Francis Bacon: Painting in a Godless World

33-01 Crucifixion, 1933; pp. 39, 59, 63, 159; ill. No. 30, p. 63

33-02 After Picasso, 'La Danse', 1933; pp. 39, 59, 63; ill. p. 6, No. 31, p. 64 (titled 'Crucifixion')

33-03 The Crucifixion, 1933; pp. 39, 59, 63; ill. No. 32, p. 65

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 27, 31, 34, 39, 52, 56, 59, 66-70, 73, 101, 110, 116, 117, 120, 126, 137, 138, 160; ill. No. 4, p. 16 (centre panel, detail), No. 10, pp. 28-29

45-05 Figure in a Landscape, 1945; p. 27

46-02 Figure Study II, 1945 - 1946; p. 135

46-03 Painting 1946, 1946; p. 133; ill. No. 73, p. 134

48-01 Head I, 1948; pp. 79, 85, 135; ill. No. 40, p. 78

49-01 Head II, 1949; pp. 55, 85

49-02 Head III, 1949; p. 85

49-03 Head IV (Man with a Monkey), 1949; p. 85

49-04 Head V, 1949; p. 85

49-07 Head VI, 1949; pp. 46, 85, 135, 159; ill. No. 45, p. 84

49-08 Study from the Human Body, 1949; p. 124

49-09 Study for a Portrait, 1949; p. 159

50-02 Fragment of a Crucifixion, 1950; pp. 39, 59, 70-73, 119, 126, 161; ill. No. 35, p. 71

50-04 Study after Velázquez, 1950; pp. 85-87, 162; ill. No. 46, p. 86

50-05 'Study after Velázquez', 1950; pp. 85-87

50-06 Painting, 1950; p. 124

51-03 Study for Nude, 1951; p. 135

51-05 Pope I, 1951; pp. 87, 94; ill. No. 47, p. 87, No. 81, p. 152

51-06 Pope II, 1951; p. 87

51-07D Pope III, 1951; p. 87

52-01 Study for Crouching Nude, 1952; p. 135

52-03 Dog, 1952; p. 135

53-01 Study of a Nude, 1952 - 1953; p. 124; ill. No. 67, p. 125

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 39-40, 44, 87, 91, 92-96, 162; ill. No. 54, p. 93

53-07 Study for Portrait I, 1953; pp. 87, 89, 162; ill. No. 49, p. 89

53-08 Study for a Portrait II, 1953; p. 87

53-09 Study for Portrait III, 1953; p. 87

53-10 Study for Portrait IV, 1953; p. 87

53-11 Study for Portrait V, 1953; p. 87

53-12 Study for Portrait VI, 1953; p. 87

53-13 Study for Portrait VII, 1953; p. 87

53-14 Study for Portrait VIII, 1953; p. 87, 89; ill. No. 50, p. 89

53-17 Study of a Baboon, 1953; p. 136; ill. No. 75, p. 136

53-24 Two Figures, 1953; pp. 137, 148-149; ill. No. 76, p. 139

54-01 Two Figures in the Grass, 1954; pp. 52, 137, 148; ill. No. 23, p. 53

54-05 Man in Blue I, 1954; pp. 46, 87

54-06 Man in Blue II, 1954; pp. 46, 87

54-07 Man in Blue III, 1954; pp. 46, 87

54-08 Man in Blue IV, 1954; pp. 46, 87; ill. No. 18, p. 46

54-09 Man in Blue V, 1954; pp. 46, 87

54-10 Man in Blue VI, 1954; pp. 46, 87

54-14 Figure with Meat, 1954; p. 94

56-07 Man Carrying a Child, 1956; p. 159

60-05 Pope No. 2, 1960; p. 94

61-08 Study for a Pope I, 1961; pp. 87-89

61-09 Study for a Pope II, 1961; pp. 87-89

61-10 Study for a Pope III, 1961; pp. 87-89; ill. No. 48, p. 88

61-11 Study for a Pope IV, 1961; pp. 87-89

61-12 Study for a Pope V, 1961; pp. 87-89

61-13 Study for a Pope VI, 1961; pp. 87-89

62-02 Study from Innocent X, 1962; p. 89 (titled 'Study of Red Pope (Study from Innocent X)')

62-04 Three Studies for a Crucifixion, 1962; pp. 39-40, 59, 73-81, 82, 111, 114, 117, 124, 128, 135, 163; ill. No. 1, p. 8 (left panel, detail), No. 15, p. 40 (right panel), No. 26, p. 58 (centre panel, detail), No. 38, pp. 74-75

63-01 Lying Figure with Hypodermic Syringe, 1963; p. 60; ill. No. 28, p. 61

63-15 Three Studies for Portrait of George Dyer, 1963; p. 112

65-01 Crucifixion, 1965; pp. 10, 39, 59, 73-81, 110, 114-116, 117, 128, 135; ill. No. 3, p. 11 (right panel), No. 39, pp. 76-77, No. 42, p. 80 (centre panel), ill. No. 64, p. 115 (left panel)

66-08 Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and J.H., 1966; p. 50; ill. No. 13, p. 36 (centre panel), No. 22, pp. 50-51

66-12 Three Studies of Isabel Rawsthorne, 1966; pp. 107, 110, 122; ill. No. 66, pp. 122-123

67-05 Study for Head of Isabel Rawsthorne, 1967; p. 32

67-08 Four Studies for a Self-Portrait, 1967; pp. 82, 101; ill. No. 44, p. 82

67-16 Triptych, 1967; p. 111 (titled 'Triptych Inspired by T.S. Eliot's Poem 'Sweeney Agonistes'')

67-17 Three Studies of Isabel Rawsthorne, 1967; p. 107; ill. No. 61, p. 107

69-07 Three Studies of Lucian Freud, 1969; p. 163

69-14 Second Version of Study for Bullfight No. 1, 1969; p. 32; ill. No. 12, p. 33

70-04 Triptych - Studies from the Human Body, 1970; p. 126

70-09 Triptych - Studies of the Human Body, 1970; p. 126

71-09 In Memory of George Dyer, 1971; p. 19

72-01 Three Studies of Figures on Beds, 1972; pp. 22, 128, 137; ill. No. 6, pp. 22-23, No. 71, p. 129 (left panel)

72-07 Triptych August 1972, 1972; pp. 19, 111-114; ill. No. 5, pp. 20-21

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 111-112

73-03 Triptych May-June, 1973; pp. 19, 111-114; ill. No. 63, pp. 112-113

73-05 Self-Portrait, 1973; pp. 46, 83; ill. No. 19, p. 47

74-04 Sleeping Figure, 1974; p. 22

76-05 Triptych, 1976; p. 109; ill. No. 62, pp. 108-109, No. 78, p. 142 (right panel)

76-12 Figure at a Washbasin, 1976; p. 130; ill. No. 72, p. 131

80-06 Carcass of Meat and Bird of Prey, 1980; p. 74; ill. No. 36, p. 72

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 56, 161

83-03 Oedipus and the Sphinx after Ingres, 1983; pp. 40-43, 161; ill. No. 16, p. 42

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 126; ill. No. 69, p. 127

86-06 Study for Portrait of John Edwards, 1986; p. 124

88-05 Second Version of Triptych 1944, 1988; pp. 59, 70, 101, 138, 160; ill. No. 56, p. 100 (left panel, detail), No. 57, pp. 102-103

88-06 Portrait of John Edwards, 1988; pp. 124-126, 130; ill. No. 65, p. 118 (detail), No. 68, p. 126