Francis Bacon: A Terrible Beauty

33-02 After Picasso, 'La Danse', 1933; p. 112 (titled 'The Dance (Crucifixion)')

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 12, 14, 74, 175

45-05 Figure in a Landscape, 1945; pp. 14, 74; ill. No. 5, p. 15

45-06 Study for a Figure, 1945; pp. 12, 74; ill. No. 4, p. 13

46-01 Figure Study I, 1945 - 1946; p. 12

46-02 Figure Study II, 1945 - 1946; p. 12, 14

46-03 Painting 1946, 1946; pp. 32, 153, 155, 156, 175; ill. No. 164, p. 154

46-04 Landscape with Car, 1945 - 1946; pp. 14, 174

48-01 Head I, 1948; pp. 16, 158; ill. No. 170, p. 159

48-02D Study for Man with Microphones, 1946 - 1948; pp. 14, 55, 155-160, 174, 175; ill. No. 165, p. 157 (first state); no. 166, p. 157 (second state); No. 167, p. 157 (detail); No. 168, p. 157 (detail)

49-01 Head II, 1949; pp. 16, 158, 175; ill. No. 6, p. 17

49-02 Head III, 1949; p. 16

49-03 Head IV (Man with a Monkey), 1949; p. 16

49-04 Head V, 1949; p. 16

49-07 Head VI, 1949; p. 16

49-08 Study from the Human Body, 1949; p. 42

50-01 Man at Curtain, 1950; p. 16

51-03 Study for Nude, 1951; p. 18

51-04 Portrait of Lucian Freud, 1951; p. 75

51-05 Pope I, 1951; p. 75

51-06 Pope II, 1951; p. 75

51-07D Pope III, 1951; p. 75

52-01 Study for Crouching Nude, 1952; p. 58

52-12 Study of Figure in a Landscape, 1952; p. 75

52-23 'Figure with Raised Arm', 1952; p. 42; ill. No. 19, p. 43 (dated 'c. 1949')

53-05 'Sea', 1953; p. 20; ill. No. 8, p. 21 (dated '1954')

53-06 Man with Dog, 1953; p. 18, 20, 90

53-08 Study for a Portrait II, 1953; p. 75

53-09 Study for Portrait III, 1953; p. 75

53-10 Study for Portrait IV, 1953; p. 75

53-11 Study for Portrait V, 1953; p. 75

53-12 Study for Portrait VI, 1953; p. 75

53-13 Study for Portrait VII, 1953; p. 75

53-14 Study for Portrait VIII, 1953; p. 75

53-17 Study of a Baboon, 1953; p. 16

53-24 Two Figures, 1953; p. 18

54-02 'Man at a Washbasin', 1954; p. 18; ill. No. 7, p. 19 (dated 'c. 1953')

54-05 Man in Blue I, 1954; p. 75

54-06 Man in Blue II, 1954; p. 75

54-07 Man in Blue III, 1954; p. 75

54-08 Man in Blue IV, 1954; p. 75

54-09 Man in Blue V, 1954; p. 75

54-10 Man in Blue VI, 1954; p. 75

54-11 Man in Blue VII, 1954; p. 75

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 75

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 18, 22, 75; ill. No. 9, p. 23

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 75

55-08 Chimpanzee, 1955; p. 16

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 75

56-03 Study for Portrait of Van Gogh I, 1956; pp. 75, 148

56-05 Study for Portrait II, 1956; p. 75

56-06 Study for Portrait I, 1956; p. 75

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 75

57-03 Study for Figure V, 1956 - 1957; p. 26

57-04 Study for Figure VI, 1956 - 1957; p. 26; ill. No. 11, p. 27

57-10 Study for Portrait of Van Gogh II, 1957; pp. 75, 148

57-11 Study for Portrait of Van Gogh III, 1957; pp. 75, 148

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 75, 148; ill. No. 56, p. 79

57-13 Study for Portrait of Van Gogh V, 1957; pp. 75, 148

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 75, 148

57-15 Van Gogh in a Landscape, 1957; p. 75, 148

57-18 Van Gogh Going to Work, 1957; pp. 75, 148

57-20 Study for Portrait of P.L. No. 2, 1957; p. 26 (titled ' Study for Portrait')

57-23 'Landscape after Van Gogh', 1957; p. 20

57-24 'Figure in Sea', 1957; pp. 24 (titled 'Untitled (Half-length Figure in Sea)'), 75 (titled 'Untitled (Half-length Figure Emerging from the Sea)'); ill. No. 10, p. 25 (titled 'Untitled (Half-length Figure in Sea)')

59-13 Miss Muriel Belcher, 1959; p. 28

60-01 Head of Woman, 1960; p. 28; ill. No. 12, p. 29

61-08 Study for a Pope I, 1961; p. 75

61-09 Study for a Pope II, 1961; p. 75

61-10 Study for a Pope III, 1961; p. 75

61-11 Study for a Pope IV, 1961; p. 75

61-12 Study for a Pope V, 1961; p. 75

61-13 Study for a Pope VI, 1961; p. 75

61-21 Head III, 1961; p. 30; ill. No. 13, p. 31

62-02 Study from Innocent X, 1962; p. 32

62-03 Seated Figure, 1962; pp. 32, 40; ill. No. 14, p. 33

62-04 Three Studies for a Crucifixion, 1962; pp. 32, 114

62-14 'Figure', 1962; p. 42 (titled 'Female Figure', dated 'c. 1970'); ill. No. 21, p. 45 (titled 'Untitled (Female Figure)', dated 'c. 1962')

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 80

65-01 Crucifixion, 1965; p. 173

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 128

66-09 Portrait of George Dyer Talking, 1966; p. 128

66-10 Portrait of Isabel Rawsthorne, 1966; p. 103

66-15 Portrait of George Dyer Riding a Bicycle, 1966; p. 42

66-16 'Seated Figure and Carpet', 1966; p. 42 (titled 'Seated Figure on a Dappled Carpet'); ill. No. 20, p. 44 (titled 'Untitled (Seated Figure on a Dappled Carpet')

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 103

67-15D Portrait of George Dyer and Lucian Freud, 1967; pp. 90-94, 114

67-16 Triptych, 1967; p. 148

67-18 'Dog', 1967; p. 136; ill. No. 151, p. 137 (titled 'Untitled')

67-19 'Dog', 1967; p. 136; ill. No. 163, p. 150 (titled 'Untitled')

67-20 'Goat', 1967; p. 136

68-02 Two Studies of George Dyer with Dog, 1968; p. 91

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 91, 112

69-02 Portrait of Henrietta Moraes, 1969; pp. 30, 34, 103, 169; ill. No. 15, p. 35; no. 180, p. 168 (detail)

69-06 Three Studies of Henrietta Moraes, 1969; p. 34

69-07 Three Studies of Lucian Freud, 1969; p. 40

69-10 Three Studies for Portraits (including Self-Portrait), 1969; p. 131

70-09 Triptych - Studies of the Human Body, 1970; p. 129

71-02 Lying Figure in a Mirror, 1971; p. 32

71-05 Study of George Dyer, 1971; p. 38

71-08 Study for Portrait of Lucian Freud (sideways), 1971; p. 40

72-07 Triptych August 1972, 1972; pp. 38, 58

73-03 Triptych May-June, 1973; p. 38

75-01 Two Studies from the Human Body, 1974 - 1975; p. 148

75-03 Three Studies for Self Portrait, 1975; p. 151

75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 144

75-07 Three Figures and Portrait, 1975; p. 139

76-05 Triptych, 1976; pp. 139-140

76-12 Figure at a Washbasin, 1976; pp. 18, 112 (titled 'Figure in Front of a Sink')

77-05 Triptych 1974-1977, 1974 - 1977; pp. 58, 142, 171, 173, 175

78-14 'Seated Figure', 1978; p. 42; ill. No. 22, p. 46 (dated 'c.1979')

79-03 Jet of Water, 1979; p. 20

79-09 Three Studies for Self-Portrait, 1979; p. 144

81-07 Study for Portrait, 1981; p. 38

82-04 Water from a Running Tap, 1982; pp. 20, 175

82-11 'Kneeling Figure - Back View', 1982; p. 42 (titled 'Figure(s)'), dated 'c. 1983'); ill. No. 24, p. 48 (titled 'Untitled (Figure(s))'), dated 'c.1983'); No. 175, unpaged (titled 'Untitled (Figure(s))'), dated 'c.1983', detail)

82-13 'Three Figures', 1982; p. 42; ill. No. 23, p. 47 (dated 'c. 1981')

84-04 'Blood on Pavement', 1984; p. 90 (dated '1988')

84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 36, 38, 40, 84

84-06 'John Edwards', 1984; pp. 30, 36, 40; ill. No. 16, p. 37; No. 77, p. 84 (in the studio)

84-07 'Study for Portrait of John Edwards', 1984; pp. 40, 84-85 (dated '1989'); ill. No. 18, p. 41 (dated '1989')

85-02 Poster for the 1988 Van Gogh Exhibition in Arles, 1985; p. 148; ill. No. 162, p. 149

86-05 Blood on the Floor - Painting, 1986; p. 175

88-04 Jet of Water, 1988; pp. 20, 175

88-05 Second Version of Triptych 1944, 1988; p. 12

88-06 Portrait of John Edwards, 1988; p. 38; ill. No. 17, p. 39

89-02 Study for Portrait of John Edwards, 1989; p. 36

90-01 Man at a Washbasin, 1989 - 1990; p. 18

90-03 Male Nude before Mirror, 1990; ill. No. 79, p. 87

92-01 'Self-Portrait', 1991 - 1992; pp. 42, 164; ill. No. 25, p. 49