Breadcrumb Francis Bacon Francis Bacon By Martin Hammer Details Publisher: London and New York: Phaidon Year: 2013 Language: English Pages: 145 ISBN/ISSN: 9780714861333 Series: Phaidon Focus Paintings 33-01 Crucifixion, 1933; p. 25; ill. No. 29, p. 35 35-01 Figures in a Garden, 1935; ill. No. 30, pp. 36-37 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 23, 25-28, 66, 67, 96, 108, 142; ill. No. 31, pp. 38, 39 (left panel), 40 (centre panel), 41 (right panel) 45-05 Figure in a Landscape, 1945; pp. 20, 23, 142; ill. No. 11, p. 21 46-01 Figure Study I, 1945 - 1946; pp. 7-8; ill. No. 4, p. 13 46-03 Painting 1946, 1946; pp. 23, 50-52, 56, 58, 66, 96, 108, 142; ill. No. 42, p. 51 46-05 'Landscape with Pope/ Dictator', 1946; p. 58 48-01 Head I, 1948; pp. 10, 143; ill. No. 32, p. 42 49-01 Head II, 1949; pp. 10, 143 49-02 Head III, 1949; pp. 10, 143 49-03 Head IV (Man with a Monkey), 1949; pp. 10, 143 49-04 Head V, 1949; pp. 10, 143 49-07 Head VI, 1949; pp. 10, 58, 143; ill. No. 33, p. 43 49-08 Study from the Human Body, 1949; pp. 29, 70, 108; ill. No. 34, p. 44 49-09 Study for a Portrait, 1949; ill. No. 9, p. 19 (titled 'Study for Portrait (Man in a Blue Box)') 50-02 Fragment of a Crucifixion, 1950; ill. No. 76, p. 97 50-04 Study after Velázquez, 1950; pp. 31, 140; ill. No. 53, p. 60 51-04 Portrait of Lucian Freud, 1951; p. 32; ill. No. 38, p. 48 51-05 Pope I, 1951; ill. No. 54, p. 61 (titled 'Pope I - Study after 'Pope Innocent X'') 52-01 Study for Crouching Nude, 1952; p. 30; ill. No. 35, p. 45 52-06 Study for a Portrait, 1952; ill. No. 47, p. 55 52-16 Dog, 1952; ill. No. 36, p. 46 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; ill. Frontispiece, No. 51, p. 59 53-15 Sphinx I, 1953; p. 10 53-16 Sphinx II, 1953; p. 10 53-24 Two Figures, 1953; ill. No. 37, p. 47 53-31 'Portrait of a Man Walking', 1953; ill. No. 7, p. 17 (titled 'Untitled (David Sylvester Walking)', dated 'c. 1954') 54-05 Man in Blue I, 1954; p. 10 54-06 Man in Blue II, 1954; p. 10 54-07 Man in Blue III, 1954; p. 10 54-08 Man in Blue IV, 1954; p. 10 54-09 Man in Blue V, 1954; p. 10; ill. No. 39, p. 49 54-10 Man in Blue VI, 1954; p. 10 54-11 Man in Blue VII, 1954; p. 10 54-12 Sphinx, 1954; ill. No. 5, p. 14 (titled 'Sphinx III') 56-03 Study for Portrait of Van Gogh I, 1956; pp. 10, 63, 143 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; ill. No. 49, p. 57 57-10 Study for Portrait of Van Gogh II, 1957; pp. 10, 63, 143 57-11 Study for Portrait of Van Gogh III, 1957; pp. 10, 63, 143; ill. No. 57, p. 68 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 10, 63, 143 57-13 Study for Portrait of Van Gogh V, 1957; pp. 10, 63, 143; ill. No. 58, p. 69 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 10, 63, 143 59-09 Sleeping Figure, 1959; p. 70, ill. No. 59, p. 70 59-13 Miss Muriel Belcher, 1959; ill. No. 60, p. 71 60-04 Walking Figure, 1960; ill. No. 62, p. 72 60-19 Nude, 1960; ill. No. 63, p. 73 62-04 Three Studies for a Crucifixion, 1962; pp. 66, 67, 96, 143; ill. No. 78, pp. 98, 99 (left panel), 100 (centre panel), 101 (right panel) 63-12 Three Studies for Portrait of Henrietta Moraes, 1963; ill. No. 68, pp. 76, 77 (left panel), 78 (centre panel), 79 (right panel) 64-10 Three Figures in a Room, 1964; ill. No. 69, pp. 80, 81 (left panel), 82 (centre panel), 83 (right panel) 65-01 Crucifixion, 1965; pp. 67, 96; ill. No. 79, pp. 102-103 66-03 Henrietta Moraes, 1966; ill. No. 70, p. 84 66-15 Portrait of George Dyer Riding a Bicycle, 1966; ill. No. 71, p. 85 67-06 Study for Head of George Dyer, 1967; ill. No. 72, p. 86 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 75; ill. No. 73, p. 87 67-17 Three Studies of Isabel Rawsthorne, 1967; p. 106 (titled 'Triptych - Inspired by T.S. Eliot's Poem 'Sweeney Agonistes'') 69-07 Three Studies of Lucian Freud, 1969; ill. No. 74, pp. 88, 89 (left panel), 90 (centre panel), 91 (right panel) 70-06 Three Studies of the Male Back, 1970; ill. No. 75, pp. 92, 93 (left panel), 94 (centre panel), 95 (right panel) 71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 108; ill. No. 45, p. 53 71-09 In Memory of George Dyer, 1971; p. 105; ill. No. 82, pp. 110-111 72-07 Triptych August 1972, 1972; p. 105; ill. No. 83, pp. 112, 113 (left panel), 114 (centre panel), 115 (right panel) 73-03 Triptych May-June, 1973; ill. No. 84, pp. 116, 117 (left panel), 118 (centre panel), 119 (right panel) 74-02 Triptych March 1974, 1974; ill. p. 104 (right panel, installation shot, b&w) 76-05 Triptych, 1976; p. 106; ill. No. 85, pp. 120, 121 (left panel), 122 (centre panel), 123 (right panel) 76-14 Portrait of Michel Leiris, 1976; pp. 108, 132; ill. No. 88, p. 132 79-09 Three Studies for Self-Portrait, 1979; ill. No. 86, pp. 124, 125 (left panel), 126 (centre panel), 127 (right panel) 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 106, 128; ill. No. 87, pp. 128, 129 (left panel), 130 (centre panel), 131 (right panel) 84-04 'Blood on Pavement', 1984; p. 109; ill. No. 92, p. 139 (dated 'c. 1988') 88-04 Jet of Water, 1988; p. 109; ill. No. 91, p. 138 88-05 Second Version of Triptych 1944, 1988; p. 108; ill. No. 90, pp. 134, 135 (left panel), 136 (centre panel), 137 (right panel) 88-06 Portrait of John Edwards, 1988; p. 108 89-03 Study of Portrait of John Edwards, 1989; p. 108; ill. No. 89, p. 133 91-01 Study for a Portrait March 1991, 1991; pp. 7-8; ill. 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