Looking Back at Francis Bacon

33-01 Crucifixion, 1933; pp. 13-17; 152; ill. No. 1, p. 12

34-01 Corner of the Studio, 1934; p. 16; ill. No. 4, p. 15 (b&w)

34-02 Interior of a Room, 1934; pp. 16-17; ill. No. 5, p. 16 (dated 'c. 1935', b&w)

35-01 Figures in a Garden, 1935; p. 17; ill. No. 6, p. 17 (b&w)

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 18, 100, 218, 257; ill. No. 8, p. 19 (b&w), No. 83, unpaged (fold-out), pp. 249-252 (detail, b&w)

44-02 'Fury', 1944; p. 21; ill. No. 9, p. 20 (titled 'Untitled', dated '1943-4', b&w)

45-05 Figure in a Landscape, 1945; pp. 22-25, 72, 175, 257; ill. No. 11, p. 23

46-01 Figure Study I, 1945 - 1946; pp. 25-28; ill. No. 14, p. 26

46-02 Figure Study II, 1945 - 1946; pp. 25-30; ill. No. 15, p. 27

46-03 Painting 1946, 1946; pp. 30-31, 100-107, 108, 257; ill. No. 20, p. 31

46-04 Landscape with Car, 1945 - 1946; pp. 18-19, 21; ill. No. 7, p. 18 (earlier iteration, 'Figure Getting out of a Car', dated 'c. 1943', b&w), ill. No. 10, p. 21 (b&w)

48-01 Head I, 1948; pp. 33-35, 37, 77; ill. No. 21, pp. 34, 227-230 (detail, b&w)

49-01 Head II, 1949; pp. 33-36, 77; ill. No. 22, p. 35 (b&w)

49-03 Head IV (Man with a Monkey), 1949; p. 77

49-07 Head VI, 1949; p. 77

49-08 Study from the Human Body, 1949; pp. 50, 54-56; ill. No. 39, p. 55

49-09 Study for a Portrait, 1949; pp. 24, 33-37; ill. No. 26, pp. 39, 181-185 (detail, b&w)

50-01 Man at Curtain, 1950; pp. 36-37; ill. No. 24, p. 36

50-02 Fragment of a Crucifixion, 1950; pp. 24, 33-36, 40; ill. No. 27, p. 41

50-04 Study after Velázquez, 1950; pp. 44-51, 58; ill. Front cover (detail), No. 30, p. 45, No. 32, p. 48 (detail, b&w)

50-05 'Study after Velázquez', 1950; p. 46 (titled 'Study after Velasquez II' and 'Untitled (Pope)'); ill. No. 31, p. 47 (titled 'Untitled (Pope)')

50-06 Painting, 1950; pp. 46, 56-58, 88; ill. No. 40, p. 57

51-02 Head, 1951; p. 36; ill. No. 23, p. 36 (b&w)

51-03 Study for Nude, 1951; pp. 58, 60, 64; ill. No. 43, p. 61

51-04 Portrait of Lucian Freud, 1951; p. 24; ill. No. 50, p. 67 (b&w)

51-05 Pope I, 1951; ill. No. 156, p. 260 (installation shot, b&w)

51-06 Pope II, 1951; ill. No. 37, p. 52 (b&w), ill. No. 156, p. 260 (installation shot, b&w)

51-07D Pope III, 1951; ill. No. 156, p. 260 (installation shot, b&w)

51-08 'Crouching Nude', 1951; p. 58; ill. No. 42, p. 59 (b&w)

51-09 'Figure', 1951; pp. 37, 58; ill. No. 25, p. 38 (titled 'Untitled (Figure)')

52-01 Study for Crouching Nude, 1952; pp. 58, 60; ill. No. 44, p. 62, ill. No. 156, p. 260 (installation shot, b&w)

52-03 Dog, 1952; pp. 44-46, 77; ill. No. 58, p. 76

52-12 Study of Figure in a Landscape, 1952; pp. 72-77; ill. No. 57, p. 75

52-24 'Crouching Nude', 1952; ill. No. 45, p. 63 (titled 'Untitled (Crouching Nude on Rail)')

53-01 Study of a Nude, 1952 - 1953; pp. 78, 203, 218; ill. No. 60, p. 80

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 49, 81; ill. No. 61, p. 82

53-03 Study for a Portrait, 1953; p. 78; ill. No. 59, p. 79

53-06 Man with Dog, 1953; p. 81; ill. No. 62, p. 83 (b&w)

53-19 Study for Figure II, 1953; pp. 91, 204; ill. No. 74, p. 92, No. 140, p. 204 (detail, b&w)

53-23 Three Studies of the Human Head, 1953; pp. 70, 215-217; ill. No. 53, p. 71, No. 54, p. 71 (right panel), No. 147, p. 215 (b&w), No. 148, p. 216 (right panel, b&w)

53-24 Two Figures, 1953; pp. 72, 81, 259, 261; ill. No. 55, p. 73

53-31 'Portrait of a Man Walking', 1953; ill. No. 51, p. 68 (titled 'Untitled (David Sylvester Walking)', dated 'c. 1954')

54-01 Two Figures in the Grass, 1954; pp. 72, 175; ill. No. 56, p. 74

54-05 Man in Blue I, 1954; ill. No. 63, p. 84 (b&w)

54-08 Man in Blue IV, 1954; p. 77

54-15 Pope, 1954; ill. No. 149, p. 217 (dated '1955', b&w)

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; ill. No. 52, p. 69

55-16 Sketch for a Portrait of Lisa, 1955; pp. 202-203; ill. No. 138, p. 202 (b&w)

56-01 Self-Portrait, 1956; pp. 81, 91, 223; ill. No. 64, p. 85

56-04 Portrait of Lisa, 1956; p. 202

56-07 Man Carrying a Child, 1956; p. 87; ill. No. 65, p. 86 (b&w)

57-01 Figures in a Landscape, 1956 - 1957; pp. 87-88; ill. No. 66, p. 87 (b&w)

57-02 Study for Figure IV, 1956 - 1957; p. 87; ill. No. 67, p. 87 (b&w)

57-10 Study for Portrait of Van Gogh II, 1957; p. 88

57-11 Study for Portrait of Van Gogh III, 1957; p. 88

57-12 Study for Portrait of Van Gogh IV, 1957; p. 88

57-13 Study for Portrait of Van Gogh V, 1957; p. 88

57-14 Study for Portrait of Van Gogh VI, 1957; p. 88; ill. No. 70, p. 89

57-15 Van Gogh in a Landscape, 1957; p. 88

57-17 Portrait of Lisa, 1957; p. 202

57-18 Van Gogh Going to Work, 1957; p. 88

57-23 'Landscape after Van Gogh', 1957; p. 88; ill. No. 71, p. 90 (titled 'Untitled (Landscape after Van Gogh)')

59-02 Lying Figure, 1959; ill. No. 154, p. 225

59-03 Two Figures in a Room, 1959; p. 88; ill. No. 73, p. 91 (b&w)

59-13 Miss Muriel Belcher, 1959; p. 95; ill. No. 79, p. 96 (b&w)

61-02 Reclining Woman, 1961; pp. 131, 225; ill. No. 101, p. 130

61-08 Study for a Pope I, 1961; p. 95

61-09 Study for a Pope II, 1961; p. 95

61-10 Study for a Pope III, 1961; p. 95

61-11 Study for a Pope IV, 1961; p. 95; ill. No. 80, p. 97 (b&w)

61-12 Study for a Pope V, 1961; p. 95

61-13 Study for a Pope VI, 1961; p. 95

62-04 Three Studies for a Crucifixion, 1962; pp. 100-108, 114, 261; ill. No. 84, unpaged (fold-out)

62-07 Study for Three Heads, 1962; p. 111; ill. No. 89, p. 111 (b&w)

63-01 Lying Figure with Hypodermic Syringe, 1963; pp. 93, 221; ill. No. 87, p. 109

63-06 Landscape near Malabata, Tangier, 1963; pp. 168, 175; ill. No. 132, p. 176

63-10 Portrait of Man with Glasses III, 1963; pp. 91-92; ill. No. 76, p. 93

64-05 Study for Portrait of Lucian Freud, 1964; pp. 113-114

64-06 Study for Portrait of Lucian Freud, 1964; pp. 113-114

64-07 Study for Portrait of Lucian Freud, 1964; pp. 113-114

64-10 Three Figures in a Room, 1964; pp. 114, 129, 203, 221; ill. No. 93, unpaged (fold-out), No. 139, p. 203 (b&w)

65-01 Crucifixion, 1965; pp. 114-121, 221; ill. No. 94, unpaged (fold-out), No. 152, p. 222 (b&w)

65-06 Three Studies of Isabel Rawsthorne (on light ground), 1965; p. 113; ill. No. 92, p. 113 (b&w)

66-03 Henrietta Moraes, 1966; ill. No. 103, p. 132

66-08 Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and J.H., 1966; ill. No. 91, p. 112

67-16 Triptych, 1967; pp. 121-122, 156, 226; ill. No. 97, unpaged (fold-out)

68-04 Version No. 2 of Lying Figure with Hypodermic Syringe, 1968; p. 108; ill. No. 88, p. 110 (b&w)

68-05 Portrait of George Dyer in a Mirror, 1968; p. 92; ill. No. 78, p. 95

69-03 Lying Figure, 1969; ill. No. 104, p. 133

69-04 Study for Bullfight No. 1, 1969; p. 167

69-10 Three Studies for Portraits (including Self-Portrait), 1969; ill. No. 90, p. 112

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 167

70-04 Triptych - Studies from the Human Body, 1970; pp. 122, 143, 212; ill. No. 99, p. 129 (b&w), No. 145, p. 212 (b&w)

70-06 Three Studies of the Male Back, 1970; pp. 36, 134, 136; ill. No. 102, p. 131 (b&w)

70-09 Triptych - Studies of the Human Body, 1970; pp. 129-134, 212; ill. No. 98, unpaged (fold-out), No. 106, p. 134 (right panel, detail, b&w), No. 146, p. 213 (b&w)

71-09 In Memory of George Dyer, 1971; pp. 121, 136; ill. No. 108, unpaged (fold-out)

72-01 Three Studies of Figures on Beds, 1972; p. 136; ill. No. 110, p. 143 (b&w)

72-07 Triptych August 1972, 1972; pp. 143-144; ill. No. 109, unpaged (fold-out)

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 151; ill. No. 113, p. 151 (b&w)

73-03 Triptych May-June, 1973; pp. 143-144, 193, 221; ill. No. 111, unpaged (fold-out)

74-04 Sleeping Figure, 1974; pp. 95, 152, 223, 225; ill. No. 117, p. 154 (b&w)

76-02 Figure In Movement, 1976; pp. 152, 156; ill. No. 118, p. 155

76-05 Triptych, 1976; pp. 156-158; ill. No. 119, p. 156 (b&w), No. 120, p. 157 (centre panel, b&w)

76-14 Portrait of Michel Leiris, 1976; p. 152; ill. No. 116, p. 153

77-05 Triptych 1974-1977, 1974 - 1977; pp. 151-152, 156; ill. No. 112, unpaged (fold-out)

78-07 Study for Portrait (Michel Leiris), 1978; ill. No. 115, p. 152 (titled 'Portrait of Michael Leiris', b&w)

78-11 Landscape, 1978; pp. 168, 175; ill. No. 137, p. 181

79-03 Jet of Water, 1979; p. 168; ill. No. 135, p. 179

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 158, 211-212; ill. No. 130, unpaged (fold-out)

81-04 Sand Dune, 1981; p. 168; ill. No. 134, p. 178

82-01 Study of the Human Body, 1981 - 1982; p. 162; ill. No. 125, p. 163 (b&w)

82-05 A Piece of Waste Land, 1982; p. 175; ill. No. 133, p. 177

83-03 Oedipus and the Sphinx after Ingres, 1983; p. 164; ill. No. 127, p. 165 (b&w)

83-05 Sand Dune, 1983; pp. 168, 175; ill. No. 136, p. 180

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 162; ill. No. 126, p. 164 (b&w)

86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; pp. 95, 168, 223-224; ill. No. 131, unpaged (fold-out), No. 153, p. 223 (b&w)

86-06 Study for Portrait of John Edwards, 1986; p. 159; ill. No. 124, p. 161 (b&w)

87-01 Triptych 1986 - 7, 1986 - 1987; pp. 66, 121; ill. No. 95, p. 121 (b&w)

87-04 Study of the Human Body, 1987; p. 167; ill. No. 128, p. 166

88-05 Second Version of Triptych 1944, 1988; pp. 158-159; ill. No. 121, p. 158 (b&w)

88-06 Portrait of John Edwards, 1988; p. 159; ill. No. 123, p. 160 (b&w)

91-02 Triptych, 1991; p. 159; ill. No. 122, p. 159 (b&w)