Francis Bacon | Francis Bacon

33-01 Crucifixion, 1933; p. 17

33-02 After Picasso, 'La Danse', 1933; p. 17

33-03 The Crucifixion, 1933; p. 17

35-01 Figures in a Garden, 1935; p. 17

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 17, 45; ill. No. 1, pp. 5-6 (foldout)

45-05 Figure in a Landscape, 1945; pp. 17, 45; ill. No. 2, p. 57

46-01 Figure Study I, 1945 - 1946; pp. 3-4, 17

46-02 Figure Study II, 1945 - 1946; pp. 3-4, 17, 45; ill. No. 3, p. 97 (b&w)

46-03 Painting 1946, 1946; pp. 17, 45; ill. No. 4, p. 58

48-01 Head I, 1948; p. 17

49-01 Head II, 1949; pp. 17, 45; ill. No. 5; p. 59

49-02 Head III, 1949; p. 176

49-03 Head IV (Man with a Monkey), 1949; p. 17

49-04 Head V, 1949; p. 17

49-07 Head VI, 1949; p. 17

50-06 Painting, 1950; p. 45; ill. No. 6, p. 98 (b&w)

51-05 Pope I, 1951; p. 45; ill. No. 7, p. 98 (b&w)

52-01 Study for Crouching Nude, 1952; p. 45; ill. No. 8, p. 99 (b&w)

52-04 Landscape, 1952; p. 45; ill. No. 9, p. 101 (b&w)

52-12 Study of Figure in a Landscape, 1952; p. 45; ill. No. 11, p. 102 (b&w)

52-13 Man Kneeling in Grass, 1952; p. 45; ill. No. 12, p. 102 (b&w)

52-16 Dog, 1952; pp. 11-12, 45; ill. No. 10, p. 101 (b&w)

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; p. 46; ill. No. 13, p. 60

53-03 Study for a Portrait, 1953; pp. 18, 46; ill. No. 14, p. 61

53-06 Man with Dog, 1953; p. 46; ill. No. 15, p. 100 (b&w)

53-15 Sphinx I, 1953; p. 18

53-16 Sphinx II, 1953; pp. 18, 46; ill. No. 16, p. 104 (b&w)

53-17 Study of a Baboon, 1953; p. 46; ill. No. 17, p. 103 (b&w)

53-23 Three Studies of the Human Head, 1953; p. 46; ill. No. 18, p. 106 (b&w)

53-24 Two Figures, 1953; p. 46; ill. No. 19, p. 62

54-01 Two Figures in the Grass, 1954; p. 46; ill. No. 20, p. 63

54-05 Man in Blue I, 1954; p. 18

54-06 Man in Blue II, 1954; p. 18

54-07 Man in Blue III, 1954; p. 18

54-08 Man in Blue IV, 1954; p. 18

54-09 Man in Blue V, 1954; pp. 18, 46; ill. No. 21, p. 105 (b&w)

54-10 Man in Blue VI, 1954; p. 18

54-11 Man in Blue VII, 1954; p. 18

54-15 Pope, 1954; p. 46; ill. No. 24, p. 107 (dated '1955', b&w)

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 46; ill. No. 22, p. 106 (b&w)

55-08 Chimpanzee, 1955; pp. 11-12, 46; ill. No. 23, p. 64

56-03 Study for Portrait of Van Gogh I, 1956; p. 18

56-07 Man Carrying a Child, 1956; p. 46; ill. No. 25, p. 108 (b&w)

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 4, 46; ill. No. 26, p. 109 (b&w)

57-10 Study for Portrait of Van Gogh II, 1957; pp. 18, 47; ill. No. 27, p. 65

57-11 Study for Portrait of Van Gogh III, 1957; p. 18

57-12 Study for Portrait of Van Gogh IV, 1957; p. 18

57-13 Study for Portrait of Van Gogh V, 1957; p. 18

57-14 Study for Portrait of Van Gogh VI, 1957; p. 18

59-03 Two Figures in a Room, 1959; p. 47; ill. No. 28, p. 110 (b&w)

59-06 Lying Figure, 1959; p. 47; ill. No. 29, p. 66

59-09 Sleeping Figure, 1959; p. 47; ill. No. 30, p. 111 (b&w)

59-11 Head of a Man, 1959; p. 47; ill. No. 31, p. 111 (b&w)

59-13 Miss Muriel Belcher, 1959; p. 47; ill. No. 32, p. 67

60-02 Head of Woman, 1960; p. 47; No. 33, p. 112 (b&w)

60-05 Pope No. 2, 1960; p. 47; ill. No. 34, p. 68

60-06 Pope No. 3, 1960; p. 47; ill. No. 35, p. 114 (b&w)

61-02 Reclining Woman, 1961; p. 47; ill. No. 36, p. 115 (b&w)

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 10

61-19 Head I, 1961; p. 47; ill. No. 37, p. 113 (b&w)

61-20 Head II, 1961; p. 47; ill. No. 38, p. 113 (b&w)

61-21 Head III, 1961; p. 47; ill. No. 39, p. 113 (b&w)

61-22 Head IV, 1961; p. 47; ill. No. 40, p. 113 (b&w)

62-02 Study from Innocent X, 1962; p. 48; ill. No. 40, p. 70 (titled 'Study from Innocent X (Study of red pope)')

62-04 Three Studies for a Crucifixion, 1962; p. 48; ill. No. 41, pp. 7-8 (foldout)

62-06 Figure Turning, 1962; pp. 10, 48; ill. No. 42, p. 116 (b&w)

62-07 Study for Three Heads, 1962; p. 48; ill. No. 43, p. 69

62-09 Study for Portrait of P.L., 1962; p. 48; ill. No. 44, p. 119 (b&w)

62-10 Seated Figure on Couch, 1962; p. 48; ill. No. 45, p. 120 (b&w)

63-01 Lying Figure with Hypodermic Syringe, 1963; p. 48; ill. No. 46, p. 71

63-06 Landscape near Malabata, Tangier, 1963; p. 48; ill. No. 47, p. 121 (b&w)

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 48; ill. No. 48, p. 69

63-13 Portrait of Henrietta Moraes, 1963; p. 48; ill. No. 49, p. 122 (b&w)

63-14 Study for Portrait (with Two Owls), 1963; p. 48; ill. No. 50, p. 123 (b&w)

64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; p. 48; ill. No. 51, p. 72 (left panel), No. 51, p. 124 (right panel, b&w)

64-08 Three Studies for Portrait of George Dyer (on pink ground), 1964; p. 48; ill. No. 52, p. 125 (b&w)

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; p. 51; ill. No. 53, p. 125 (b&w)

64-10 Three Figures in a Room, 1964; p. 51; ill. No. 54, pp. 117-118 (foldout)

64-12 Study for Portrait (Isabel Rawsthorne), 1964; p. 51; ill. No. 55, p. 73

65-01 Crucifixion, 1965; pp. 4, 51; ill. No. 57, pp. 13-14 (foldout)

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; p. 51; ill. No. 58, p. 74

65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; p. 51; ill. No. 56, p. 126 (b&w)

65-05 Three Studies for Portrait of Lucian Freud, 1965; p. 51; ill. No. 59, p. 125 (b&w)

65-06 Three Studies of Isabel Rawsthorne (on light ground), 1965; p. 51; ill. No. 60, p. 126 (b&w)

66-01 Portrait of George Dyer Crouching, 1966; pp. 10, 51; ill. No. 61, p. 75

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 51; ill. No. 62, p. 76

66-03 Henrietta Moraes, 1966; p. 51; ill. No. 63, p. 127 (b&w)

66-05 Three Studies for Portrait of Lucian Freud, 1966; p. 51; ill. No. 64, pp. 27-28 (foldout)

66-06 Study of Isabel Rawsthorne, 1966; p. 52; ill. No. 68, p. 130 (b&w)

66-09 Portrait of George Dyer Talking, 1966; p. 51; ill. No. 65, p. 77

66-13 Three Studies of Muriel Belcher, 1966; p. 51; ill. No. 66, p. 126 (b&w)

66-14 Study for Portrait, 1966; p. 51; ill. No. 67, p. 128 (b&w)

66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 12, 52; ill. No. 69, p. 78

67-01 Three Studies for a Self-Portrait, 1967; p. 52; ill. No. 70, p. 84

67-08 Four Studies for a Self-Portrait, 1967; p. 52; ill. No. 71, p. 129 (b&w)

67-09 Three Studies from the Human Body, 1967; pp. 4, 52; ill. No. 72, p. 79

67-13 Portrait of George Dyer Staring into a Mirror, 1967; p. 52; ill. No. 73, p. 80

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; pp. 12, 52; ill. No. 76, p. 82

67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 52; ill. No. 74, p. 81

67-16 Triptych, 1967; pp. 15, 52; ill. No. 75, pp. 35-36 (titled 'Triptych - inspired by T.S. Eliot's poem Sweeney Agonistes', foldout)

67-17 Three Studies of Isabel Rawsthorne, 1967; p. 52; ill. No. 77, p. 83

68-01 Three Studies of Isabel Rawsthorne, 1968; p. 52; ill. No. 82, p. 84

68-02 Two Studies of George Dyer with Dog, 1968; p. 52; ill. No. 78, p. 85

68-04 Version No. 2 of Lying Figure with Hypodermic Syringe, 1968; p. 4

68-05 Portrait of George Dyer in a Mirror, 1968; p. 52; ill. No. 79, p. 86

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 52; ill. No. 80, p. 87

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 15, 52; ill. No. 81, pp. 29-30 (foldout)

69-03 Lying Figure, 1969; p. 53; ill. No. 89, p. 92

69-04 Study for Bullfight No. 1, 1969; pp. 10, 12, 53; ill. No. 87, p. 90

69-05 Study for Bullfight No 2., 1969; pp. 10, 12

69-06 Three Studies of Henrietta Moraes, 1969; p. 53; ill. No. 85, p. 88

69-07 Three Studies of Lucian Freud, 1969; p. 53; ill. No. 83, pp. 41-42 (foldout)

69-10 Three Studies for Portraits (including Self-Portrait), 1969; p. 53; ill. No. 86, p. 88

69-11 Three Studies of George Dyer, 1969; p. 53; ill. No. 84, p. 132 (b&w)

69-12 Study of Nude with Figure in a Mirror, 1969; p. 53; ill. No. 88, p. 89

69-13 Self-Portrait, 1969; p. 53; ill. No. 90, p. 131 (b&w)

69-14 Second Version of Study for Bullfight No. 1, 1969; pp. 10, 12, 53; ill. No. 92, p. 91

69-15 Study of Henrietta Moraes, 1969; p. 53; ill. No. 93, p. 132 (b&w)

69-16 Self-Portrait, 1969; p. 53; ill. No. 91, p. 131 (b&w)

69-17 Study for Portrait, 1969; p. 53; ill. No. 94, p. 93

70-01 Studies of George Dyer and Isabel Rawsthorne, 1970; p. 53; ill. No. 97, p. 133 (b&w)

70-02 Study of George Dyer, 1970; p. 53; ill. No. 96, p. 132 (titled 'Study for portrait', b&w)

70-04 Triptych - Studies from the Human Body, 1970; p. 54; ill. No. 102, pp. 49-50 (foldout)

70-05 Study of Isabel Rawsthorne, 1970; p. 54; ill. No. 98, p. 133 (b&w)

70-06 Three Studies of the Male Back, 1970; p. 54; ill. Cover (right panel, detail), No. 99, pp. 43-44 (foldout)

70-07 Two Studies for a Self-Portrait, 1970; p. 54; ill. No. 103, p. 131 (b&w)

70-08 Self-Portrait, 1970; p. 54; ill. No. 101, p. 94

70-09 Triptych - Studies of the Human Body, 1970; pp. 4, 54; ill. No. 102, pp. 135-136 (foldout)

70-10 Triptych, 1970; p. 54; ill. No. 100, pp. 55-56 (foldout)

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 54; ill. No. 104, p. 96

71-02 Lying Figure in a Mirror, 1971; p. 54; ill. No. 105, p. 134 (b&w)

71-03 Two Men Working in a Field, 1971; p. 54; ill. No. 106, p. 95

71-04 Study of Red Pope, 1962, Second Version, 1971; p. 54; ill. No. 107, p. 137 (b&w)

71-05 Study of George Dyer, 1971; p. 54; ill. No. 108, p. 138 (titled 'Diptych - Study of George Dyer and Images from Muybridge', b&w)

71-06 Study for Female Figure, 1971; p. 54; ill. No. 108, p. 139 (titled 'Diptych - Study of George Dyer and Images from Muybridge', b&w)