Francis Bacon: Studying Form
Details
Publishers:
London: The Estate of Francis Bacon
London: Faggionato Fine Arts
London: Faggionato Fine Arts
Year:
2005
Language: English
Pages: 81
Contents
Brian Clarke, Foreword, pp. 9-12
David Sylvester, 'Francis Bacon and the Nude', pp. 13-40
Martin Harrison, 'Studying Form', pp. 55-73
Number of artworks illustrated
37 works
Paintings
44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; p. 62; ill. No. 12, p. 63
49-08 Study from the Human Body, 1949; pp. 30-31, 56; ill. No. 36, p. 30, No. 1, p. 56
50-06 Painting, 1950; pp. 32-33; ill. No. 21, p. 26
51-04 Portrait of Lucian Freud, 1951; p. 17; ill. No. 3, p. 17
52-01 Study for Crouching Nude, 1952; ill. No. 22, p. 26
53-23 Three Studies of the Human Head, 1953; ill. No. 10, p. 21 (left panel)
53-24 Two Figures, 1953; pp. 15, 20, 24-25; ill. No. 2, p. 15, No. 9, p. 20 (detail)
54-01 Two Figures in the Grass, 1954; pp. 15, 25; ill. No. 1, p. 15
54-05 Man in Blue I, 1954; p. 58
54-06 Man in Blue II, 1954; p. 58
54-07 Man in Blue III, 1954; p. 58
54-08 Man in Blue IV, 1954; p. 58
54-09 Man in Blue V, 1954; p. 58
54-10 Man in Blue VI, 1954; p. 58
54-11 Man in Blue VII, 1954; p. 58
55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 18-19, 58; ill. No. 5, p. 18
55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 18-19, 58; ill. No. 4, p. 18
57-01 Figures in a Landscape, 1956 - 1957; p. 32; ill. No. 42, p. 32
59-01 'Reclining Figure', 1959; pp. 57-58
59-02 Lying Figure, 1959; pp. 57-58
59-03 Two Figures in a Room, 1959; p. 32; ill. No. 43, p. 32
59-05 Reclining Figure, 1959; pp. 37, 57-58
59-06 Lying Figure, 1959; pp. 57-58
59-08 Lying Figure, 1959; pp. 37, 57-58; ill. No. 55, p. 36, pp. 47, 69 (titled 'Lying Figure, No. 2')
59-13 Miss Muriel Belcher, 1959; p. 59; ill. No. 6, p. 59
61-02 Reclining Woman, 1961; pp. 37, 57-58; ill. No. 56, p. 36
61-17 Lying Figure, 1961; p. 57
63-01 Lying Figure with Hypodermic Syringe, 1963; p. 36; ill. No. 53, p. 35
64-10 Three Figures in a Room, 1964; p. 32; ill. No. 44, p. 32 (left panel)
66-03 Henrietta Moraes, 1966; p. 33; ill. No. 47, p. 33
67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 62; ill. No. 9, p. 62
67-16 Triptych, 1967; pp. 24, 37; ill. No. 11, p. 22 (right panel), No. 58, p. 37 (left panel) (titled Triptych Inspired by T.S. Eliot's Poem Sweeney Agonistes)
68-08 Two Figures Lying on a Bed with Attendants, 1968; p. 59; ill. No. 7, p. 60
69-03 Lying Figure, 1969; p. 36; ill. No. 54, p. 35
69-04 Study for Bullfight No. 1, 1969; p. 62; ill. No. 11, p. 62 (titled 'Second Version of Study for a Bullfight No. 1')
69-14 Second Version of Study for Bullfight No. 1, 1969; p. 62; ill. No. 10, p. 62 (titled 'Study for a Bullfight No. 1')
70-04 Triptych - Studies from the Human Body, 1970; p. 25; ill. No. 13, p. 23 (centre panel)
70-09 Triptych - Studies of the Human Body, 1970; pp. 28, 38, 57; ill. No. 29, p. 28 (right panel), No. 39, p. 31 (left panel), No. 59, p. 38 (left panel), No. 3, p. 57 (right panel)