Francis Bacon | Francis Bacon

33-01 Crucifixion, 1933; p. 17

33-03 The Crucifixion, 1933; p. 18

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 9-11, 21, 23-24; ill. No. 2, pp. 8-9 (b&w)

45-05 Figure in a Landscape, 1945; p. 28; ill. No. 4, p. 26 (b&w)

46-01 Figure Study I, 1945 - 1946; p. 28; ill. No. 5, p. 27 (b&w)

46-02 Figure Study II, 1945 - 1946; p. 28; ill. No. 6, p. 29

46-03 Painting 1946, 1946; pp. 24-26, 30, 43, 46, 76; ill. No. 3, p. 25

48-01 Head I, 1948; pp. 38, 75; ill. No. 9, p. 34 (b&w)

49-01 Head II, 1949; pp. 31, 35, 38, 75; ill. No. 10, p. 35 (b&w)

49-02 Head III, 1949; pp. 38, 75

49-03 Head IV (Man with a Monkey), 1949; pp. 38, 70, 75

49-04 Head V, 1949; pp. 38, 75

49-07 Head VI, 1949; pp. 38, 75; ill. No. 11, p. 35 (b&w)

50-02 Fragment of a Crucifixion, 1950; p. 76; ill. No. 29, p. 77 (b&w)

50-06 Painting, 1950; p. 75; ill. No. 28, p. 76 (b&w)

51-04 Portrait of Lucian Freud, 1951; pp. 87-88

51-05 Pope I, 1951; p. 91; ill. No. 15, p. 42 (b&w)

51-06 Pope II, 1951; p. 91

51-07D Pope III, 1951; p. 91

52-01 Study for Crouching Nude, 1952; p. 92; ill. No. 7, p. 32

52-14 Elephant Fording a River, 1952; p. 87

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 91-92; ill. No. 8, p. 33

53-03 Study for a Portrait, 1953; ill. No. 38, p. 91 (b&w)

53-06 Man with Dog, 1953; p. 96; ill. No. 42, p. 96 (b&w)

53-07 Study for Portrait I, 1953; p. 91

53-08 Study for a Portrait II, 1953; p. 91

53-09 Study for Portrait III, 1953; p. 91

53-10 Study for Portrait IV, 1953; p. 91

53-11 Study for Portrait V, 1953; p. 91

53-12 Study for Portrait VI, 1953; p. 91

53-13 Study for Portrait VII, 1953; p. 91

53-14 Study for Portrait VIII, 1953; p. 91

53-15 Sphinx I, 1953; p. 92; ill. No. 40, p. 93 (b&w)

53-23 Three Studies of the Human Head, 1953; p. 92; ill. No. 39, p. 92 (b&w)

53-24 Two Figures, 1953; pp. 89, 94; ill. No. 41, p. 95 (b&w)

54-05 Man in Blue I, 1954; p. 96

54-06 Man in Blue II, 1954; p. 96

54-07 Man in Blue III, 1954; p. 96

54-08 Man in Blue IV, 1954; p. 96

54-09 Man in Blue V, 1954; p. 96

54-10 Man in Blue VI, 1954; p. 96

54-11 Man in Blue VII, 1954; p. 96

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 96

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 96

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 96; ill. No. 44, p. 97 (b&w)

55-08 Chimpanzee, 1955; p. 97; ill. No. 43, p. 96 (b&w)

55-09 Portrait of R.J. Sainsbury, 1955; p. 96

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 96

55-16 Sketch for a Portrait of Lisa, 1955; p. 96

55-17 'Lisa Sainsbury' (?), 1955; p. 96

56-01 Self-Portrait, 1956; pp. 96-97

56-03 Study for Portrait of Van Gogh I, 1956; pp. 51-52, 96, 103

56-04 Portrait of Lisa, 1956; p. 96

56-07 Man Carrying a Child, 1956; ill. No. 12, p. 36

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 96

57-01 Figures in a Landscape, 1956 - 1957; p. 52

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 52, 56; ill. No. 22, p. 57 (b&w)

57-10 Study for Portrait of Van Gogh II, 1957; pp. 51-52, 96, 103; ill. No. 13, p. 37

57-11 Study for Portrait of Van Gogh III, 1957; pp. 51-52, 96, 103

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 51-52, 96, 103

57-13 Study for Portrait of Van Gogh V, 1957; pp. 51-52, 96, 103

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 51-52, 96, 103

57-15 Van Gogh in a Landscape, 1957; pp. 51-52, 96

57-17 Portrait of Lisa, 1957; p. 96

57-18 Van Gogh Going to Work, 1957; pp. 51-52, 96

57-23 'Landscape after Van Gogh', 1957; pp. 51-52, 96

58-06 Lying Figure, 1958; p. 110; ill. No. 54, p. 111 (b&w)

59-08 Lying Figure, 1959; pp. 97-98, 110; ill. No. 45, p. 98 (b&w)

59-13 Miss Muriel Belcher, 1959; pp. 111-112; ill. No. 55, p. 112 (b&w)

60-03 Man with Arm Raised, 1960; p. 110; ill. No. 53, p. 111 (b&w)

60-05 Pope No. 2, 1960; p. 103; ill. No. 48, p. 104 (b&w)

61-16 Seated Figure, 1961; p. 121; ill. No. 58, p. 122 (b&w)

61-19 Head I, 1961; p. 103

61-20 Head II, 1961; p. 103; ill. No. 51, p. 107 (b&w)

61-21 Head III, 1961; p. 103; ill. No. 52, p. 107 (b&w)

61-22 Head IV, 1961; p. 103

62-02 Study from Innocent X, 1962; ill. No. 16, p. 43 (titled 'Study of Red Pope (Study from Innocent X)', b&w)

62-04 Three Studies for a Crucifixion, 1962; pp. 50, 113-114, 125, 127, 193; ill. No. 14, pp. 40-41

62-05 Figure Turning, 1962; p. 97

62-07 Study for Three Heads, 1962; ill. No. 25, p. 66 (b&w)

62-11 Turning Figure, 1962; p. 97

63-01 Lying Figure with Hypodermic Syringe, 1963; ill. No. 30, p. 78 (b&w)

63-02 Man and Child, 1963; p. 121; ill. No. 17, p. 44

63-08 Portrait of Man with Glasses I, 1963; p. 123

63-09 Portrait of Man with Glasses II, 1963; p. 123

63-10 Portrait of Man with Glasses III, 1963; p. 123

63-11 Portrait of Man with Glasses IV, 1963; p. 123

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; pp. 99-100, 123; ill. No. 59, p. 123 (b&w)

63-13 Portrait of Henrietta Moraes, 1963; ill. No. 31, p. 79 (b&w)

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; ill. No. 36, p. 84 (b&w)

64-10 Three Figures in a Room, 1964; pp. 115, 118; ill. No. 57, pp. 116-117 (b&w)

64-12 Study for Portrait (Isabel Rawsthorne), 1964; ill. No. 32, p. 80 (b&w)

65-01 Crucifixion, 1965; pp. 128-129; ill. No. 61, pp. 128-129 (b&w)

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; ill. No. 18, p. 45

65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; ill. No. 49, p. 105 (b&w)

66-01 Portrait of George Dyer Crouching, 1966; pp. 108, 131-132, 161; ill. No. 62, p. 130 (b&w)

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 161; ill. No. 33, p. 80 (b&w)

66-03 Henrietta Moraes, 1966; ill. No. 19, p. 48

66-05 Three Studies for Portrait of Lucian Freud, 1966; p. 126; ill. No. 60, pp. 126-127 (b&w)

66-06 Study of Isabel Rawsthorne, 1966; ill. No. 34, p. 82 (b&w)

66-10 Portrait of Isabel Rawsthorne, 1966; ill. No. 50, p. 106 (b&w)

66-14 Study for Portrait, 1966; ill. No. 35, p. 83 (b&w)

66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 82, 161; ill. No. 37, p. 85 (b&w)

67-09 Three Studies from the Human Body, 1967; p. 143; ill. No. 69, p. 140 (b&w)

67-11 Study for a Portrait, 1967; p. 135

67-13 Portrait of George Dyer Staring into a Mirror, 1967; p. 135

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; pp. 82, 125; ill. No. 20, p. 49

67-15D Portrait of George Dyer and Lucian Freud, 1967; ill. No. 64, p. 134 (b&w)

67-16 Triptych, 1967; pp. 70, 74-75, 114, 145-148; ill. No. 23, pp. 60-61

67-17 Three Studies of Isabel Rawsthorne, 1967; p. 135; ill. No. 65, p. 135 (b&w)

68-02 Two Studies of George Dyer with Dog, 1968; p. 138; ill. No. 67, p. 137 (b&w)

68-05 Portrait of George Dyer in a Mirror, 1968; pp. 132-135; ill. No. 66, p. 136 (b&w)

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 132; ill. No. 63, p. 133 (b&w)

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 114, 138; ill. No. 56, pp. 114-115 (b&w)

69-03 Lying Figure, 1969; ill. No. 26, p. 69

69-04 Study for Bullfight No. 1, 1969; pp. 76, 143; ill. No. 70, p. 141 (b&w)

69-05 Study for Bullfight No 2., 1969; p. 143

69-06 Three Studies of Henrietta Moraes, 1969; ill. No. 46, p. 99 (b&w)

69-10 Three Studies for Portraits (including Self-Portrait), 1969; ill. No. 74, p. 146 (b&w)

69-12 Study of Nude with Figure in a Mirror, 1969; p. 143; ill. No. 71, p. 142 (b&w)

69-13 Self-Portrait, 1969; ill. No. 1, Frontispiece (b&w)

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 143

70-01 Studies of George Dyer and Isabel Rawsthorne, 1970; ill. No. 73, p. 146 (b&w)

70-04 Triptych - Studies from the Human Body, 1970; p. 65; ill. No. 24, pp. 64-65

70-06 Three Studies of the Male Back, 1970; pp. 138, 161; ill. No. 68, pp. 138-139 (b&w)

70-08 Self-Portrait, 1970; p. 139; ill. No. 75, p. 147 (b&w)

70-09 Triptych - Studies of the Human Body, 1970; ill. No. 47, pp. 102-103 (b&w)

70-10 Triptych, 1970; p. 149; ill. No. 76, pp. 148-149 (b&w)

71-08 Study for Portrait of Lucian Freud (sideways), 1971; ill. No. 27, p. 72

71-09 In Memory of George Dyer, 1971; p. 153; ill. No. 86, pp. 162-163

72-02 Self-Portrait with Injured Eye, 1972; ill. No. 96, p. 174

72-04 Self-Portrait, 1972; ill. No. 95, p. 173 (b&w)

72-06 Portrait of Man Walking Down Steps, 1972; ill. No. 79, p. 154 (b&w)

72-07 Triptych August 1972, 1972; p. 153; ill. No. 87, pp. 162-163

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 153; ill. No. 78, pp. 152-153 (b&w)

73-03 Triptych May-June, 1973; p. 153; ill. No. 90, pp. 166-167

73-05 Self-Portrait, 1973; ill. No. 97, p. 175

73-10 Self-Portrait, 1973; ill. No. 77, p. 150 (b&w)

74-03 Seated Figure, 1974; ill. No. 80, p. 155 (b&w)

75-02 Self-Portrait, 1975; ill. No. 89, p. 165 (b&w)

76-05 Triptych, 1976; ill. No. 91, pp. 166-167

76-09 Figure Writing Reflected in Mirror, 1976; ill. No. 82, p. 157 (b&w)

76-12 Figure at a Washbasin, 1976; ill. No. 81, p. 156 (b&w)

76-14 Portrait of Michel Leiris, 1976; p. 172; ill. No. 93, p. 170

77-03 Study for Portrait, 1977; ill. No. 88, p. 164 (b&w)

77-06 Seated Figure, 1977; ill. No. 83, p. 158 (b&w)

78-01 Painting, 1978; p. 180; ill. No. 102, p. 181

78-06 Seated Figure, 1978; ill. No. 84, p. 159 (b&w)

78-07 Study for Portrait (Michel Leiris), 1978; p. 172; ill. No. 94, p. 171

78-11 Landscape, 1978; ill. No. 104, p. 184

79-03 Jet of Water, 1979; ill. No. 106, p. 186 (b&w)

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 161; ill. No. 85, pp. 160-161 (b&w)

82-04 Water from a Running Tap, 1982; p. 182; ill. No. 107, p. 187 (b&w)

82-05 A Piece of Waste Land, 1982; p. 182; ill. No. 105, p. 185

83-03 Oedipus and the Sphinx after Ingres, 1983; ill. No. 92, p. 168 (b&w)

83-04 Statue and Figures in a Street, 1983; ill. No. 108, p. 188

83-05 Sand Dune, 1983; p. 182; ill. No. 103, p. 183 (b&w)

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; ill. No. 101, pp. 178-179 (b&w)

86-05 Blood on the Floor - Painting, 1986; ill. No. 109, p. 189

87-01 Triptych 1986 - 7, 1986 - 1987; ill. No. 111, pp. 190-191 (b&w)

88-05 Second Version of Triptych 1944, 1988; ill. No. 110, pp. 190-191 (b&w)

89-02 Study for Portrait of John Edwards, 1989; ill. No. 98, p. 176 (b&w)

89-03 Study of Portrait of John Edwards, 1989; ill. No. 99, p. 176 (b&w)

89-04 Study for Portrait of John Edwards, 1989; ill. No. 100, p. 177

91-03 Study from the Human Body, 1991; ill. No. 112, p. 192