Triptych: Three Studies after Francis Bacon

33-01 Crucifixion, 1933; p. 4

36-01 Studio Interior, 1936; p. 29 (dated 'c. 1934')

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 4-5, 28-29, 36, 38, 45, 46, 48, 54; ill. No. III, p. 8 (left panel), No. IV, p. 8 (centre panel), No. V, p. 9 (right panel)

45-05 Figure in a Landscape, 1945; p. 7

46-01 Figure Study I, 1945 - 1946; p. 39

46-02 Figure Study II, 1945 - 1946; p. 39

46-03 Painting 1946, 1946; p. 38

46-04 Landscape with Car, 1945 - 1946; p. 4 (refers to earlier iteration 'Figure Getting out of a Car')

49-01 Head II, 1949; p. 7

49-02 Head III, 1949; p. 45

49-07 Head VI, 1949; p. 45

49-08 Study from the Human Body, 1949; pp. 12, 27, 45

51-05 Pope I, 1951; pp. 7, 45

52-01 Study for Crouching Nude, 1952; pp. 27-28

53-24 Two Figures, 1953; p. 70

54-01 Two Figures in the Grass, 1954; p. 70

54-14 Figure with Meat, 1954; p. 55

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 45

56-01 Self-Portrait, 1956; p. 45

59-08 Lying Figure, 1959; p. 13

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 24

62-02 Study from Innocent X, 1962; p. 55

62-04 Three Studies for a Crucifixion, 1962; pp. 27, 45, 46, 103-104

65-01 Crucifixion, 1965; pp. 26, 46

66-14 Study for Portrait, 1966; p. 24

66-15 Portrait of George Dyer Riding a Bicycle, 1966; ill. No. IX, p. 34

68-05 Portrait of George Dyer in a Mirror, 1968; p. 66; ill. No. XVII, p. 65

68-07 Two Studies for a Portrait of George Dyer, 1968; p. 63; ill. No. XVI, p. 64

69-03 Lying Figure, 1969; p. 108

69-13 Self-Portrait, 1969; p. 110; ill. No. XXIV, p. 109

70-04 Triptych - Studies from the Human Body, 1970; p. 100

70-06 Three Studies of the Male Back, 1970; pp. 7, 108

70-09 Triptych - Studies of the Human Body, 1970; pp. 39, 56-58, 62-63, 104

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 39

71-04 Study of Red Pope, 1962, Second Version, 1971; p. 55

71-05 Study of George Dyer, 1971; p. 55

71-06 Study for Female Figure, 1971; p. 56 (earlier iteration)

71-09 In Memory of George Dyer, 1971; pp. 25, 27, 56, 58-63, 111; ill. No. XIII, p. 59 (left panel), No. XIV, p. 60 (centre panel), No. XV, p. 61 (right panel)

72-07 Triptych August 1972, 1972; pp. 66, 70, 111

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 100

73-03 Triptych May-June, 1973; pp. 67, 111

74-02 Triptych March 1974, 1974; p. 100

74-04 Sleeping Figure, 1974; pp. 106-107

75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 46

76-02 Figure In Movement, 1976; pp. 107-108

76-05 Triptych, 1976; pp. 45, 54

77-05 Triptych 1974-1977, 1974 - 1977; p. 39

78-01 Painting, 1978; p. 105; ill. No. 95, p. 100

78-06 Seated Figure, 1978; p. 39

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 53-54

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 54

84-04 'Blood on Pavement', 1984; pp. 13-15 (dated '1988')

87-05 Triptych, 1987; pp. 41-42

88-05 Second Version of Triptych 1944, 1988; pp. 7, 13, 29, 46, 48-49, 53-54; ill. No. X, p. 50 (left panel), No. XI, p. 51 (centre panel), No. XII, p. 52 (right panel)

91-01 Study for a Portrait March 1991, 1991; pp. 30, 49

91-02 Triptych, 1991; pp. 69-70, 100