Francis Bacon and the Masters
Details
Publisher:
London: Fontanka Publications
Year:
2015
Pages: 216
ISBN/ISSN: 9781906257156
Format: Hardback
Contents
Thierry Morel, 'Francis Bacon and the Art of the Past', pp. 14-25
Paul Joannides, 'Bacon, Michelangelo and the Classical Tradition', pp. 26-36
Amanda Geitner, 'A Very Modern Patronage: Francis Bacon and the Robert and Lisa Sainsbury Collection', pp. 138-147
Margarita Cappock, 'Francis Bacon's Studio', pp. 148-167
Number of artworks illustrated
28 works
Paintings
33-01 Crucifixion, 1933; pp. 16, 197; ill. p. 5, No. 40, pp. 81, 197
49-07 Head VI, 1949; p. 35; ill. No. 16, p. 32
50-05 'Study after Velázquez', 1950; p. 197; ill. No. 5, p. 19, No. 41, pp. 87, 197
50-06 Painting, 1950; p. 155; ill. No. 33, p. 155
51-05 Pope I, 1951; p. 198; ill. No. 43, pp. 85, 198
52-05 Study of a Head, 1952; p. 198; ill. No. 44, pp. 53, 198
52-22 'Marching Figures', 1952; p. 198; ill. No. 42, pp. 77, 198
53-01 Study of a Nude, 1952 - 1953; pp. 139, 144, 199; ill. No. 45, pp. 103, 199
53-24 Two Figures, 1953; p. 27; ill. No. 10, p. 26
54-05 Man in Blue I, 1954; p. 139
54-06 Man in Blue II, 1954; p. 139
54-07 Man in Blue III, 1954; p. 139
54-08 Man in Blue IV, 1954; p. 139
54-09 Man in Blue V, 1954; p. 139
54-10 Man in Blue VI, 1954; p. 139
54-11 Man in Blue VII, 1954; p. 139
55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 24, 200; ill. No. 48, pp. 123, 200
55-09 Portrait of R.J. Sainsbury, 1955; pp. 139-140, 199; ill. No. 46, pp. 92, 199
55-15 Study, 1955; pp. 143, 199; ill. No. 47, pp. 39, 199 (titled, 'Study (Imaginary Portrait of Pope Pius XII)')
55-16 Sketch for a Portrait of Lisa, 1955; pp. 139-140, 155, 200; ill. No. 49, p. 43, No. 21, p. 141, No. 49, p. 200
56-03 Study for Portrait of Van Gogh I, 1956; pp. 20, 201; ill. Cover, No. 51, pp. 109, 201
56-04 Portrait of Lisa, 1956; pp. 140, 155, 200; ill. No. 50, p. 93, No. 22, p. 141, No. 50, p. 200
56-09 Owls, 1956; p. 201; ill. No. 53, pp. 130, 201
56-11 'Figures in a Landscape', 1956; p. 201; ill. No. 52, pp. 69, 201
57-12 Study for Portrait of Van Gogh IV, 1957; pp. 20, 202; ill. No. 56, pp. 107, 202
57-17 Portrait of Lisa, 1957; pp. 140, 155, 202; ill. No. 54, p. 47, No. 23, p. 141, No. 54, p. 202
57-20 Study for Portrait of P.L. No. 2, 1957; pp. 143, 202; ill. No. 55, pp. 57, 202
59-02 Lying Figure, 1959; p. 203; ill. No. 58, pp. 117, 203
59-03 Two Figures in a Room, 1959; pp. 35, 143, 203; ill. No. 57, pp. 63, 203
60-12 Head of a Man, 1960; p. 204; ill. No. 60, pp. 98, 204
60-13 Head of Woman, 1960; p. 204; ill. No. 61 pp. 113, 204
60-15 Head of Man, 1960; p. 203; ill. No. 59, pp. 97, 203
61-16 Seated Figure, 1961; p. 204; ill. No. 62, pp. 121, 204
62-04 Three Studies for a Crucifixion, 1962; ill. No. 3, p. 17 (right panel)
62-14 'Figure', 1962; pp. 166, 207; ill. No. 68, p. 207
63-06 Landscape near Malabata, Tangier, 1963; p. 205; ill. No. 63, pp. 131, 205
64-10 Three Figures in a Room, 1964; pp. 29, 31; ill. No. 15, p. 31
65-01 Crucifixion, 1965; pp. 29, 166
65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; pp. 147, 205; ill. No. 64, pp. 126-127, 205
66-10 Portrait of Isabel Rawsthorne, 1966; p. 206; ill. p. 2, No. 65, pp. 129, 206
66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 29, 165
66-16 'Seated Figure and Carpet', 1966; p. 165 (titled 'Untitled (Seated Figure on a Dappled Carpet)')