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Francis Bacon: Important Paintings from the Estate

Details
Publisher:
New York: Tony Shafrazi Gallery
Year:  1998
Language: English
Pages: 92
ISBN/ISSN: 1891475169
Format: Hardback
Other Publication Details:

Depiction of:
ill. p. 30: Painting 'D7' ('Study after Velazquez', 1950) (Source: John Rothenstein and Ronald Alley: Francis Bacon, Appendix, 1964). This painting is a "lost Bacon".

 

Includes a selection of photographs by John Deakin.

Contents
John Edwards, 'Eggs was a Diamond', p. 7
Tony Shafrazi, 'Introduction', pp. 10-13
Sam Hunter, 'Francis Bacon's Endgame: Humanism Revisited', pp. 14-[23]
David Sylvester, 'The Supreme Pontiff' [revised version published in: David Sylvester: Looking back at Francis Bacon. London: Thames & Hudson, 2000], pp. 24-77
Michael Peppiatt, 'Extracts from "Francis Bacon: Anatomy of an Enigma"', pp. 78-83
Number of artworks illustrated
42 works by Francis Bacon + other illustrations
Paintings
50-01 Man at Curtain, 1950; ill. p. [17] (dated '1949'), ill. p. 19 (detail)
50-04 Study after Velázquez, 1950; ill. on book cover (detail), ill. p. [23] (titled 'Study after Velazquez'), ill. p. 25 (titled 'Study after Velazquez'), ill. p. 26 (titled 'Study after Velazquez', detail), ill. p. 30 (b&w)
84-05 Three Studies for a Portrait of John Edwards, 1984; ill. p. [6] (centre panel, installation shot)
92-01 'Self-Portrait', 1991 - 1992; ill. pp. [4-5] (in the studio)
49-01 Head II, 1949; ill. p. 18
49-02 Head III, 1949; ill. p. 18
49-07 Head VI, 1949; ill. p. 25 (detail)
53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; ill. p. 25 (titled 'Study After Velazquez's Portrait of Pope Innocent X')
50-05 'Study after Velázquez', 1950; ill. p. [29] (titled 'Study after Velazquez II'), ill. p. 30 (b&w), ill. p. 31 (detail)
51-07D Pope III, 1951; ill. p. 31
53-03 Study for a Portrait, 1953; ill. p. 31 (detail, b&w)
51-09 'Figure', 1951; ill. p. [33] (titled 'Figure in Frame', dated 'c. 1950'), ill. p. 35 (titled 'Figure in Frame', detail)
52-03 Dog, 1952; ill. p. 34
51-08 'Crouching Nude', 1951; ill. p. [37] (titled 'Study for Nude Figures', dated 'c. 1950')
52-24 'Crouching Nude', 1952; ill. p. [41] (titled 'Crouching Nude on Rail', dated '1952'), ill. p. 43 (titled 'Crouching Nude on Rail')
56-11 'Figures in a Landscape', 1956; ill. p. [45] (titled 'Two Figures in the Grass', dated '1950-53')
57-01 Figures in a Landscape, 1956 - 1957; ill. p. 47 (titled 'Figures in Landscape', dated '1956')
57-23 'Landscape after Van Gogh', 1957; ill. p. [49] (titled 'Study for Landscape after Van Gogh', dated '1957')
52-04 Landscape, 1952; ill. p. 51 (detail)
61-25 'Study for Portrait', 1961; ill. p. 52 (titled 'Study for Portrait (looking left)', dated 'c. 1962')
61-26 'Study for Portrait', 1961; ill. p. 53 (titled 'Study for Portrait (looking right)', dated 'c. 1962')
60-07 'Pope and Chimpanzee', 1960; ill. p. [55] (dated '1962'), ill. p. 57 (dated '1962', detail)
62-06 Figure Turning, 1962; ill. p. 56 (b&w)
79-04 Oedipus, 1979; ill. p. [59] (titled 'Oedipus and the Sphinx')
80-09 Painting, 1980; ill. p. [61] (titled 'Three Figures, One with Shotgun')
91-03 Study from the Human Body, 1991; ill. p. [63] (titled 'Study for Human Body')
87-09 'Figure Opening Door', 1987; ill. p. [65] (titled 'Figure in Open Doorway', dated '1990-91')
91-02 Triptych, 1991; ill. p. [67]
46-03 Painting 1946, 1946; ill. p. [86] (titled 'Painting')