The Brutality of Fact: Interviews with Francis Bacon
Description
In these masterfully and creatively reconstructed interviews, Sylvester provided unparalleled access to the thought, work and life of one of the creative geniuses of the twentieth century.
Details
Edition: Third enlarged edition
Publisher:
London: Thames & Hudson
Year:
1987-1993-2012
Language: English
Pages: 207
ISBN/ISSN: 9780500274750
Paintings
33-01 Crucifixion, 1933; pp. 44-47, 70; ill. No. 56, p. 70 (b&w)
33-03 The Crucifixion, 1933; pp. 44-47
44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 8, 12, 44-47, 84, 112, 118; ill. No. 3, p. 8 (b&w); No. 4, p. 9 (centre panel, b&w)
45-05 Figure in a Landscape, 1945; ill. No. 144, p. 193 (b&w)
46-03 Painting 1946, 1946; p. 11; ill. No. 5, p. 10 (b&w)
49-01 Head II, 1949; p. 18; ill. No. 13, p. 19 (b&w)
49-07 Head VI, 1949; pp. 24, 37, 71-72; ill. No. 46, p. 50 (b&w)
49-09 Study for a Portrait, 1949; p. 22; ill. No. 17, p. 23, (b&w)
50-02 Fragment of a Crucifixion, 1950; pp. 44-46; ill. No. 42, p. 44 (b&w)
50-04 Study after Velázquez, 1950; pp. 24, 37, 71-72; ill. No. 23, p. 25 (b&w)
50-05 'Study after Velázquez', 1950; pp. 24, 37, 71-72
50-06 Painting, 1950; ill. No. 86, p. 114 (b&w)
51-04 Portrait of Lucian Freud, 1951; pp. 72-74
51-05 Pope I, 1951; pp. 24, 37, 71-72; ill. No. 14, p. 20 (b&w)
51-06 Pope II, 1951; pp. 24, 37, 71-72; ill. No. 15, p. 20 (b&w)
51-07D Pope III, 1951; pp. 24, 37, 71-72; ill. No. 16, p. 21 (b&w)
52-01 Study for Crouching Nude, 1952; pp. 37, 110; ill. No. 83, p. 110 (b&w)
52-11 Landscape, 1952; ill. No. 53, p. 62 (b&w)
53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 24, 37, 71-72; ill. No. 22, p. 25 (b&w)
53-03 Study for a Portrait, 1953; pp. 72-74; ill. No. 58, p. 73 (b&w)
53-07 Study for Portrait I, 1953; pp. 24, 37, 71-72
53-08 Study for a Portrait II, 1953; pp. 24, 37, 71-72
53-09 Study for Portrait III, 1953; pp. 24, 37, 71-72
53-10 Study for Portrait IV, 1953; pp. 24, 37, 71-72
53-11 Study for Portrait V, 1953; pp. 24, 37, 71-72
53-12 Study for Portrait VI, 1953; pp. 24, 37, 71-72
53-13 Study for Portrait VII, 1953; pp. 24, 37, 71-72
53-14 Study for Portrait VIII, 1953; pp. 24, 37, 71-72
53-23 Three Studies of the Human Head, 1953; p. 84; ill. No. 68, p. 85 (b&w), No. 69, p. 84 (right panel, detail, b&w)
53-24 Two Figures, 1953; pp. 74-76; ill. No. 59, p. 74 (b&w)
53-32 'Pope', 1953; pp. 24, 37, 71-72
54-01 Two Figures in the Grass, 1954; pp. 74-76; ill. No. 60, p. 75 (b&w)
54-14 Figure with Meat, 1954; pp. 24, 37, 71-72
54-15 Pope, 1954; pp. 24, 37, 71-72; ill. No. 19, p. 24 (b&w)
55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; ill. No. 26, p. 29 (b&w)
55-06 Study for a Head, 1955; pp. 24-25; ill. No. 21, p. 25 (b&w)
55-07 Man Drinking, 1955; ill. No. 57, p. 72 (titled 'Man Drinking (Portrait of David Sylvester)', b&w)
55-11 Study for a Pope, 1955; pp. 24, 37, 71-72
55-14 Head with Raised Arm, 1955; pp. 24-25
55-15 Study, 1955; pp. 24-25
56-05 Study for Portrait II, 1956; pp. 24, 37, 71-72
56-06 Study for Portrait I, 1956; pp. 24, 37, 71-72
57-02 Study for Figure IV, 1956 - 1957; ill. No. 45, p. 49 (b&w)
57-10 Study for Portrait of Van Gogh II, 1957; ill. No. 11, p. 16 (b&w)
57-22 Study for Portrait, 1957; pp. 24, 37, 71-72
58-02 Painting, 1958; pp. 24, 37, 71-72
58-07 'Pope', 1958; pp. 24, 37, 71-72
58-08 'Pope', 1958; pp. 24, 37, 71-72