Francis Bacon's Studio | Francis Bacon

30-03 'Portrait', 1930; p. 103

33-01 Crucifixion, 1933; pp. 103, 108, 152; ill. No. 177, p. 104

33-02 After Picasso, 'La Danse', 1933; p. 163; ill. No. 294, p. 162 (titled 'Crucifixion')

33-03 The Crucifixion, 1933; pp. 29, 103; ill. No. 178, p. 104

33-04 Composition (Figure), 1933; p. 163; ill. No. 295, p. 163

34-01 Corner of the Studio, 1934; p. 163

35-01 Figures in a Garden, 1935; p. 133; ill. No. 235, p. 133 (dated '1936')

36-02D Abstraction, 1936; p. 162; ill. No. 291, p. 161 (b&w)

36-03D Abstraction from the Human Form, 1936; p. 162; ill. No. 292, p. 161 (b&w)

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 152, 162, 205-206; ill. No. 290, p. 161 (centre panel)

45-05 Figure in a Landscape, 1945; pp. 30, 167, 212; ill. No. 29, p. 30

46-01 Figure Study I, 1945 - 1946; p. 206

46-03 Painting 1946, 1946; pp. 135, 167, 191, 206; ill. No. 244, p. 136

46-04 Landscape with Car, 1945 - 1946; p. 93; ill. No. 160, p. 92 (earlier iteration, titled 'Figure getting out of a car', dated 'c. 1939-40', b&w)

48-01 Head I, 1948; pp. 206, 225

48-02D Study for Man with Microphones, 1946 - 1948; pp. 93, 224-225; ill. No. 382, p. 226 (first state, b&w), No. 383, p. 227 (second state, b&w)

49-01 Head II, 1949; pp. 111, 212, 225

49-08 Study from the Human Body, 1949; pp. 111, 151

49-09 Study for a Portrait, 1949; p. 93; ill. No. 161, p. 93

50-02 Fragment of a Crucifixion, 1950; p. 135; ill. No. 249, p. 138

50-06 Painting, 1950; p. 111

51-09 'Figure', 1951; p. 212 (titled 'Untitled Figure')

52-01 Study for Crouching Nude, 1952; pp. 185, 199; ill. No. 318, p. 182

52-03 Dog, 1952; p. 133; ill. No. 236, p. 133

52-14 Elephant Fording a River, 1952; p. 135; ill. No. 240, p. 135

52-15D Rhinoceros, 1952; p. 135

52-22 'Marching Figures', 1952; p. 88; ill. No. 155, p. 90 (titled 'Untitled (Marching Figures)', dated 'c. 1950')

52-23 'Figure with Raised Arm', 1952; ill. No. 23, p. 22 (titled 'Untitled (Elongated Walking Figure)', dated 'c. 1949')

53-01 Study of a Nude, 1952 - 1953; p. 126; ill. No. 229, p. 131

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; p. 111

53-03 Study for a Portrait, 1953; p. 93; ill. No. 162, p. 93

53-07 Study for Portrait I, 1953; p. 227

53-08 Study for a Portrait II, 1953; p. 227

53-09 Study for Portrait III, 1953; p. 227

53-10 Study for Portrait IV, 1953; p. 227

53-11 Study for Portrait V, 1953; p. 227

53-12 Study for Portrait VI, 1953; p. 227

53-13 Study for Portrait VII, 1953; p. 227; ill. No. 386, p. 229

53-14 Study for Portrait VIII, 1953; p. 227

53-17 Study of a Baboon, 1953; p. 133; ill. No. 237, p. 134

53-24 Two Figures, 1953; pp. 111, 116; ill. No. 198, p. 113

53-28 The End of the Line, 1953; p. 111; ill. No. 190, p. 109

54-01 Two Figures in the Grass, 1954; p. 111

54-05 Man in Blue I, 1954; pp. 51, 124; ill. No. 214, p. 124

54-06 Man in Blue II, 1954; pp. 51, 124

54-07 Man in Blue III, 1954; pp. 51, 124

54-08 Man in Blue IV, 1954; pp. 51, 124

54-09 Man in Blue V, 1954; pp. 51, 124

54-10 Man in Blue VI, 1954; pp. 51, 124

54-11 Man in Blue VII, 1954; pp. 51, 124

54-13 Study of a Dog, 1954; p. 133

54-14 Figure with Meat, 1954; p. 191; ill. No. 333, p. 191

54-18 Figures in a Landscape, 1954; p. 206

55-16 Sketch for a Portrait of Lisa, 1955; p. 143

55-17 'Lisa Sainsbury' (?), 1955; p. 143

56-02 Head, 1956; p. 143; ill. No. 257, p. 142

56-03 Study for Portrait of Van Gogh I, 1956; p. 148

56-04 Portrait of Lisa, 1956; p. 143

56-07 Man Carrying a Child, 1956; p. 171

57-06 Study for Portrait X, 1957; pp. 33, 199; ill. No. 34, p. 33

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; p. 119; ill. No. 206, p. 119

57-10 Study for Portrait of Van Gogh II, 1957; p. 148

57-11 Study for Portrait of Van Gogh III, 1957; p. 148

57-12 Study for Portrait of Van Gogh IV, 1957; p. 148

57-13 Study for Portrait of Van Gogh V, 1957; p. 148

57-14 Study for Portrait of Van Gogh VI, 1957; p. 148; ill. No. 89, p. 149 (b&w)

57-19 Study for Portrait of P.L. No. 1, 1957; pp. 33, 51; ill. No. 35, p. 33 (b&w)

58-02 Painting, 1958; p. 171; ill. No. 309, p. 173 (b&w)

59-01 'Reclining Figure', 1959; p. 47

59-02 Lying Figure, 1959; p. 47

59-04 Seated Figure on a Couch, 1959; p. 199

59-05 Reclining Figure, 1959; pp. 47, 103, 199

59-06 Lying Figure, 1959; p. 47

59-08 Lying Figure, 1959; pp. 47, 199

59-09 Sleeping Figure, 1959; p. 199

60-01 Head of Woman, 1960; p. 103; ill. No. 176, p. 103

60-03 Man with Arm Raised, 1960; p. 111; ill. No. 191, p. 109 (b&w)

60-04 Walking Figure, 1960; p. 103

60-15 Head of Man, 1960; p. 208

61-01 Reclining Man with Sculpture, 1960 - 1961; p. 199

61-02 Reclining Woman, 1961; p. 199

61-03 Seated Woman, 1961; p. 199

61-07 Woman on a Red Couch, 1961; p. 199

61-10 Study for a Pope III, 1961; p. 111; ill. No. 194, p. 110

61-16 Seated Figure, 1961; pp. 67-69, 199

61-17 Lying Figure, 1961; p. 47

61-19 Head I, 1961; pp. 33, 208

61-20 Head II, 1961; pp. 33, 208; ill. No. 36, p. 34

61-21 Head III, 1961; pp. 33, 208

61-22 Head IV, 1961; pp. 33, 208

61-24 Seated Figure, 1961; p. 199

62-01 Portrait, 1962; p. 199

62-04 Three Studies for a Crucifixion, 1962; pp. 163, 187-188, 191

62-09 Study for Portrait of P.L., 1962; p. 199

62-10 Seated Figure on Couch, 1962; p. 199

62-12 Figure in a Room, 1962; p. 199

62-14 'Figure', 1962; ill. No. 24, p. 23 (titled 'Untitled (Figure)', dated 'c. 1970')

63-01 Lying Figure with Hypodermic Syringe, 1963; p. 47; ill. No. 71, p. 46

63-02 Man and Child, 1963; ill. No. 385, p. 229

63-06 Landscape near Malabata, Tangier, 1963; p. 137; ill. No. 251, p. 139

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 47

63-13 Portrait of Henrietta Moraes, 1963; p. 47; ill. No. 70, p. 46

64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; pp. 225-226; ill. No. 376, p. 221 (right panel)

64-10 Three Figures in a Room, 1964; p. 34; ill. No. 39, p. 35

65-01 Crucifixion, 1965; p. 112; ill. No. 201, p. 115 (left panel)

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; pp. 111, 167, 176; ill. No. 200, p. 115

65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; p. 42; ill. No 66, p. 45 (left panel)

66-10 Portrait of Isabel Rawsthorne, 1966; p. 208

66-13 Three Studies of Muriel Belcher, 1966; p. 48; ill. No. 74, p. 49

67-08 Four Studies for a Self-Portrait, 1967; p. 81; ill. No. 147, p. 82

67-09 Three Studies from the Human Body, 1967; p. 104; ill. No. 183, p. 106

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; pp. 47, 108, 132; ill. No. 68, p. 45

67-16 Triptych, 1967; pp. 47, 168, 171, 188, 191, 192, 211

68-05 Portrait of George Dyer in a Mirror, 1968; pp. 108, 171

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 192, ill. No. 335, p. 193

68-08 Two Figures Lying on a Bed with Attendants, 1968; p. 176; ill. No. 315, p. 176

69-01 Three Studies of Henrietta Moraes, 1969; p. 152

69-03 Lying Figure, 1969; p. 192; ill. No. 336, p. 193

69-04 Study for Bullfight No. 1, 1969; p. 132

69-05 Study for Bullfight No 2., 1969; p. 132

69-06 Three Studies of Henrietta Moraes, 1969; p. 208; ill. No. 356, p. 208 (centre panel)

69-07 Three Studies of Lucian Freud, 1969; pp. 41, 172; ill. No. 58, p. 43 (centre panel)

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 132

69-15 Study of Henrietta Moraes, 1969; pp. 122, 152; ill. No. 211, p. 121

69-17 Study for Portrait, 1969; p. 185; ill. No. 322, p. 185 (dated '1970')

70-04 Triptych - Studies from the Human Body, 1970; pp. 122, 151, 212; ill. No. 212, p. 122

70-08 Self-Portrait, 1970; p. 66; ill. No. 117, p. 65

71-02 Lying Figure in a Mirror, 1971; p. 143; ill. No. 260, p. 144

71-09 In Memory of George Dyer, 1971; pp. 34, 40, 104, 124, 152, 194; ill. No. 338, p. 195

72-01 Three Studies of Figures on Beds, 1972; p. 126; ill. No. 223, p. 127

72-07 Triptych August 1972, 1972; pp. 34, 39-40, 185, 212; ill. No. 40, p. 35

72-14 Female Nude Standing in a Doorway, 1972; p. 112; ill. No. 202, p. 115

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 39, 41; ill. No. 43, p. 36, No. 59, p. 43 (right panel)

73-03 Triptych May-June, 1973; pp. 34, 40, 108, 206; ill. No. 41, p. 35, No. 345, p. 206 (centre panel)

73-05 Self-Portrait, 1973; p. 69; ill. No. 132, p. 71

73-06 Study for Self-Portrait, 1973; p. 69; ill. No. 133, p. 71

73-08 Figures in Movement, 1973; p. 124

74-03 Seated Figure, 1974; pp. 104, 137; ill. No. 253, p. 140

75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 56; ill. No. 99, p. 58

75-07 Three Figures and Portrait, 1975; p. 104; ill. No. 180, p. 105

76-02 Figure In Movement, 1976; pp. 103, 212; ill. No. 179, p. 105

76-05 Triptych, 1976; pp. 59, 101

77-01 Triptych, 1977; pp. 39, 48; ill. No. 51, p. 38 (left panel, detail)

77-05 Triptych 1974-1977, 1974 - 1977; pp. 96, 111; ill. No. 166, p. 96

77-08 Three Studies for a Portrait (Gianni Agnelli), 1977; pp. 59-60; ill. No. 104, p. 59

78-01 Painting, 1978; pp. 147, 152, 194; ill. No. 261, p. 144

79-01 Triptych - Studies of the Human Body, 1979; pp. 108, 147

79-03 Jet of Water, 1979; p. 151

79-05 Sphinx - Portrait of Muriel Belcher, 1979; p. 48; ill. No. 75, p. 49

80-06 Carcass of Meat and Bird of Prey, 1980; p. 190; ill. No. 331, p. 190

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 137, 169, 197; ill. No. 254, p. 141

81-04 Sand Dune, 1981; p. 212

81-06 Study for Self-Portrait, 1981; p. 71; ill. No. 139, p. 76

82-05 A Piece of Waste Land, 1982; p. 195; ill. No. 337, p. 194

82-07 Three Studies for a Portrait (Mick Jagger), 1982; pp. 59-60; ill. No. 105, p. 60

82-08 Study from the Human Body - Figure in Movement, 1982; p. 212

82-10 'Kneeling Figure', 1982; p. 169; ill. No. 303, p. 168

82-11 'Kneeling Figure - Back View', 1982; ill. No. 26, p. 25

82-13 'Three Figures', 1982; ill. No. 25, p. 24

83-03 Oedipus and the Sphinx after Ingres, 1983; p. 108

83-05 Sand Dune, 1983; p. 212; ill. No. 363, p. 211

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; pp. 124, 169; ill. No. 220, p. 126 (left panel), No. 301, p. 167 (right panel)

84-04 'Blood on Pavement', 1984; p. 188 (dated 'c. 1988')

84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 71, 104; ill. No. 185, p. 107

85-03 Figure in Movement, 1985; p. 169

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; p. 41; ill. No. 60, p. 43 (right panel)

86-04 Study for Portrait of Gilbert de Botton, 1986; pp. 59, 62; ill. No. 112, p. 62

86-05 Blood on the Floor - Painting, 1986; p. 188; ill. No. 327, p. 188

86-06 Study for Portrait of John Edwards, 1986; p. 55; ill. No. 91, p. 55

87-01 Triptych 1986 - 7, 1986 - 1987; pp. 55, 98

87-03 Study of the Human Body, 1987; p. 212

87-05 Triptych, 1987; pp. 108, 137, 169; ill. No. 255, p. 141, No. 299, p. 166 (centre panel)

88-01 Study for a Portrait of John Edwards, 1988; p. 55; ill. No. 92, p. 55

88-02 Study from the Human Body after Muybridge, 1988; pp. 111, 185

88-05 Second Version of Triptych 1944, 1988; p. 212; ill. No. 362, p. 211 (right panel)

88-06 Portrait of John Edwards, 1988; pp. 40, 54, 185, 212; ill. No. 53, p. 40

89-01 Study of a Man and Woman Walking, 1988 - 1989; p. 185; ill. No. 323, p. 185

89-03 Study of Portrait of John Edwards, 1989; p. 208, ill. No. 355, p. 208

92-01 'Self-Portrait', 1991 - 1992; pp. 104, 230; ill. No. 387, p. 230 (detail), No. 388, p. 231 (titled 'Untitled (Final Unfinished Portrait)')