Figurabile: Francis Bacon

30-01 'Painted Screen', 1930; p. 52

33-01 Crucifixion, 1933; pp. 19, 34, 98; ill. p. 20 (b&w)

33-03 The Crucifixion, 1933; p. 98

36-03D Abstraction from the Human Form, 1936; p. 118

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 19-20, 34, 82, 97, 99, 118; ill. pp. 21 (b&w), 22-23 (foldout)

45-05 Figure in a Landscape, 1945; pp. 24-26, 32; ill. No. 1, p. 25

46-01 Figure Study I, 1945 - 1946; pp. 97, 118

46-02 Figure Study II, 1945 - 1946; pp. 97, 118; ill. p. 97 (b&w)

46-03 Painting 1946, 1946; pp. 24-26, 32, 34, 48, 99, 100, 106, 118; ill. p. 27

48-01 Head I, 1948; pp. 32, 122; ill. No. 2, p. 28

49-01 Head II, 1949; pp. 32, 117, 122; ill. No. 3, p. 29

49-02 Head III, 1949; pp. 98, 122

49-03 Head IV (Man with a Monkey), 1949; p. 122

49-07 Head VI, 1949; pp. 32, 34, 117; ill. No. 4, p. 30

49-08 Study from the Human Body, 1949; p. 95; ill. p. 96 (b&w)

49-09 Study for a Portrait, 1949; p. 32; ill. No. 5, p. 31

50-02 Fragment of a Crucifixion, 1950; pp. 32, 107; ill. No. 6, p. 33

51-03 Study for Nude, 1951; p. 34; ill. No. 7, p. 35

51-04 Portrait of Lucian Freud, 1951; p. 34; ill. No. 8, p. 36

51-06 Pope II, 1951; p. 122

52-02 House in Barbados, 1952; ill. p. 95 (b&w)

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; ill. p. 97 (b&w)

53-03 Study for a Portrait, 1953; p. 38; ill. No. 9, p. 37

53-06 Man with Dog, 1953; pp. 124-125; ill. p. 124

53-23 Three Studies of the Human Head, 1953; pp. 38, 122; ill. No. 10, pp. 39 (b&w), 41-42 (foldout)

53-24 Two Figures, 1953; pp. 46-48, 100

54-01 Two Figures in the Grass, 1954; pp. 46-48, 78; ill. No. 11, p. 47

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; pp. 38, 48, 107

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 38, 48, 107; ill. No. 12, p. 42

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 38, 48, 107; ill. No. 13, p. 43

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 107

56-01 Self-Portrait, 1956; p. 38; ill. No. 14, p. 45

56-07 Man Carrying a Child, 1956; p. 110

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 107

57-10 Study for Portrait of Van Gogh II, 1957; p. 110

57-11 Study for Portrait of Van Gogh III, 1957; p. 110

57-12 Study for Portrait of Van Gogh IV, 1957; p. 110

57-13 Study for Portrait of Van Gogh V, 1957; p. 110

57-14 Study for Portrait of Van Gogh VI, 1957; p. 110

61-08 Study for a Pope I, 1961; p. 117

61-09 Study for a Pope II, 1961; p. 117

61-10 Study for a Pope III, 1961; p. 117

61-11 Study for a Pope IV, 1961; p. 117

61-12 Study for a Pope V, 1961; p. 117

61-13 Study for a Pope VI, 1961; p. 117

62-02 Study from Innocent X, 1962; p. 100

62-04 Three Studies for a Crucifixion, 1962; pp. 52, 82, 100, 106, 118; ill. No. 15, pp. 49 (b&w), 50-51 (foldout)

63-14 Study for Portrait (with Two Owls), 1963; p. 117

64-10 Three Figures in a Room, 1964; p. 60; ill. No. 16, pp. 53 (b&w), 54-55 (foldout)

65-01 Crucifixion, 1965; p. 106

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; p. 111

65-03 Study from Portrait of Pope Innocent X, 1965; p. 32; ill. No. 17, p. 56

66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 111

67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 110

67-16 Triptych, 1967; pp. 107, 120 (titled 'Sweeney Agonistes')

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 64; ill. No. 18, p. 57

68-08 Two Figures Lying on a Bed with Attendants, 1968; p. 106

69-04 Study for Bullfight No. 1, 1969; p. 111

69-05 Study for Bullfight No 2., 1969; p. 111

69-12 Study of Nude with Figure in a Mirror, 1969; ill. p. 119 (detail, b&w)

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 111

70-08 Self-Portrait, 1970; p. 121

71-04 Study of Red Pope, 1962, Second Version, 1971; p. 117

71-07 Study for Portrait, 1971; p. 72; ill. No. 19, p. 58

71-09 In Memory of George Dyer, 1971; pp. 64, 82; ill. pp. 61 (b&w), 62-63 (foldout)

71-11 Self-Portrait, 1971; p. 121

72-05 Self-Portrait, 1972; p. 121

72-07 Triptych August 1972, 1972; p. 68; ill. No. 20, pp. 65 (b&w), 66-67 (foldout)

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 125-126; ill. p. 126 (left and centre panels, b&w)

73-03 Triptych May-June, 1973; pp. 68, 82, 119; ill. No. 21, pp. 69 (b&w), 70-71 (foldout)

74-04 Sleeping Figure, 1974; p. 72; ill. No. 22, p. 59

76-02 Figure In Movement, 1976; pp. 72, 82; ill. No. 24, p. 76

76-05 Triptych, 1976; pp. 105, 111

76-14 Portrait of Michel Leiris, 1976; p. 72; ill. No. 25, p. 44

77-05 Triptych 1974-1977, 1974 - 1977; p. 68; ill. No. 23, pp. 73 (b&w), 74-75 (foldout)

78-01 Painting, 1978; p. 120

78-07 Study for Portrait (Michel Leiris), 1978; p. 121; ill. p. 121 (b&w)

79-01 Triptych - Studies of the Human Body, 1979; p. 119

79-03 Jet of Water, 1979; p. 125

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 82; ill. No. 26, pp. 83 (b&w), 84-85 (foldout)

81-04 Sand Dune, 1981; p. 78; ill. No. 27, p. 80

82-05 A Piece of Waste Land, 1982; p. 78; ill. No. 28, p. 79

83-05 Sand Dune, 1983; p. 78

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; p. 86; ill. No. 29, pp. 91 (b&w), 92-93 (foldout)

86-06 Study for Portrait of John Edwards, 1986; pp. 86, 120; ill. No. 30, p. 77

88-04 Jet of Water, 1988; p. 78; ill. No. 31, p. 81

88-05 Second Version of Triptych 1944, 1988; p. 82; ill. No. 32, pp. 87 (b&w), 88-89 (foldout)