Art Gallery of Ontario, Toronto. 05 April 2014-20 July 2014 Read more about (ID: 41) Francis Bacon and Henry Moore: Terror and Beauty :Art Gallery of Ontario Paintings 33-01 Crucifixion, 1933 49-09 Study for a Portrait, 1949 52-13 Man Kneeling in Grass, 1952 52-22 'Marching Figures', 1952 53-12 Study for Portrait VI, 1953 53-13 Study for Portrait VII, 1953 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955 56-06 Study for Portrait I, 1956 59-03 Two Figures in a Room, 1959 60-10 Head of Woman, 1960 62-03 Seated Figure, 1962 63-05 Study for Portrait on Folding Bed, 1963 63-10 Portrait of Man with Glasses III, 1963 66-10 Portrait of Isabel Rawsthorne, 1966 71-02 Lying Figure in a Mirror, 1971 75-01 Two Studies from the Human Body, 1974 - 1975 75-07 Three Figures and Portrait, 1975 82-10 'Kneeling Figure', 1982 87-05 Triptych, 1987 88-05 Second Version of Triptych 1944, 1988 88-06 Portrait of John Edwards, 1988 Load more Publications (ISBN/ISSN: ) Francis Bacon and Henry Moore: Terror and Beauty
Scottish National Gallery of Modern Art, Edinburgh. 04 August 2012-04 November 2012 Read more about (ID: 40) Picasso & Modern British Art :Scottish National Gallery of Modern Art Paintings 33-01 Crucifixion, 1933 33-03 The Crucifixion, 1933 33-04 Composition (Figure), 1933 33-05 Composition (Figures), 1933 33-06 'Composition', 1933 34-01 Corner of the Studio, 1934 34-02 Interior of a Room, 1934 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944 48-01 Head I, 1948 Load more Touring Locations Tate Britain, London, United Kingdom, 'Picasso & Modern British Art', 15 February 2012 - 15 July 2012
Tate Britain, London. 15 February 2012-15 July 2012 Read more about (ID: 39) Picasso & Modern British Art:Tate Britain Paintings 33-01 Crucifixion, 1933 33-03 The Crucifixion, 1933 33-04 Composition (Figure), 1933 33-05 Composition (Figures), 1933 33-06 'Composition', 1933 34-01 Corner of the Studio, 1934 34-02 Interior of a Room, 1934 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944 48-01 Head I, 1948 Load more Publications (ISBN/ISSN: 9781854378903) Picasso and Modern British Art (ISBN/ISSN: 1756-3224) 'Picasso in Britain and Lucian Freud - the week in art' (ISBN/ISSN: 0029-7712) 'Picasso and the borrowers' (ISBN/ISSN: 9976-1874) 'A flawed comparison' Touring Locations Scottish National Gallery of Modern Art, Edinburgh, United Kingdom, 'Picasso & Modern British Art', 04 August 2012 - 04 November 2012
Gagosian Gallery, London. 02 June 2010-31 July 2010 Read more about (ID: 38) Crossing the Channel: Friendships and Connections in Paris and London 1946-1965:Gagosian Gallery Paintings 33-01 Crucifixion, 1933 59-13 Miss Muriel Belcher, 1959 Load more Publications (ISBN/ISSN: 9781935263142) Crossing the Channel: Friendships and Connections in Paris and London, 1946-1965: Francis Bacon, Lucian Freud and Alberto Giacometti
Art Gallery of New South Wales, Sydney. 17 November 2012-24 February 2013 Read more about (ID: 25) Five Decades (2013):Art Gallery of New South Wales Paintings 33-01 Crucifixion, 1933 44-02 'Fury', 1944 45-05 Figure in a Landscape, 1945 46-01 Figure Study I, 1945 - 1946 46-02 Figure Study II, 1945 - 1946 48-01 Head I, 1948 49-01 Head II, 1949 49-08 Study from the Human Body, 1949 49-09 Study for a Portrait, 1949 50-05 'Study after Velázquez', 1950 51-04 Portrait of Lucian Freud, 1951 51-05 Pope I, 1951 51-08 'Crouching Nude', 1951 51-09 'Figure', 1951 52-01 Study for Crouching Nude, 1952 52-22 'Marching Figures', 1952 53-01 Study of a Nude, 1952 - 1953 53-05 'Sea', 1953 53-17 Study of a Baboon, 1953 53-28 The End of the Line, 1953 54-13 Study of a Dog, 1954 54-14 Figure with Meat, 1954 56-09 Owls, 1956 56-11 'Figures in a Landscape', 1956 57-01 Figures in a Landscape, 1956 - 1957 57-12 Study for Portrait of Van Gogh IV, 1957 57-24 'Figure in Sea', 1957 63-04 Study for Self-Portrait, 1963 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965 65-08 Portrait of Henrietta Moraes on a Blue Couch, 1965 66-10 Portrait of Isabel Rawsthorne, 1966 67-18 'Dog', 1967 69-01 Three Studies of Henrietta Moraes, 1969 69-03 Lying Figure, 1969 69-11 Three Studies of George Dyer, 1969 70-06 Three Studies of the Male Back, 1970 70-09 Triptych - Studies of the Human Body, 1970 70-10 Triptych, 1970 72-07 Triptych August 1972, 1972 73-11 Self-Portrait, 1973 75-06 Studies from the Human Body, 1975 75-07 Three Figures and Portrait, 1975 75-09 Portrait of a Dwarf, 1975 76-06 Study for Self-Portrait, 1976 76-14 Portrait of Michel Leiris, 1976 78-06 Seated Figure, 1978 79-09 Three Studies for Self-Portrait, 1979 79-10 Study of Reinhard Hassert; Study of Eddy Batache, 1979 80-05 Study for Self-Portrait, 1980 85-03 Figure in Movement, 1985 87-05 Triptych, 1987 88-02 Study from the Human Body after Muybridge, 1988 88-06 Portrait of John Edwards, 1988 Load more Publications (ISBN/ISSN: 9780500093757) Francis Bacon: Five Decades (ISBN/ISSN: ) 'Francis Bacon: five decades' (ISBN/ISSN: 1038-8761) 'In Bacon's existential zone' (ISBN/ISSN: 0312-6315) 'Artists look past the man to see many sides of Bacon'
By Pilar Ordovas (ed.) Details Publisher: London: Ordovas Contents Taco Dibbits, 'Rembrandt and Bacon: Portraits of the Artist by the Artist', pp. 9-22 Martin Harrison, 'Irrational Marks: Bacon and Rembrandt', pp. 26-48 Paintings 51-04 Portrait of Lucian Freud, 1951; p. 38; ill. p. 39 54-05 Man in Blue I, 1954; p. 38 54-06 Man in Blue II, 1954; p. 38 54-07 Man in Blue III, 1954; p. 38 54-08 Man in Blue IV, 1954; p. 38 54-09 Man in Blue V, 1954; p. 38 54-10 Man in Blue VI, 1954; p. 38 54-11 Man in Blue VII, 1954; p. 38 56-01 Self-Portrait, 1956; p. 38; ill. p. 38 64-11 Study for Self-Portrait, 1964; ill. pp. 59, 82 67-08 Four Studies for a Self-Portrait, 1967; p. 38; ill. p. 40 67-15D Portrait of George Dyer and Lucian Freud, 1967; ill. p. 23 69-10 Three Studies for Portraits (including Self-Portrait), 1969; p. 41; ill. pp. 41, 60-61, 82 72-11 Self-Portrait, 1972; ill. pp. 63, 83 73-06 Study for Self-Portrait, 1973; p. 42; ill. pp. 43, 65, 83 75-03 Three Studies for Self Portrait, 1975; ill. pp. 44, 66-67, 83 76-07 Three Studies for Self-Portrait, 1976; p. 42 77-02 Two Studies for Self-Portrait, 1977; p. 42; ill. pp. 45, 69, 84 90-06 Self-Portrait, 1990; p. 42; ill. p. 46 92-01 'Self-Portrait', 1991 - 1992; p. 41 Load more Exhibitions 'Irrational Marks: Bacon and Rembrandt (2011)', Ordovas, London. , 07 October 2011 - 16 December 2011 Read more about (ISBN/ISSN:9780957028708) Irrational Marks: Bacon and Rembrandt
By Anthony Bond (ed.) Details Publishers: London: Thames & Hudson Sydney: Art Gallery of New South Wales Contents Anthony Bond, 'Francis Bacon: Five Decades', pp. 17-30 Martin Harrison, Rebecca Daniels, 'Australian Connections', pp. 33-43 Margarita Cappock, 'Francis Bacon's Studio', pp. 44-63 Ernst van Alphen, 'Making Sense of Affect', pp. 65-73 Paintings 33-01 Crucifixion, 1933; pp. 37-38, 59, 80, 86; ill. No. 79, pp. 78, 86 (b&w), 87 34-01 Corner of the Studio, 1934; p. 35 35-01 Figures in a Garden, 1935; p. 35 (dated '1936') 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 40, 59, 84, 224; ill. No. 24, p. 41 44-02 'Fury', 1944; pp. 84, 88; ill. No. 80, p. 89 (titled 'Study for a figure at the base of a crucifixion', dated 'c. 1939-40') 45-05 Figure in a Landscape, 1945; pp. 21, 46, 84, 90; ill. p. 91 46-01 Figure Study I, 1945 - 1946; pp. 84, 92; ill. p. 93 46-02 Figure Study II, 1945 - 1946; pp. 25, 40, 84, 94, 223; ill. p. 95 46-04 Landscape with Car, 1945 - 1946; p. 84 (titled, 'Figure Getting out of Car', dated '1939-40'); ill. No. 80, p. 88 48-01 Head I, 1948; pp. 85, 96; ill. p. 97 48-02D Study for Man with Microphones, 1946 - 1948; p. 90; ill. No. 81 (dated '1946'), p. 90 48-03 'Head', 1948; p. 36; ill. No. 18, p. 36 (dated 'c. 1949') 49-01 Head II, 1949; pp. 59, 85, 98; ill. p. 99 49-08 Study from the Human Body, 1949; pp. 52, 57, 59, 85, 102; ill. p. 103 49-09 Study for a Portrait, 1949; pp. 85, 100; ill. p. 101 50-05 'Study after Velázquez', 1950; p. 108; ill. pp. 109, 239 50-06 Painting, 1950; p. 57 51-04 Portrait of Lucian Freud, 1951; p. 116; ill. p. 117 51-05 Pope I, 1951; pp. 108, 114; ill. Frontispiece, pp. 9 (detail), 115 (titled 'Pope I - study after Pope Innocent X by Velázquez') 51-08 'Crouching Nude', 1951; p. 110; ill. p. 111 (titled 'Untitled (crouching nude)', dated 'c. 1950') 51-09 'Figure', 1951; p. 112; ill. No. 10, pp. 25, 113 (titled 'Untitled (figure)', dated '1950-51') 52-01 Study for Crouching Nude, 1952; pp. 60, 120; ill. p. 61, 121 53-01 Study of a Nude, 1952 - 1953; pp. 57, 122; ill. pp. 31 (detail), 123 53-17 Study of a Baboon, 1953; p. 124; ill. p. 125 53-28 The End of the Line, 1953; p. 126; ill. p. 127 54-13 Study of a Dog, 1954; pp. 59, 134; ill. p. 135 (titled 'Study for a running dog') 54-14 Figure with Meat, 1954; pp. 70, 132; ill. p. 133 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; pp. 39, 223 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 39, 223; ill., No. 21, p. 39 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 39, 223 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; pp. 39-40, 223 56-03 Study for Portrait of Van Gogh I, 1956; pp. 106, 223 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; pp. 39, 223 56-09 Owls, 1956; pp. 59, 136; ill. 137 56-11 'Figures in a Landscape', 1956; p. 118; ill. p. 119 (titled 'Untitled (crouching figures)' and dated 'c. 1952') 57-02 Study for Figure IV, 1956 - 1957; pp. 59, 138 (as 'Study for figure no 4'); ill., p. 139 57-10 Study for Portrait of Van Gogh II, 1957; pp. 106, 223 57-11 Study for Portrait of Van Gogh III, 1957; pp. 106, 223 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 106, 223 57-13 Study for Portrait of Van Gogh V, 1957; pp. 106, 223 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 106, 223 57-15 Van Gogh in a Landscape, 1957; pp. 106, 223 57-18 Van Gogh Going to Work, 1957; pp. 106, 223 57-24 'Figure in Sea', 1957; p. 128; ill. p. 128 (titled 'Untitled (half length figure in sea)', dated 'c1953-54') 61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 40; ill. No. 23, p. 40 61-17 Lying Figure, 1961; p. 239 62-04 Three Studies for a Crucifixion, 1962; pp. 239, 240 63-01 Lying Figure with Hypodermic Syringe, 1963; p. 43 63-07D Study of Portrait of P.L. from Photographs, 1963; p. 43 65-01 Crucifixion, 1965; p. 70; ill. No. 73, p. 71 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; pp. 57 (titled 'From Muybridge 'The human figure in motion: woman emptying a bowl of water / paralytic child walking on all fours'), 150; ill. pp. 74-75 (detail), 151 66-01 Portrait of George Dyer Crouching, 1966; p. 239 66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 59 67-16 Triptych, 1967; p. 70 (titled 'Triptych inspired by TS Eliot's poem 'Sweeny Agonistes') 67-17 Three Studies of Isabel Rawsthorne, 1967; p. 70; ill. No. 71, p. 70 67-18 'Dog', 1967; p. 59 (titled 'Untitled') 68-07 Two Studies for a Portrait of George Dyer, 1968; p. 70; ill. No. 72, p. 70 68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 70, 72; ill. No. 74, p. 71 69-01 Three Studies of Henrietta Moraes, 1969; p. 50; ill. pp. 160-161 69-03 Lying Figure, 1969; pp. 72, 158; ill. pp. 64 (detail), 159 69-11 Three Studies of George Dyer, 1969; p. 49; ill. pp. 162-163 69-12 Study of Nude with Figure in a Mirror, 1969; p. 69; ill. No. 69, p. 69 69-15 Study of Henrietta Moraes, 1969; p. 50 (titled 'Study of Henrietta Moraes (Laughing)') 70-04 Triptych - Studies from the Human Body, 1970; p. 52; ill. p. 56 (detail) 70-06 Three Studies of the Male Back, 1970; pp. 69, 172; ill. frontispiece, pp. 13 (right panel, detail), 173-5 70-10 Triptych, 1970; pp. 57, 69, 176; ill. pp. 56 (centre panel), 177-178 71-02 Lying Figure in a Mirror, 1971; p. 59 72-07 Triptych August 1972, 1972; p. 49; ill. pp. 181-183 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; p. 70 73-05 Self-Portrait, 1973; pp. 72, 184; ill. 185 73-11 Self-Portrait, 1973; p. 72; ill. p. 16 (detail) 75-06 Studies from the Human Body, 1975; pp. 70, 190; ill. 191 75-07 Three Figures and Portrait, 1975; pp. 70, 188; ill. 189 75-09 Portrait of a Dwarf, 1975; p. 60 76-01 Study for Portrait, 1976; pp. 51, 194; ill. p. 195 76-06 Study for Self-Portrait, 1976; pp. 11, 51 76-14 Portrait of Michel Leiris, 1976; ill. Front cover 79-03 Jet of Water, 1979; p. 43 79-09 Three Studies for Self-Portrait, 1979; p. 51 80-03 Three Studies for Self-Portrait., 1980; pp. 51, 200; ill. pp. 200-201 81-01 Study for Self-Portrait, 1981; p. 51 81-06 Study for Self-Portrait, 1981; p. 51 83-05 Sand Dune, 1983; p. 21 87-05 Triptych, 1987; pp. 60, 210; ill. pp. 211-213 88-02 Study from the Human Body after Muybridge, 1988; pp. 72, 216; ill. p. 217 88-06 Portrait of John Edwards, 1988; pp. 49, 214; ill. p. 215 92-01 'Self-Portrait', 1991 - 1992; p. 50; ill. pp. 29, 51 (detail) Load more Exhibitions 'Five Decades (2013)', Art Gallery of New South Wales, Sydney, 17 November 2012 - 24 February 2013 Read more about (ISBN/ISSN:9780500093757) Francis Bacon: Five Decades
By Pilar Ordovas (ed.) Details Publisher: London: Ordovas Contents Martin Harrison, 'Movement and Gravity: Bacon and Rodin in Dialogue', pp. 3-39 Paintings 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; p. 8 50-06 Painting, 1950; p. 26 53-15 Sphinx I, 1953; p. 8 53-16 Sphinx II, 1953; p. 8 53-27 Sphinx, 1953; p. 8 54-05 Man in Blue I, 1954; p. 8 54-06 Man in Blue II, 1954; p. 8 54-07 Man in Blue III, 1954; p. 8 54-08 Man in Blue IV, 1954; p. 8 54-09 Man in Blue V, 1954; p. 8 54-10 Man in Blue VI, 1954; p. 8 54-11 Man in Blue VII, 1954; p. 8 54-12 Sphinx, 1954; p. 8 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 8 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 8 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 8 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 8 56-03 Study for Portrait of Van Gogh I, 1956; p. 86 57-10 Study for Portrait of Van Gogh II, 1957; p. 8 57-11 Study for Portrait of Van Gogh III, 1957; p. 8 57-12 Study for Portrait of Van Gogh IV, 1957; p. 8 57-13 Study for Portrait of Van Gogh V, 1957; p. 8 57-14 Study for Portrait of Van Gogh VI, 1957; p. 8 57-15 Van Gogh in a Landscape, 1957; p. 8 57-18 Van Gogh Going to Work, 1957; p. 82 58-10 'Figure on a Dais', 1958; p. 21; ill. p. 20 (titled 'Untitled (Figure on a Dais)') 59-01 'Reclining Figure', 1959; pp. 11, 28; ill. pp. 6, 23, 29 (titled, 'Untitled (Reclining Figure)') 59-02 Lying Figure, 1959; pp. 11, 28; ill. pp. 5, 12 59-05 Reclining Figure, 1959; pp. 11, 28; ill. p. 5 59-06 Lying Figure, 1959; pp. 11, 26, 28 59-08 Lying Figure, 1959; pp. 3, 11, 28, 56; ill. Frontispiece foldout (detail), pp. 6, 30, 45, 56 59-09 Sleeping Figure, 1959; pp. 11, 26 59-11 Head of a Man, 1959; p. 36; ill. p. 37 59-13 Miss Muriel Belcher, 1959; pp. 3, 36; ill. Frontispiece foldout (detail), pp. 47, 57 61-02 Reclining Woman, 1961; pp. 11, 23, 28; ill. p. 7 61-06 Two Figures, 1961; p. 26; ill. p. 27 61-16 Seated Figure, 1961; p. 26; ill. No. 32, unpaged 61-17 Lying Figure, 1961; p. 11 62-04 Three Studies for a Crucifixion, 1962; p. 26 67-09 Three Studies from the Human Body, 1967; pp. 3, 32; ill. Frontispiece foldout (detail), pp. 35, 49, 57 67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 8; ill. p. 9 68-02 Two Studies of George Dyer with Dog, 1968; p. 8; ill. p. 10 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 23; ill. p. 24 (right panel) 89-01 Study of a Man and Woman Walking, 1988 - 1989; p. 26; ill. p. 25 Load more Exhibitions 'Movement and Gravity Bacon and Rodin in Dialogue', Ordovas, London. , 08 February 2013 - 06 April 2013 Read more about (ISBN/ISSN:9780957028746) Movement and Gravity: Bacon and Rodin in Dialogue
Details Publisher: Oxford: Ashmolean Museum Contents Richard Calvocoressi, 'Moore and Bacon: Affinities', pp. 15-29 Martin Harrison, 'Bacon and Sculpture', pp. 31-47 Richard Calvocoressi, Catalogue of Works: Henry Moore, pp. 49-105 Martin Harrison, Catalogue of Works: Francis Bacon, pp. 107-147 Francis Warner, 'The Bones and the Flesh: Henry Moore and Francis Bacon', pp. 149-154 Paintings 33-01 Crucifixion, 1933; pp. 16, 138 33-06 'Composition', 1933; p. 108; ill. No. 44, p. 109 36-01 Studio Interior, 1936; p. 110; ill. No. 45, p. 111 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 17, 31, 45, 110; ill. No. 24, p. 32 46-03 Painting 1946, 1946; pp. 114, 130, 153 48-01 Head I, 1948; p. 112 49-01 Head II, 1949; p. 112; ill. No. 46, p. 113 49-07 Head VI, 1949; p. 136 50-06 Painting, 1950; pp. 38, 114; ill. No. 36, p. 38; No. 47, p. 115 51-04 Portrait of Lucian Freud, 1951; p. 39 52-01 Study for Crouching Nude, 1952; p. 122 52-12 Study of Figure in a Landscape, 1952; p. 116 52-13 Man Kneeling in Grass, 1952; p. 116; ill. No. 48, p. 117 53-15 Sphinx I, 1953; p. 31 53-16 Sphinx II, 1953; p. 31 53-27 Sphinx, 1953; p. 31 54-12 Sphinx, 1954; p. 31; ill. No. 25, p. 33 (titled 'Sphinx III') 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; pp. 31, 39-41 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 31, 39-41 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 31, 39-41, 118; ill. No. 40, p. 40; No. 49, p. 119 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; pp. 31, 39-41 55-16 Sketch for a Portrait of Lisa, 1955; p. 39; ill. No. 38, p. 40 55-17 'Lisa Sainsbury' (?), 1955; p. 39 56-03 Study for Portrait of Van Gogh I, 1956; p. 42 56-04 Portrait of Lisa, 1956; p. 39 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 31 57-10 Study for Portrait of Van Gogh II, 1957; p. 42 57-11 Study for Portrait of Van Gogh III, 1957; p. 42 57-12 Study for Portrait of Van Gogh IV, 1957; p. 42 57-13 Study for Portrait of Van Gogh V, 1957; p. 42 57-14 Study for Portrait of Van Gogh VI, 1957; p. 42 58-04 Head II, 1958; p. 124 59-02 Lying Figure, 1959; p. 120; ill. No. 50, p. 121 59-03 Two Figures in a Room, 1959; pp. 120, 122, 138; ill. No. 51, p. 123 59-08 Lying Figure, 1959; p. 42 59-11 Head of a Man, 1959; pp. 44, 124; ill. No. 52, p. 125 61-01 Reclining Man with Sculpture, 1960 - 1961; p. 31; ill. No. 26, p. 33 62-02 Study from Innocent X, 1962; pp. 45, 130, 136 62-03 Seated Figure, 1962; pp. 45, 130; ill. No. 55, p. 131 62-04 Three Studies for a Crucifixion, 1962; pp. 45, 130, 142 62-05 Figure Turning, 1962; p. 45 63-01 Lying Figure with Hypodermic Syringe, 1963; p. 132 63-08 Portrait of Man with Glasses I, 1963; p. 134 63-09 Portrait of Man with Glasses II, 1963; p. 134 63-10 Portrait of Man with Glasses III, 1963; p. 134; ill. No. 57, p. 135 63-11 Portrait of Man with Glasses IV, 1963; p. 134 63-13 Portrait of Henrietta Moraes, 1963; p. 132; ill. No. 56, p. 133 64-10 Three Figures in a Room, 1964; p. 36 65-01 Crucifixion, 1965; p. 22 65-03 Study from Portrait of Pope Innocent X, 1965; p. 136; ill. No. 58, p. 137 67-11 Study for a Portrait, 1967; p. 130 67-15D Portrait of George Dyer and Lucian Freud, 1967; p. 31 68-02 Two Studies of George Dyer with Dog, 1968; p. 31 70-06 Three Studies of the Male Back, 1970; p. 45 71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; p. 153 71-02 Lying Figure in a Mirror, 1971; pp. 39, 45, 130, 138; ill. p. 106 (detail); No. 58, p. 139 72-07 Triptych August 1972, 1972; p. 47 73-03 Triptych May-June, 1973; p. 152 74-02 Triptych March 1974, 1974; p. 140 75-01 Two Studies from the Human Body, 1974 - 1975; pp. 36, 140; ill. No. 60, p. 141 75-08 Two Figures, 1975; p. 142; ill. No. 142, p. 143 75-09 Portrait of a Dwarf, 1975; p. 142 78-06 Seated Figure, 1978; ill. No. 3, p. 14 (installation shot) 79-01 Triptych - Studies of the Human Body, 1979; pp. 36, 152; ill. No. 31, p. 36 (left panel) 82-04 Water from a Running Tap, 1982; p. 45; ill. No. 48, p. 46 82-10 'Kneeling Figure', 1982; pp. 44, 144; ill. No. 62, p. 145 (as 'Untitled (Kneeling Figure)') 83-03 Oedipus and the Sphinx after Ingres, 1983; p. 144 83-04 Statue and Figures in a Street, 1983; p. 32; ill. No. 27, p. 33 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; pp. 44, 144; ill. No. 45, p. 44 (right panel) 88-05 Second Version of Triptych 1944, 1988; p. 146; ill. No. 63, pp. 146-147 91-02 Triptych, 1991; p. 47, 152; ill. No. 50, p. 47 Load more Related Publications (ISBN/ISSN: 9780861404841) 'The Bones and the Flesh: Henry Moore and Francis Bacon' Exhibitions 'Francis Bacon/Henry Moore: Flesh and Bone', Ashmolean Museum, Oxford. , 12 September 2013 - 05 January 2014 Read more about (ISBN/ISSN:9781851497478) Francis Bacon/Henry Moore: Flesh and Bone
By James Norton Details Magazine: : The Burlington Magazine Read more about (ISBN/ISSN:) ‘Bacon’s Beginnings’