Breadcrumb Bacon's World / Francis Bacon: 'Taking Reality by Surprise' Francis Bacon: 'Taking Reality by Surprise' By Christophe Domino Details Publisher: London: Thames & Hudson Year: 1997 Language: English Pages: 135 ISBN/ISSN: 0500300763 Series: New Horizons series Paintings 29-02 'Gouache', 1929; p. 21; ill. p. 21 33-01 Crucifixion, 1933; pp. 23-24, 119, 124; ill. p. 23 33-02 After Picasso, 'La Danse', 1933; p. 124 33-03 The Crucifixion, 1933; pp. 119, 124 33-04 Composition (Figure), 1933; p. 13; ill. p. 13 34-02 Interior of a Room, 1934; p. 24; ill. p. 25 35-01 Figures in a Garden, 1935; p. 24; ill. p. 25 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 26, 54, 58, 68, 89, 124; ill. p. 27 46-02 Figure Study II, 1945 - 1946; p. 31; ill. p. 31 46-03 Painting 1946, 1946; pp. 33, 58, 61, 125; ill. p. 33 48-01 Head I, 1948; pp. 61-62, 69, 86, 122-123, 125; ill. p. 122 (b&w) 49-01 Head II, 1949; pp. 61-62, 69, 86, 125; ill. p. 87 49-02 Head III, 1949; pp. 61-62, 69, 86, 125 49-03 Head IV (Man with a Monkey), 1949; pp. 61-62, 69, 86, 125 49-04 Head V, 1949; pp. 61-62, 69, 86, 125 49-07 Head VI, 1949; pp. 61-62, 69, 86, 125; ill. p. 62 50-02 Fragment of a Crucifixion, 1950; pp. 57-58, 119; ill. p. 57 50-04 Study after Velázquez, 1950; p. 86 50-05 'Study after Velázquez', 1950; p. 86 51-03 Study for Nude, 1951; p. 69 51-04 Portrait of Lucian Freud, 1951; p. 125 51-05 Pope I, 1951; p. 125 51-06 Pope II, 1951; p. 125 51-07D Pope III, 1951; p. 125 52-12 Study of Figure in a Landscape, 1952; p. 39; ill. p. 39 52-14 Elephant Fording a River, 1952; pp. 73, 85 52-16 Dog, 1952; p. 85; ill. p. 85 53-01 Study of a Nude, 1952 - 1953; p. 39; ill. p. 39 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 62, 94; ill. p. 62 53-03 Study for a Portrait, 1953; p. 94; ill. p. 94 53-06 Man with Dog, 1953; p. 85; ill. p. 85 53-17 Study of a Baboon, 1953; p. 85; ill. p. 84 53-24 Two Figures, 1953; pp. 64-65, 125; ill. p. 65 54-01 Two Figures in the Grass, 1954; pp. 64-66; ill. p. 65 54-05 Man in Blue I, 1954; p. 125 54-06 Man in Blue II, 1954; p. 125 54-07 Man in Blue III, 1954; p. 125 54-08 Man in Blue IV, 1954; p. 125 54-09 Man in Blue V, 1954; p. 125 54-10 Man in Blue VI, 1954; p. 125 54-11 Man in Blue VII, 1954; p. 125 54-14 Figure with Meat, 1954; p. 58; ill. p. 61 55-08 Chimpanzee, 1955; p. 85 56-01 Self-Portrait, 1956; p. 125 56-03 Study for Portrait of Van Gogh I, 1956; pp. 62-63, 125 57-10 Study for Portrait of Van Gogh II, 1957; pp. 62-63, 125; ill. p. 63 57-11 Study for Portrait of Van Gogh III, 1957; pp. 62-63, 125; ill. p. 63 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 62-63, 125 57-13 Study for Portrait of Van Gogh V, 1957; pp. 62-63, 125 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 62-63, 125 57-15 Van Gogh in a Landscape, 1957; p. 63; ill. p. 63 58-01 Self-Portrait, 1958; p. 77; ill. p. 76 59-13 Miss Muriel Belcher, 1959; pp. 40, 64; ill. p. 40 62-04 Three Studies for a Crucifixion, 1962; pp. 55, 58, 68, 70, 125; ill. p. 59 63-06 Landscape near Malabata, Tangier, 1963; pp. 45, 73; ill. p. 45 64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; p. 125 64-04 Study for Portrait of Henrietta Moraes, 1964; p. 96; ill. pp. 6 (detail), 96 64-10 Three Figures in a Room, 1964; pp. 70, 125; ill. p. 71 65-01 Crucifixion, 1965; pp. 58, 70, 125; ill. p. 60 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; pp. 65-66; ill. p. 66 65-03 Study from Portrait of Pope Innocent X, 1965; p. 86; ill. p. 86 65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; p. 43; ill. p. 43 (titled 'Three Studies for Head of Isabel Rawsthorne') 65-05 Three Studies for Portrait of Lucian Freud, 1965; p. 95; ill. p. 95 66-09 Portrait of George Dyer Talking, 1966; p. 98; ill. p. 98 66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 89, 90; ill. pp. 2 (detail), 90 67-03a, 67-03b Study for Head of Isabel Rawsthorne; Study for Head of George Dyer, 1967; p. 73 67-07 Study for Head of Lucian Freud, 1967; p. 81; ill. p. 81 67-08 Four Studies for a Self-Portrait, 1967; pp. 52, 55; ill. p. 53 67-09 Three Studies from the Human Body, 1967; pp. 70, 73; ill. p. 73 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 74; ill. p. 74 67-16 Triptych, 1967; pp. 55, 102, 120; ill. p. 103 (titled 'Triptych Inspired by T.S. Eliot's Poem 'Sweeney Agonistes') 67-17 Three Studies of Isabel Rawsthorne, 1967; pp. 54-55; ill. p. 54 68-02 Two Studies of George Dyer with Dog, 1968; pp. 95-96 68-05 Portrait of George Dyer in a Mirror, 1968; p. 56; ill. p. 56 68-07 Two Studies for a Portrait of George Dyer, 1968; p. 55; ill. Spine (detail), p. 55 69-04 Study for Bullfight No. 1, 1969; p. 55 69-06 Three Studies of Henrietta Moraes, 1969; ill. pp. 8 (detail), 11 69-10 Three Studies for Portraits (including Self-Portrait), 1969; p. 101; ill. p. 101 (right panel) 69-12 Study of Nude with Figure in a Mirror, 1969; p. 56 70-09 Triptych - Studies of the Human Body, 1970; pp. 70, 73; ill. p. 72 71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 58 71-07 Study for Portrait, 1971; p. 69; ill. p. 69 71-09 In Memory of George Dyer, 1971; pp. 46, 126; ill. p. 47 72-01 Three Studies of Figures on Beds, 1972; pp. 89-90; ill. p. 91 72-07 Triptych August 1972, 1972; p. 126 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 55 73-03 Triptych May-June, 1973; pp. 93, 96, 126; ill. p. 92 73-10 Self-Portrait, 1973; ill. Front cover, p. 79 75-07 Three Figures and Portrait, 1975; p. 55 76-02 Figure In Movement, 1976; p. 89; ill. p. 88 76-05 Triptych, 1976; pp. 55, 67; ill. p. 67 (installation shot, b&w) 76-09 Figure Writing Reflected in Mirror, 1976; p. 80; ill. pp. 4 (detail), 80 76-14 Portrait of Michel Leiris, 1976; p. 126 77-05 Triptych 1974-1977, 1974 - 1977; p. 55 78-01 Painting, 1978; p. 99; ill. p. 99 78-07 Study for Portrait (Michel Leiris), 1978; p. 126 78-11 Landscape, 1978; p. 74 79-01 Triptych - Studies of the Human Body, 1979; p. 66 79-03 Jet of Water, 1979; p. 74 79-05 Sphinx - Portrait of Muriel Belcher, 1979; p. 126 80-01 Three Studies for a Portrait of John Edwards, 1980; ill. pp. 48-49 (foldout) 80-06 Carcass of Meat and Bird of Prey, 1980; p. 58 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 68, 103, 126; ill. p. 104 81-04 Sand Dune, 1981; p. 74 82-01 Study of the Human Body, 1981 - 1982; p. 68; ill. p. 68 82-06 Study for Self-Portrait, 1982; ill. p. 51 83-03 Oedipus and the Sphinx after Ingres, 1983; pp. 68-69; ill. p. 69 83-04 Statue and Figures in a Street, 1983; pp. 74-75; ill. p. 75 83-05 Sand Dune, 1983; pp. 74-75; ill. p. 74 86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; p. 126 86-03 Study from the Human Body, 1986; p. 69 86-06 Study for Portrait of John Edwards, 1986; p. 49; ill. pp. 48-49 (foldout) 88-01 Study for a Portrait of John Edwards, 1988; p. 49; ill. pp. 48-49 (foldout) 88-05 Second Version of Triptych 1944, 1988; pp. 29, 58, 126; ill. p. 28 89-01 Study of a Man and Woman Walking, 1988 - 1989; pp. 66, 97; ill. p. 97 90-01 Man at a Washbasin, 1989 - 1990; ill. p. 93 Load more Related Publications Christophe Domino, Bacon: monstre de peinture, 1996 Christophe Domino, 培根: 绘画奇才 [Bacon: Painting Wizard], 2003 Reprints Christophe Domino , Francis Bacon: Painter of Dark Visions, US edn, New York, Harry N. 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