 159

51-04 Portrait of Lucian Freud, 1951; p. 36

51-05 Pope I, 1951; p. 159 (titled 'Pope I - Study after Pope Innocent X by Velásquez')

51-08 'Crouching Nude', 1951; p. 127

52-01 Study for Crouching Nude, 1952; pp. 65, 72, 156, 159, 163

52-03 Dog, 1952; p. 159

52-13 Man Kneeling in Grass, 1952; p. 65

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 66, 72, 92, 159

53-06 Man with Dog, 1953; p. 65

53-07 Study for Portrait I, 1953; p. 151

53-08 Study for a Portrait II, 1953; p. 151

53-09 Study for Portrait III, 1953; p. 151

53-10 Study for Portrait IV, 1953; p. 151

53-11 Study for Portrait V, 1953; p. 151

53-12 Study for Portrait VI, 1953; p. 151

53-13 Study for Portrait VII, 1953; p. 151

53-14 Study for Portrait VIII, 1953; p. 151

53-15 Sphinx I, 1953; p. 159

53-17 Study of a Baboon, 1953; p. 65

53-23 Three Studies of the Human Head, 1953; pp. 68, 155

53-24 Two Figures, 1953; pp. 38, 59, 157

53-29 Study for a Portrait, 1953; p. 173

54-01 Two Figures in the Grass, 1954; pp. 125, 156

54-05 Man in Blue I, 1954; pp. 88, 125, 151, 159

54-06 Man in Blue II, 1954; pp. 88, 125, 151, 159

54-07 Man in Blue III, 1954; pp. 88, 125, 151, 159

54-08 Man in Blue IV, 1954; pp. 88, 125, 151, 159

54-09 Man in Blue V, 1954; pp. 88, 125, 151, 159

54-10 Man in Blue VI, 1954; pp. 88, 125, 151, 159

54-11 Man in Blue VII, 1954; pp. 88, 125, 151, 159

55-08 Chimpanzee, 1955; p. 65

57-01 Figures in a Landscape, 1956 - 1957; p. 156

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 126

61-08 Study for a Pope I, 1961; p. 151

61-09 Study for a Pope II, 1961; p. 151

61-10 Study for a Pope III, 1961; p. 151

61-11 Study for a Pope IV, 1961; p. 151

61-12 Study for a Pope V, 1961; p. 151

61-13 Study for a Pope VI, 1961; p. 151

61-16 Seated Figure, 1961; p. 159

61-19 Head I, 1961; p. 151

61-20 Head II, 1961; p. 151

61-21 Head III, 1961; p. 151

61-22 Head IV, 1961; p. 151

62-04 Three Studies for a Crucifixion, 1962; pp. 35, 37, 64, 74, 150

63-01 Lying Figure with Hypodermic Syringe, 1963; p. 45

63-05 Study for Portrait on Folding Bed, 1963; pp. 123, 157, 161-162, 165

63-08 Portrait of Man with Glasses I, 1963; p. 151

63-09 Portrait of Man with Glasses II, 1963; p. 151

63-10 Portrait of Man with Glasses III, 1963; p. 151

63-11 Portrait of Man with Glasses IV, 1963; p. 151

64-10 Three Figures in a Room, 1964; pp. 125, 160

65-01 Crucifixion, 1965; pp. 98, 150

65-03 Study from Portrait of Pope Innocent X, 1965; p. 165

66-01 Portrait of George Dyer Crouching, 1966; p. 156 (dated '1964')

66-03 Henrietta Moraes, 1966; p. 128

66-08 Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and J.H., 1966; p. 88

66-10 Portrait of Isabel Rawsthorne, 1966; p. 127

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 56

67-16 Triptych, 1967; pp. 145, 154

67-17 Three Studies of Isabel Rawsthorne, 1967; p. 36

68-02 Two Studies of George Dyer with Dog, 1968; p. 152

68-05 Portrait of George Dyer in a Mirror, 1968; pp. 60, 126

68-07 Two Studies for a Portrait of George Dyer, 1968

69-03 Lying Figure, 1969

69-04 Study for Bullfight No. 1, 1969

69-07 Three Studies of Lucian Freud, 1969; pp. 72, 152, 154

69-12 Study of Nude with Figure in a Mirror, 1969; p. 64

69-14 Second Version of Study for Bullfight No. 1, 1969; pp. 36, 151, 161

70-04 Triptych - Studies from the Human Body, 1970; pp. 41, 45, 157

70-06 Three Studies of the Male Back, 1970; p. 154

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 122

71-05 Study of George Dyer, 1971; p. 152

72-01 Three Studies of Figures on Beds, 1972; p. 157

72-02 Self-Portrait with Injured Eye, 1972; p. 77

72-07 Triptych August 1972, 1972; pp. 59, 152, 154, 157

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 152

73-03 Triptych May-June, 1973; pp. 59, 125, 134

73-04 Study from the Human Body (Man Turning on Light), 1973; p. 157

73-05 Self-Portrait, 1973; pp. 88, 125

73-09 Two Figures with a Monkey, 1973; p. 157

73-10 Self-Portrait, 1973; p. 126 (titled 'Self Portrait with a Watch')

76-05 Triptych, 1976; pp. 45, 145, 157

77-05 Triptych 1974-1977, 1974 - 1977; pp. 154, 160

78-01 Painting, 1978; p. 72

78-07 Study for Portrait (Michel Leiris), 1978; p. 54

79-01 Triptych - Studies of the Human Body, 1979; p. 157

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 157

81-05 Study from the Human Body, 1981; p. 157

83-02 Study from the Human Body, 1983; p. 157

85-03 Figure in Movement, 1985; pp. 125-126

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; p. 154

86-06 Study for Portrait of John Edwards, 1986; p. 157

87-05 Triptych, 1987; p. 76 (titled 'Painting, Bull')

88-05 Second Version of Triptych 1944, 1988; p. 122

88-06 Portrait of John Edwards, 1988; p. 125

91-02 Triptych, 1991; p. 157

92-01 'Self-Portrait', 1991 - 1992; p. 146